Acclaimed guitarist Todd Mosby joins me for the latest episode of Harmonious World. We all need perspective right now, and there's a lot of that in Todd's latest album - Aerial Views . Todd's comment about creating music that musicians will love to perform on is very apt and I finish with Aether, one of my favourite tracks of 2021. Harmonious World Podcast gives many thanks to Todd for allowing me to feature clips from Aerial Views alongside our conversation.
Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups-most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors-and embracing influences from the sounds of London's diverse club culture, including house, grime, jungle, and dub. "The common theme in my career as a jazz musician has been wondering if what I'm doing is the thing that I should be doing," says Hutchings, who studied classical clarinet at college at London's prestigious Guildhall School of Music & Drama. "Me learning about jazz, how to play and interpret, was always a case of just trial and error. I think where I've come to recently is I've stopped trying to think ‘Is what I'm doing valid? or ‘Is what I'm doing part of the jazz tradition?' and just see myself as a musician."
Hutchings is featured on the cover of the May issue of Downbeat. SEE COVER IMAGE
Skope's Sasha Lauryn writes....."A world in which people seek the uncertainties, and possibilities, of art" is the vision of one of the most innovative ensembles to be gracing the popular music landscape right now. With the recent release of their latest album, it's undeniable that Art Of Time Ensemble is bringing that vision to life. Led by the artistic direction and vision of Andrew Burashko together with arrangements by Jonathan Goldsmith who reinterpreted a wide array of songs that qualify as standards. Goldsmith stays faithful to the original melodies and form and then pushes the boundaries as far as possible in every conceivable way. After immersing myself in the deeply sensory sonic landscapes, mesmerizing motifs and hypnotic storytelling that their recent album ‘Ain't Got Long' boasts, I can say with certainty they do just that. The Canada based collective have been breaking archaic genre boundaries since 1998, as their eclectic mix of musicians has attracted captivated crowds on multiple tours. Honestly, I'm just waiting for them to announce their next road trip. This album features the phenomenal pipes of Madeleine Peyroux, Gregory Hoskins, Jessica Mitchell and Sarah Slean. Perhaps it's Andrew's perfect pairings of soundscape with singer or the astounding arrangements of the songs themselves that sets this album apart from anything I've experienced.
Whatever it is, I can't get enough.
READ THE FULL Skope Magazine REVIEW
WRTI's SUSAN LEWIS writes......The Catalyst Quartet uncovers music and the stories of the people who wrote it in its new recording series UNCOVERED. The first volume focuses on music by late 19th-century English composer, Samuel Coleridge-Taylor.
The Catalyst Quartet, founded in 2010 by the Sphinx Organization, aims to "reimagine" the classical music experience. "Sometimes classical music is presented like a museum piece," says violist Paul Laraia. "We want to make sure everything we do has relevance to today," and so the ensemble's programs reach out to a diverse audience, with diverse repertoire.
This new project, Uncovered, featuring music of composers who have been overlooked because of race or gender, begins with an album of music by Samuel Coleridge-Taylor, a Black English composer born in the late 19th century, the child of an English mother and an African father from Sierra Leone.
Ironically, Coleridge-Taylor, who was born in 1875 and died suddenly at the age of 37, was acclaimed during his short lifetime. Raised in England, he started violin at 5, joined the Royal College of Music at 15, and at 23, had a triumphant premiere of his cantata, Hiawatha's Wedding Feast, set to the poetry of Henry Wadsworth Longfellow. He toured the U.S., where he visited The White House at the invitation of President Teddy Roosevelt. He was so successful, the story goes, that New York musicians in the early 1900s began referring to him as "The Black Mahler;" others are said to have called him "The Black Dvorak."
And while Hiawatha's Wedding Feast remains familiar to many choral ensembles and you may recognize his melodies such as Deep River, much of his over 80 compositions, including operas, ballet music, songs, a symphony, violin concerto and chamber music are unknown today.
Volume 1: Samuel Coleridge-Taylor includes one quartet, and two quintets, one featuring pianist Stewart Goodyear, and one with clarinetist Anthony McGill.
LISTEN & WATCH THE 90.1WRTI: Philadelphia INTERVIEW
'SOMETHING came from Baltimore's' Thom Gouker......Yeah! This was a big thrill for me. I was nervous interviewing one of my favorite artists of all time, Joe Lovano, so I decided to ask him 20 goofy questions to see how he handled them. He easily accepted the challenge and spun junk questions into gold. It's very impressive and that it why I suggest that you check out the Youtube interview, we chatted for 1 1/2 and must of it make it to tape.
"Garden of Expression" is the sent album with the trio Lovano/Crispell/Castaldi, the first was the 2018 release "Seeds of Change"
Do we have to explain who Joe Lovano is????? This is copied from Wiki. Joseph Salvatore Lovano (born December 29, 1952) is an American jazz saxophonist, alto clarinetist, flautist, and drummer. He has earned a Grammy Award and several mentions on Down Beat magazine's critics' and readers' polls. He is married to jazz singer Judi Silvano with whom he records and performs. Lovano was a longtime member of a trio led by drummer Paul Motian.
LIMELIGHT Magazine's Clive Paget writes......Superlative soloists and compelling chamber music from a quartet on a mission.
One of the revolutions set in progress by last year's Black Lives Matter protests has been the refocusing of the classical music industry's attention of composers of colour, many of them historical figures formerly the preserve of the curious collector and rarely programmed live.
New York-based Catalyst Quartet was founded in 2010 by the Sphinx Organization, an outstanding Detroit-based social justice organisation dedicated to transforming lives through the power of diversity in the arts. The ensemble (Karla Donehew Perez, violin; Abi Fayette, violin; Paul Laraia, viola; and Karlos Rodriguez, cello) build programs and projects accordingly and this excellent release of music by Samuel Coleridge-Taylor is the first in a projected series of "Uncovered" CDs focussing on composers overlooked because of race and/or gender (others releases will include music by Joseph Boulogne Chevalier de Saint-Georges, William Grant Still, Florence B. Price, Coleridge-Taylor Perkinson, and George Walker).
CLICK HERE FOR THE LIMELIGHT PAGE
Spellbinding Music's GUILLAUME writes....Born in Chicago and based in Palo Alto, California, William Susman is an American composer and pianist whose work encompasses orchestral, chamber, vocal and soundtrack music informed by western classical, jazz, African and Latin American traditions as well as contemporary minimalism. Constantly toying with instrumental permutations – from solo performance to his scaled-down big-band formation Octet – the music of William Susman is a continuous exploration of harmonic and rhythmic patterns. Released in October 2019 and January 2021 respectively on his own Belarca label, Collision Point and A Quiet Madness introduce works spanning over 25 years.
This is "music for moving pictures" – to paraphrase the title of his documentary soundtrack released in 2009 – an astute and contemporary sonic expression of the "quiet madness" playing out on 24-hour news TV channels or as an infinite scroll on our smartphone screens.
READ THE FULL Spellbinding Music REVIEW
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
Anoushka Shankar talks with The Hindu about de-exotifying the sitar
Posted: March 22, 2021 12:00 AM
| By: Admin
The Hindu's Sweta Akundi writes......Anouska Shankar has never shied away from talking about abuse. Four years before the MeToo movement took hold globally, in 2013, the sitar exponent revealed that she had been sexually abused as a child. So in a way, her latest song, Sister Susannah has been years in the making.
Written by poet Nikita Gill, and recited in spoken word by Anoushka over loops of the sitar, the track is a satirical take from the point of view of a controlling man. "It creates this tension in the song, which I hope will broaden the conversation around abuse and violence," says Anoushka, over a call from her home in London, where she is waiting out the pandemic with her two sons.
‘"Sister Susannah' is a song I have toyed with for some time, and the current situation, alongside people's visceral reactions to our rare live performances of the song, prompted me to revisit and release it," she says.
The "‘current situation" is what she calls a shadow pandemic of domestic violence and abuse, proven by the rising number of calls made to women helplines in the UK, US and India in the past year of lockdowns.
In ‘Sister Susannah', Anoushka is creating the same space that we found in her previous album, Love Letters, with collaborations with many of the same women musicians and producers, including Alev Lenz. The track, with a few other unreleased singles and remixes, will be included in an extension of the album, called, Love Letters PS, to be released this June.
Seven-time Grammy® Award-nominated sitarist, composer and producer Anoushka Shankar announces a stunning new digital release Love Letters P.S., out on 4th June 2021 on Decca Records Group imprint Mercury KX. The new digital release follows on from the original Love Letters EP released in February 2020 and includes four new tracks: two remixes from composer-producers Kaitlyn Aurelia Smith and Sandunes and two brand new songs.
For Love Letters P.S., Anoushka is joined by a stellar line-up of female collaborators including singer, songwriter and pianist Norah Jones, singer, co-producer and co-writer Alev Lenz, singer and cellist Ayanna Witter-Johnson and mastering engineer Heba Kadry (Björk, Slowdive) alongside Kaitlyn Aurelia Smith and Sandunes. Celebrated, best-selling poet Nikita Gill contributes the spoken word poem to ‘Sister Susannah' - her first foray into music.
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. Hailed by the Guardian as a "virtuoso sitar player", Anoushka truly pushes the boundaries of how the instrument is heard and perceived and "uses it as a vehicle for creativity" (Times).
Love Letters documents a time of profound flux for Anoushka: health issues, heartbreak, domestic upheaval – "These were difficult times, which pushed me into some very vulnerable places. I've written from a personal place before, of course, but there was something particularly tender about the process this time, and it was a creative challenge to be brave enough to allow the music to remain as raw as it began" she says.
Land of Gold, Anoushka Shankar's fourth album for Deutsche Grammophon, is her heartfelt response to the trauma and injustice experienced by refugees and victims of war. Offering an uplifting message of hope for dark times, its music was inspired by recent news images of people fleeing civil war, oppression, poverty and unbearable hardship. The album contemplates the common thread of humanity and its power to reconnect people divided by hatred and fear. "The seeds of Land of Gold originated in the context of the humanitarian plight of refugees," Anoushka recalls. "It coincided with the time when I had recently given birth to my second child. I was deeply troubled by the intense contrast between my ability to provide for my baby, and others who desperately wanted to provide the same security for their children but were unable to do so."
15 NEW 132 Total
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After several stunning experimental/crossover albums, including the Grammy®-nominated recordings Rise, Traveller and Traces Of You,Anoushka Shankar returns to her classical roots, paying homage to the teachings of her father and guru Ravi Shankar. Home features two ragas, one of which is a creation of Ravi Shankar's, and with them Anoushka shares an intimate, heartfelt live performance in the traditional style. Indian classical music is not written down, but has been improvised and passed down through an oral tradition for centuries; Home is a paradigm of this genre, exemplifying the unique dichotomy between the ancient structure and in-the-moment improvisations. Home is self-produced by Anoushka, and on it she strove torecord the ancient instruments at an unprecedented, "high-definition" quality, working with a team of experts to design a studio in her own home that would be uniquely suited to the timbre of her instrument.
16 NEW 43 Total
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Inspired by the loss of her legendary father, Ravi Shankar, and by the idea that everything in the universe leaves an indelible mark on everything else, Anoushka Shankar releases her first Deutsche Grammophon recording: Traces of You. The work is a juxtaposition of sorrow surrounding the loss of her father during the recording process and the joy of raising her son, Zubin. Anoushka Shankar has been nominated for three Grammy® Awards, making her the first Indian female and youngest-ever nominee in the World Music category. As a classical sitarist her professional debut was at the age of thirteen and she has championed her father's orchestral works with the world's leading orchestras. Shankar will tour the U.S. in support of the album.
24 NEW 'ON' 196 Total
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From the time that the great sitar maestro Ravi Shankar attuned Western ears to the eloquence of Indian Classical music, the world has been fertile ground for creating new fusions of culture and music. The evidence is heard in music from the Beatles to Led Zeppelin, as well as that of Anoushka Shankar and Karsh Kale. East meets West with the Anoushka Shankar, Karsh Kale collaboration on Breathing Under Water. The new CD on Manhattan records includes guest tracks by Sting, and Anoushka's sister Norah Jones
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Sitarist and composer Anoushka Shankar releases: Rise, her first studio recording in 5 years, and first release since 2001's Grammy-Nominated CD Live At Carnegie Hall.
TIME Asia wrote: "Anoushka Shankar has made her sitar an instrument not just of a silky melody but of a cultural revival, injecting freshness and energy into traditional Indian music, and broadening its appeal for a younger generation."
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