Cory Henry joins The Roots on 'The Tonight Show' / Jambands


Cory Henry will join The Roots tonight on The Tonight Show Starring Jimmy Fallon as the Snarky Puppy member promotes his latest album The Revival, out now via GroundUP Music/Verve Label Group. Cory Henry has been playing the Hammond B-3 organ since he was two years old and on The Revival, he has crafted a tribute that shows where the instrument has been and where it can be taken in his monumentally talented hands. Filmed and recorded in Henry's native Brooklyn at the Greater Temple of Praise, The Revival finds Henry taking the organ across multiple genres – gospel, R&B, jazz, soul – in a performance that needs to be seen as much as heard.  Snarky Puppy band mate Michael League calls The Revival "a master class for the organ." The Tonight Show airs at 11:35 PM ET on NBC. Currently, Henry is off the road but will return in October for a series of solo shows in Europe beginning October 5 in Amsterdam.   SEE THE Jambands LISTING
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Pinchas Zukerman talks with WUOL - Radio Louisville about 'Complete DG and Philips Recordings'


Pinchas Zukerman's recording career spans almost 50 years and over 100 recordings. He's been nominated for a Grammy 21 times, and has won two of them. Now Deutsche Grammophon is re-releasing some of his best work with the prolific German recording company, and his work on the Philips label, in a limited edition, 22-disc set. Daniel Gilliam spoke with Zukerman about his career in the recording world. Listen to the attached interview
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  Interview with WUOL's Daniel Gilliam

Ron Davis puts the music in high gear on Pocket Symphronica / No Depression


At first, I thought with the blast of orchestration, that this was going to be some lush, Martin Denny exotica type excursion. But, I was wrong. Ron Davis teases the ears with the introduction and then puts the music in high gear. Simple piano chords hook the listener at the onset as the orchestra builds on a compelling melody -- then, Davis starts tossing out notes in a Dave Brubeck captivating piano style. The orchestra is what gives Davis a distinctively different edge. It's not small combo -- it's almost like someone asked themselves what would Mantovani or Percy Faith sound like if their music was jazzier, edgier or challenging? The shame of Lawrence Welk's Orchestra, back in the 50's & 60's is that many of his musicians were accomplished jazz-big band musicians and they seldom had a chance to just let loose. That's not an issue here with Ron Davis' orchestra. Not in the least. The approach has a nice provocative tint. READ THE FULL No Depression REVIEW
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Jane Ira Bloom's - Early Americans crackles with sustained fortitude / Audiophile Audition


Soprano saxophonist Jane Ira Bloom does something new on her latest album, the 52-minute Early Americans. On her 16th release as a leader, she strips the proceedings down to a trio format. The result is a dozen Bloom originals (and one Broadway standard) which crackle with sustained fortitude, snap with swing and groove, and pop out from the speakers or headphones with auditory aplomb. Bloom is joined by two longtime musical friends: bassist Mark Helias (who first collaborated with Bloom in the mid-70s) and drummer Bobby Previte (who has worked with Bloom for 15 years). It's not hard to imagine the simpatico synergy which filters through each tune, and listening confirms Bloom, Previte and Helias' uncanny communication. READ THE FULL Audiophile Audition REVIEW
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Lisa Batiashvili & BSO take flight at Tanglewood / Boston Musical Intelligencer


Ripe with an intimate humidity and a potent cocktail of bug spray, pinots, and cheese, the Koussevitzky Shed welcomed Sir Andrew Davis, violinist Lisa Batiashvili, and the Boston Symphony Orchestra. Inspired by Brahms's new concerto which arose from a collaboration with violin virtuoso Joseph Joachim, Dvořák started writing his Violin Concerto in A Minor right after the premiere of the Brahms. The powerhouse of an opening immediately sets the mood with a passionate but short fanfare from the orchestra. This reviewer can vouch for the difficulty in diving right into the first solo after such an orchestral introduction. In fact, achieving a balance between soloist and orchestra is an especially challenging task throughout. So often the violin can be drowned out by the orchestra by virtue of Dvořák's writing (one wonders why a man of his 6-foot stature allowed this!) and this can create a prickly push-and-pull between orchestra and soloist. Additionally, the violin part is uncomfortably written, even when compared to more difficult openings of concertos by Brahms or Paganini. However, when played with enough breadth and gusto, it is a truly grand effect. The Georgian-German violinist Lisa Batiashvili, with her consummate technical strength, launched the concerto with latitude and panache. There was no clutter to speak of.  In general, her playing is more spoken than sung; she often prefers portato technique to separate legato slurs. She maintained a trenchant poise, never forcing the instrument past its limits. Batiashvili could have done more to distinguish the violinistic style of this piece from that of, say, the Brahms Violin Concerto or other Romantic war horses. While it is certainly a matter of taste, she opted for a more German than a Czech Dvořák. In the final bars of the first movement, Dvořák writes a delightful chamber interlude with the violin's quiet yet expressive lament accompanied by a small group of winds. The performers treated it more as an extension of robust concerto writing, and could have done more to exploit the opportunity to do something truly breathtaking. In the second movement, Batiashvili's playing never lacked suppleness, and she displayed a clear understanding of when to be chained to bar lines, and when to stretch across them. It was wonderfully balanced and expressive. The crisp, energetic third movement felt downright frisky from both orchestra and soloist. While I would have liked to hear more of the pesante feeling, I was very glad to not hear the finale of Beethoven's Violin Concerto, which is often what ends up happening when violinists perform this work (with more pom-pom-pom, of course). About half way into the movement, Dvořák suddenly introduces a lamenting d minor dumka-esque melody, with indication to avoid preparing it using rubato or tempo changes. In a moment of beautiful fidelity, the performers listened, and were able to alter our mood without needing a "checkpoint to re-calibrate." Batiashvili closed with a rowdy and virtuosic coda. Her approach was more muscular than, say, the effortless and transparent sound of Nathan Milstein but equally convincing, and appropriate considering the venue. READ THE FULL Boston Musical Intelligencer REVIEW
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Pinchas Zukerman discusses 'Complete DG and Philips Recordings' with All Classical Portland


Violinist, violist, and conductor Pinchas Zukerman is close to 70 years old, but shows no signs of slowing down. Or wanting to do so. When I chatted with him for this feature, he was set to perform with his longtime musical partner, Itzhak Perlman, and head to the Berkshire Hills and Tanglewood to speak to several thousand people of the importance of music in one's life. The Deutsche Grammophon label (which is part of Universal Classics, and therefore owns several labels), has a broad-ranging release of 22 CDs that Zukerman made between the mid 1970s and the 1990s. As All Classical's music director, and an employee here since the station's founding in 1983, I'm familiar with nearly every recording. As I learned in talking with Mr. Zukerman, I may be more familiar with his CDs than he is! But that's understandable: the ever-busy musician says while he remembers many of the recordings, he won't be "staring out the window" reminiscing about them, because there's still so much music making to do. Mr. Zukerman says of the role of music in his life: "I am born to make music. Music is my motive since I was five years old, it gives me energy, emotion, everything." This collection gives nearly everything that a fan of this musician, who has 5 decades of performance already racked up, could hope for. In my conversation, you'll hear selections of Cesar Franck's Sonata in A; Vivaldi's "Spring" concerto; a viola sonata by Brahms; Mr. Zukerman conducting horn soloist Hermann Baumann and the St. Paul Chamber Orchestra; and partnering with a then 10-year-old Midori. A collection that serves as a document of one man's contributions to music, and to our lives. LISTEN TO THE All Classical Portland SEGMENT
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  Interview with All Classical Portland's John Pitman

Richard Galliano - Mozart / WFMT: Featured Release


Accordionist Richard Galliano again forges new paths in classical music with this album of well-known Mozart pieces. The third album of classical repertoire from the legendary jazz accordionist follows his successful albums of Bach and Vivaldi. Here he enlists the help of a talented quintet of string players to perform transcriptions of Eine kleine Nachtmusik, the Clarinet Concerto and more. The Mozart: Flute Quartet in D major, K 285: II, Adagio (3:55) & Clarinet Concerto in A major, K 622: III, Rondo (8:36) from 'Richard Galliano Plays Mozart' on Deutsche Grammophon is Today's WFMT: Chicago - Featured CD for Sunday July 24 2016. Richard Galliano, accordion; Bertrand Cervera & Stéphane Hénoch, violins; Jean-Paul Minali-Bella, viola; Raphaël Perraud, cello; Sylvain Le Provost, double bass  
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theguardian reviews vintage Grigory Sokolov in 1975 Beethoven 'Hammerklavier' Sonata


Now that the maverick Russian pianist Grigory Sokolov has become a flavour of the month among piano connoisseurs, digging out ancient recordings by him has become a trend. This one goes back to November 1975, when he recorded one of the most challenging sonatas in the piano repertory at the age of 25. I was not initially convinced by his first movement, whose bursts of anger are not quite integrated into the complex structure. But through the short scherzo and the extended adagio sostenuto the playing deepens, and by the final fugue, Sokolov is in overdrive, achieving a dazzling mixture of utter clarity and profound expression through the tortuous writing. SEE THE guardian PAGE
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DePauw University's 'Global Musician Workshop' features Silk Road Ensemble / Northeast Indiana Public Radio


Opening tonight at the Cinema Center, "The Music of Strangers" is a new documentary by Morgan Neville that explores Yo-Yo Ma and the Silk Road Ensemble's concept of music as a universal language. A few weeks ago, members of the Ensemble shared their techniques right here in Indiana, with the 2nd annual Global Musician Workshop, hosted by DePauw University. "Fewer things bring people together like music," says Cinema Center's Executive Director, Jonah Crismore, adding that, "It is through the art of film, and the story of Yo-Yo Ma and the Silk Road Ensemble, that Cinema Center is able to bring more beautiful music to the community." For insight on the mission shared by the film, the Ensemble, and the Workshop alike, Eric Edberg, DePauw's Faculty Liaison to Silk Road Ensemble's Global Musician Workshop, took time out from his own vacation travels to join Northeast Indiana Public Radio Julia Meek and discuss the power of those musical "ties that bind."
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Mark O'Connor makes music a family enterprise / The Buffalo News


When Fiddler Mark O'Connor was 12 he first performed on the stage of the Grand Ol' Opry. "I'll always vividly remember Roy Acuff introducing me to the crowd," he says now. When his family performed with him this time, it was different. But then country and roots music has been full of family bands for many, many decades. A family country band was, for instance, how the late, great jazz bass player Charlie Haden first played music, and it's something he returned to spectacularly in his final years. What the O'Connor Family band does here is a patch on that incredible Haden Family band record, but it's reasonably appealing on its own. When it turns into tail-kicking bluegrass ("Ruby, Are You Mad At Your Man?"), it's a lot more fun than it is on a couple of the slack, halfhearted ballads and mid-tempo laments. But O'Connor and his mandolin-playing son, Forrest, can play a ton, and assorted wives and fiancees don't hurt a bit. The Hadens are still the unquestioned champs at this sort of record, but O'Connor is, when he wants, a sulfurous fiddler and he and his bunch do fine, thank you, just fine. SEE THE Buffalo News PAGE
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Ed Calle - 360 is KUVO: July CD of the Month


Miami based,  supremely skilled saxophonist Ed Calle is one of So Florida's best kept secrets, this despite being a seasoned veteran,  a highly respected music professor, a Latin Grammy® award winner, a five-time Grammy® nominee and perhaps the most recorded saxophonist ever with over 1,300 appearances in a wide variety of music genres. As impressive as his credentials may be, the best trait of Eduardo Calle is his playing! That's is what makes him be in such high demand and so respected by his peers. As a sequel to his award winning 2015 release Mamblues which was named the best instrumental recording of 2015, Mr. Calle releases his superb360 album containing 12 sizzling selections featuring some of the finest musicians of Metro Miami and his longtime collaborator, Arturo Sandoval on the track One for J J  in which Ed plays clarinet in a New Orleanesque song that will surely make you yearn for some red beans n rice. Calle also includes a dedication to the small enclave of suburban Miami where he lives, Hammocks Hoedown. My personal favorite from this session isWaltz for Sydneythat is a showcase for Ed Calle on soprano sax.  READ THE FULL KUVO: Denver ARTICLE
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'Song of Lahore' wins 'London Indian Film Festival' award / Samaa TV


Song of Lahore, a documentary by Oscar winning filmmaker Sharmeen Obaid-Chinoy and Andy Schocken has won the Audience Choice Award at the prestigious London Indian Film Festival 2016, Europe's largest South Asian Film Festival. The film focuses on the music community of Lahore, which until the late 1970s, was world-renowned for its music and talent. "We are delighted that ‘Song of Lahore' is resonating with audiences around the world. It is an ode to Pakistan's rich musical heritage and we would like to dedicate this award to the Sachal orchestra," said filmmakers Sharmeen Obaid-Chinoy and Andy Schocken. Sharmeen Obaid Chinoy is the only Pakistani ever to bag an Academy Award. No other has been able to match the feat so far. Not only an Academy Award, the Oscar-winning filmmaker also has an auspicious Emmy award to her name. READ THE FULL Samaa ARTICLE READ THE Pakistan Today ARTICLE
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Top 10 Albums for July

Charlie Hunter :

Everyone Has A Plan Until They Get Punched

Charlie Hunter is not only a singular guitarist - he uniquely plays a custom-made seven-string ax that allows him to deliver bass grooves simultaneously with rhythm chords and solo notes - but he's also a creative whose style and expression continue to advance with each project he immerses himself into. Proof positive is Hunter's new album-and 18th as a leader-whimsically titled Everyone Has a Plan Until They Get Punched in the Mouth, out July 22nd on GroundUP Music/Verve Label Group. The superlative ten-tune collection of songs-all originals except for one cover-is steeped in the blues and r&b. Hunter has enlisted a stellar support team of trombonist Curtis Fowlkes, cornetist Kirk Knuffke and drummer Bobby Previte who play live in the studio for optimum effect. 68 TOTAL SYND: NPR/Fresh Air, NPR/Songs We Love, Jazz Variations Direct: MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Minneapolis, Denver, Detroit, Kansas City, New Orleans, Austin, San Antonio, Jacksonville FL, Wichita, Madison WI, Hartford CT, Canada, Australia Online: MOJA, Jazz Weekly, Jazz From Gallery 41, GreenArrow 20 JazzWeek ADD's
The Hot Sardines :

French Fries & Champagne

Formed by bandleader Evan "Bibs" Palazzo and lead singer "Miz Elizabeth" Bougerol, The Hot Sardines have released their sophomore studio album, French Fries & Champagne on Universal Music Classics. The record comes on the heels of their critically lauded self-titled debut album, which was named one of iTunes' best jazz albums of 2014 and spent more than a year on the Billboard Jazz Chart, debuting in the top 10 alongside Michael Bublé and Tony Bennett & Lady Gaga. 15 NEW   132 TOTAL SYND: NPR, Radio DeLuxe, Jazz Inspired, CBC Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Minneapolis, Detroit, Denver, New Orleans, San Diego, Baltimore, St. Louis, Kansas City, Orlando, Tampa, Santa Fe, Madison WI, Wichita KS, Omaha NE, Boulder CO, Honolulu, Toronto INTER: Canada, UK Online: billboard, Vogue, Bandsintown, Paste, examiner, Taintradio, GreenArrow, billboard, The Bluegrass Situation 33 JazzWeek ADD's
Yo-Yo Ma & Silk Road Ensemble :

Sing Me Home

The latest album by Yo-Yo Ma and the Silk Road Ensemble will surprise and delight, with guest performers and imaginative sounds that transform the traditional musical landscape. Sing Me Home is the sixth album by the Grammy-nominated Silk Road Ensemble and its founding member and guiding light Yo-Yo Ma. Available from Sony Music Masterworks. Sing Me Homeis a companion album, developed and recorded alongside The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble, a documentary feature from Oscar® and Emmy-winning director Morgan Neville that tells the story of the Ensemble and Silkroad, its parent organization. The Music of Strangers is slated for theatrical release in June. 8 NEW  259 Total SYND: NPR/ATC & Thistle & Shamrock, APM/Performance Today, PRI/C24, Echoes & The World, Sing Out!, Jazzfm Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Philadelphia, Boston, Cleveland, Minneapolis, Seattle, St. Louis, Detroit, Denver, Portland, Pittsburgh, Baltimore, New Orleans, San Diego, Milwaukee, Albuquerque, Berkeley CA, San Antonio, Louisville, Wichita, Madison WI, Boulder CO., Montreal, Vancouver, Amsterdam INTER: Canada, Ireland, Mexico, Netherlands, Australia Online: axs, CCTV, FilmNewEurope.com, MOVE - Maneater, The Bluegrass Situation Mother Jones, HuffPost, Parade.com, Musicas Imaginadas, allmusic, Bass Player, Wall Street Journal, MusicTAP, Musical Shapes, SONGLiNES, Yam Mag, yesasia.com, PopMatters, Taintradio, Smithsonian.com, Soulandjazz.com, JazzTimes, JazzPolice, examiner, SLANT, Metro, WSJ, Classical Candor, Quisqueya, RootsWorld, Observer.com, Hollywood Reporter, IndiWire
Kenny Barron Trio :

Book Of Intuition

Remarkably, while piano maestro Kenny Barron has recorded more than 40 albums as a leader and countless others as a valued sideman, he had never documented his impressive working trio of bassist Kiyoshi Kitagawa, with him for 20 years, and drummer Johnathan Blake, onboard for the past 10 years. That missing piece in Barron's lengthy discography has been sublimely addressed with his new recording, Book of Intuition, a refined, elegant, lyrical and swinging affair of new and reimagined originals and a triad of covers, including two obscure Thelonious Monk compositions. It's the second of a series of recordings Barron will be delivering for impulse! Records, remarkably revived in 2014 by veteran recording executive and producer Jean-Philippe Allard as a division of Universal Music France. 9 NEW  110 TOTAL SYND: VOA/Jazz America, PRI/Jazz After Hours, Jazz Happening Now, Jazz Variations Direct: SiriusXM, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Atlanta, Cleveland, Detroit, Minneapolis, Portland, Baltimore, New Orleans, Memphis, San Antonio, Raleigh, Tampa, Hartford CT, Wichita KS, Bloomington IN, Hartford CT, Rochester NY, Toronto Online: Jazz From Gallery 41, Jazz Weekly, MOJA, Taintradio, SunMusic, Audiophile Audition, jazzradio.com 49 JazzWeek ADD's
Bill Charlap :

Notes From New York

Playing a melody is an art in itself, one that necessitates experience, intuition and humility. In the jazz capitol of the world, New York City, Bill Charlap is considered one of the great interpreters of melodies, songs written for musicals, and Broadway shows or films that when moved from their original source, become the standards that jazz artists make their own. For his debut impulse! recording, Notes From New York, Charlap has defined and refined his position in the pantheon of New York piano stylists, whose highly influential jazz piano icons include Tommy Flanagan, Hank Jones, and Jimmy Rowles. Tony Bennett, with whom Charlap has recently collaborated with on the Grammy® Award-winning album The Silver Lining: The Songs of Jerome Kern, effuses further that "in the tradition of Art Tatum, Teddy Wilson, George Shearing, Count Basie and Duke Ellington - Bill Charlap joins them as one of the greatest American musicians of our time." 11 NEW  100 TOTAL SYND: PRI/Jazz After Hours, CBC Direct: SiriusXM, Stingray Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Miami, St. Louis, Minneapolis, Detroit, Denver, New Orleans, Baltimore, Orlando, Memphis, San Antonio, Raleigh NC, Wichita KS, Hartford CT, Rochester NY, Toronto Online: Jazz From Gallery 41, Jazz Weekly, MOJA, Audiophile Audition 46 JazzWeek ADD's
Lucy Woodward :

Til They Bang On The Door

Til They Bang on the Dooris a slinky, brassy and decidedly sexy record that marks a bold, new direction for Lucy Woodward. Woodward was looking for "crazy, low brass instrumentation with feminine vocals" for the album, out July 15th on GroundUP Music/Verve Label Group, so she paired up with an all-star recording cast, featuring co-producer Michael League (Snarky Puppy), co-producer/ keyboardist extraordinaire Henry Hey (David Bowie, George Michael), engineer/mixer Nic Hard, organist Cory Henry and core musicians from Snarky Puppy.  "I loved collaborating with some of the best musicians in New York who also happen to be dear friends.  I've worked with them all over the years," she says. "I had been touring with Snarky Puppy which is what sparked the whole concept.  In pretty much one Skype conversation with Henry, Mike and I, we knew where this was going to go.  I wanted to surf on a wave of horns."
Soundtracks :

Independence Day: Resurgence

Sony Classical proudly announces the release of Independence Day: Resurgence Original Motion Picture Soundtrack, featuring music by Thomas Wander and Harald Kloser. The soundtrack will be available digitally on June 17 and on CD July 1. Independence Day: Resurgence will arrive in theatres nationwide on Friday, June 24. Directed by Roland Emmerich, the film stars Liam Hemsworth, Jeff Goldblum, Bill Pullman, Maika Monroe, Travis Tope, William Fichtner, Charlotte Gainsbourg, Judd Hirsch, Jessie Usher, Brent Spiner and Vivica A. Fox.   9 NEW  39 TOTAL SYND: The Score, Sixty Second CD, CBC Direct: SiriusXM, Music Choice, MOOD, AccuRadio, Stingray Markets include: New York, Los Angeles, Boston, Philadelphia, Cleveland, Seattle, Portland, Houston, Detroit, New Orleans, San Antonio, Long Island NY, Hartford CT, Canada Online: GURU, The Eclectic Chair
Nikolaus Harnoncourt :

Beethoven: Missa solemnis

When Nikolaus Harnoncourt conducted Beethoven's Symphonies No. 4 and 5 at the Vienna Musikverein in May 2015, he was not only hailed by the audience, but the mood in the hall was "somehow one of valediction," to quote the subsequent review in the Viennese daily Der Standard. Harnoncourt's recording of these two symphonies was released in February 2016. In July 2015, Harnoncourt returned to conduct the Concentus Musicus Wien in four acclaimed performances of Beethoven's Missa solemnis at the styriarte Festival in Graz and, later, at the Salzburg Festival. They were to be his final concerts. In December 2015 he was forced to announce his retirement from the stage, nor was it possible for Sony Classical to complete its planned recording of all the Beethoven symphonies with Harnoncourt and the Concentus Musicus. 27 NEW  29 TOTAL SYND: Classical 24, CBC Direct: SiriusXM, Music Choice Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Atlanta, Seattle, Cleveland, Minneapolis, Cincinnati, Portland, Detroit, Denver, Pittsburgh, Honolulu, Canada Online: AccuRadio
Soundtracks :

X-Men - Apocalypse

Sony Classical proudly announce the release of the Original Motion Picture Soundtrack of X-Men: Apocalypse, featuring music by John Ottman. Following the critically acclaimed global smash hit X-Men: Days of Future Past, director Bryan Singer returns with X-MEN: APOCALYPSE. Since the dawn of civilization, he was worshipped as a god. Apocalypse, the first and most powerful mutant from Marvel's X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. 9 NEW  33 TOTAL SYND: The Score, Sixty Second CD Direct: SiriusXM, Music Choice, MOOD, Stingray Markets include: New York, Los Angeles, Boston, Philadelphia, Atlanta, Seattle, Portland, Detroit, Cincinnati, San Antonio, Long Island NY, Ft. Wayne IN, Statewide - WV, Canada Online: GURU
Snarky Puppy :

Culcha Vulcha

Snarky Puppy will release their eleventh album and first true studio album in eight years on April 29 via GroundUP Music/Universal Music Classics. Dubbed Culcha Vulcha, the record was recorded at Donic Ranch Studios in Tornillo, TX for a week, and nine new tracks. The album title refers to how we-the Western civilized world-have all become slaves to Pop culture, consuming as many messages to "buy", "be" and "get" as possible. We circle above and wait to swoop in and ravenously eat or "consume" as much messaging as possible so we can feel "full" and satisfied that we are "cool," losing our sense of self-confidence and self-acceptance as we are. 11 NEW   237 TOTAL SYND: NPR/First Listen & World Cafe, PRI/Jazz After Hours, WFMT: JazzNet, Sing Out!, Jazz Variations, UnderCurrents, CBC Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Miami, Cleveland, Seattle, Portland, St. Louis, Baltimore, Denver, Detroit, New Orleans, San Diego, Minneapolis, Pittsburgh, Albuquerque, Madison WI, Boulder CO, Buffalo, Raleigh NC, Omaha NE, Wichita, El Paso, Honolulu, Montreal, Toronto, Vancouver INTER: Canada, UK, Italy, Australia Online: MOJA, JAZZfm, Taintradio, SoulandJazz, Jazz Weekly, Jambands, GreenArrow, stereoboard, LiveForLiveMusic.com, allmusic, animaJazz, Sun Music, DubEra, JamBase, JazzViews, Metro, Mainline, HOTPress, Rhapsody, bandwagon, The Hindu 47 Jazzweek ADD's
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