Celebrating Harry Belafonte's 93rd birthday. A celebration of his life and work with special guests: Common, Maxwell, Sheila E., Talib Kweli, Aloe Blacc, Alice Smith, John Forté, Gael Faye, Resistance Revival Chorus, and many more special guests!
American singer, actor, producer, and activist; Harry Belafonte started as key figure in the folk music scene of the 1950s, especially known for popularizing the Caribbean folk songs known as calypsos. He was also involved in various social causes, notably the civil rights movement. Harry became a folk singer, learning songs at the Library of Congress's American folk song archives. He sang Caribbean folk songs as well, in nightclubs and theatres; his handsome appearance added to his appeal as a frequent performer on television variety programs. With hit recordings such as "Day-O (Banana Boat Song)" and "Jamaica Farewell," he initiated a fad for calypso music and became known as the King of Calypso. In the mid-1950s his Harry Belafonte and Mark Twain and Other Folk Favorites were the first of his series of hit folk song albums. During this time he made his Broadway debut, appearing in the musical John Murray Anderson's Almanac (1953–54); for his performance, he won a Tony Award for supporting actor. Later in the decade he starred on the stage in 3 for Tonight and Belafonte at the Palace.
Throughout his career, Belafonte was involved in various causes. He was a supporter of the civil rights movement and a close friend of Martin Luther King, Jr. Belafonte was active in African humanitarian efforts, notably appearing on the charity song "We Are the World" (1985). In 1987 he became a UNICEF goodwill ambassador. He received the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2014.
100% of the net profit to benefit The Popular Democracy Movement Center and the Harry Belafonte 115th St. NY Library.
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Following his critically acclaimed and multi-award winning recording Johann Sebastian Bach, Icelandic pianist Víkingur Ólafsson will release his new album, Debussy • Rameau, on 27 March 2020. The innovative recording juxtaposes pieces by two giants of French music, Claude Debussy and Jean-Philippe Rameau, exploring the contrasts and common ground between them.
Ólafsson explained, "This album is set up as a dialogue between two of my favourite composers, Jean-Philippe Rameau and Claude Debussy. I see them as musical brothers and soulmates, even though one was 180 years older than the other. They were musicians of the future, who loved to stir things up. They were two uniquely gifted keyboard composers, two progressive and fiercely original musical thinkers who could capture incredibly evocative images through sound. I want to show Rameau as a futurist and I want to emphasise Debussy's deep roots in the French baroque – and in Rameau's music in particular. The idea is that the listener almost forgets who is who, while listening to the album."
Watch Víkingur Ólafsson perform Debussy's ‘La Fille Aux Cheveux De Lin' from his new album Debussy • Rameau.
The Santa Ynez Valley Concert Series will present Grammy Award-winning violinist and producer Johnny Gandelsman in A Violinist Explores Bach's Cello Suites, 7 p.m. Friday, March 20, at St. Mark's-in-the-Valley, 2901 Nojoqui Ave., Los Olivos. Gandelsman will perform as part of the 40th annual Santa Ynez Valley Concert Series.
Since its inception by founder Rose Knoles in 1981, the concert series has brought widely acclaimed classical artists to perform in intimate spaces in the Santa Ynez Valley. Noted for its acoustics and serene ambiance, St. Mark's-in-the-Valley Episcopal Church has been the home of the series since 2007. "We are very much looking forward to hearing Johnny Gandelsman's interpretations of Bach's timeless and transcendent music," said Robert Cassidy, artistic director. "A magical sonic environment will be experienced with the sound of the solo violin resonating off the long-grain fir, high-ceiling interior of the church."
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The Met Opera's Live in HD series for the 2019-20 season continues this Saturday, Feb. 29, 2020 with a transmission of "Agrippina," which was composed by Handel to a libretto by Grimani.
The broadcast, which kicks off 12:55 p.m. Eastern time, will feature Joyce DiDonato in the title role with Brenda Rae as Poppea, Iestyn Davies as Ottone, Matthew Rose as Claudio, Kate Lindsey as Nerone, Dunan Rock as Pallante, and Nicholas Tamagna as Narciso. Harry Bicket directs the production by Sir David McVicar. Find out which theaters in your local area are transmitting the simulcast by clicking here. PHOTO (Credit: Marty Sohl / Metropolitan Opera)
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Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available through Music Theories Recordings. It's been a decade and a half since covering Jake's cover of George Harrison's "While My Guitar Gently Weeps" went viral and propelled Jake to a level of success most never plausible with a ukulele. Now, with nearly twenty albums already under his belt, Shimabukuro enlists the help of bassist Nolan Verner and guitarist Dave Preston, as well as legendary producer R.S. Field, in presenting the ambience of a classic jam session taken into a studio and transformed into a captivating 13 track album.
In conjunction with the alum release, Jake has made some time TODAY!! Feb. 24, 2020 to discuss the tracks with US radio.
Welcome to theartsdesk - Classical CDs Weekly: Beethoven, Bruckner, Notice Recordings. Definitive box sets of sonatas and symphonies, plus striking new music from a US independent label by Graham Rickson for Saturday, 22 February 2020.
"Beethoven paid no attention at all to the conventions of his own time In fact, he only ever wrote music for the future." One strength of Igor Levit's magnificent traversal of Beethoven's piano sonatas is how contemporary, how disarmingly modern he makes many of them sound. Speeds in outer movements are generally swift, the dynamic contrasts extreme. Try No. 25's tiny last movement, pushed to the limit here and almost buckling under the strain. But there's so much energy and joy; you suspect that Beethoven would have approved. He would also have grinned at Levit's fizzing account of No. 25, the grace and flamboyance perfectly matched. One of this set's many attractions is hearing Levit doesn't underplay the earlier, less familiar sonatas. The first three, dedicated to Haydn, are wonderfully handled. No. 2's first movement is laugh-out-loud funny, and No. 3's finale closes with a nicely emphatic full stop.
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In the episode n ° 907 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY 25 February at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm will be the protagonists of the evening will be
TODD MOSBY - CD "Open Waters" Produced by Windham Hill Records founder Will Ackerman, and with a sound described as "an album to daydream to", Open Waters finds Mosby once again embarking on a creative journey navigating through elements of Jazz, New Age, Folk and Indian music. Coming from a family of inventors (he is the co-inventor of the Imrat guitar along with Kim Schwartz and Imrat Khan), Mosby's early musical DNA was formed from his love of Bluegrass and Folk music, which eventually expanded into Fusion and Jazz.
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu Happy listening.
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
There was a time when a woman composer was a relatively rare phenomenon. There was also a time when music critics drew a clear line between "masculine" (read: strong, powerful, large) music and "feminine" (read: gentle, sweet, small) music. If the Ukranian-born pianist Anna Shelest had lived during that time, her new recording of solo piano music by women composers would not have come to fruition and, thus, would not have been able to showcase women's music in its own power.
Good thing we live in the now.
As the recording's title suggests, Donna Voce (Sorel Classics) gives voice to piano music by some of the world's foremost women composers – Fanny Mendelssohn, Amy Beach, Cécile Chaminade, Lili Boulanger and contemporary composer Chia-Yu Hsu.
Anna Shelest's first release featuring virtuosic repertoire by women composers from the last three centuries. The program sheds light on the under-explored territory of piano repertoire and makes the case that the music of female composers, many of whom were virtuoso pianists, is as relevant today as the music of their male counterparts. Works by Clara Schumann, Fanny Mendelssohn, Cecile Chaminade, Amy Beach, Lili Boulanger, and Chiayu Hsu.
Sorel Classics has released a new recording of Sergei Prokofiev's Piano Concerto No.1, in D flat, Op.10 and Piano Concerto No. 2 in G minor, Op. 16 (SC CD006), performed by pianist Anna Shelest, with the Janacek Philharmonic Orchestra, Niels Muus, conductor. Sergei Prokofiev began composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911 and finished it in 1912. A one-movement concerto, it is the shortest of his five complete piano concertos, lasting only around a quarter of an hour. Sergei Prokofiev began work on his Piano Concerto No. 2 in G minor, Op. 16, in 1912 and completed it in 1913. But this concerto was lost; the score was apparently destroyed in a fire following the Russian Revolution. Prokofiev reconstructed the work in 1923, and dedicated it to the memory of Maximilian Schmidthof, a friend of the composer's at the St. Petersburg Conservatory.
10 Total 62 TOTAL
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The Sorel Charitable Organization celebrates the launch of pianist Anna Shelest's latest CD, Spirit and Romance, a selection of works by Bach, Liszt, Schubert, Wagner, Busoni and Schumann, as the inaugural album of Sorel's latest initiative, Sorel Classics, a non profit record label devoted to highlighting the talent and achievements of female singers, instrumentalists, and composers of classical music. Ms. Shelest is the first artist chosen to record under the new label. Having already been dubbed "the female incarnation of Liszt" and described as an artist of "fiery sensibility and warm touch" by The New York Times, Ms. Shelest first came to the attention of Sorel after a Carnegie Hall performance as first prize winner of the Bradshaw & Buono International Piano Competition.
19 NEW 125 Total
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