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Apollo Chamber Players

Trace of Time

Azica Records
Release Date: August 23, 2024

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Gallo Ciego, with Hector Del Curto
Fantasia for Theremin, Oboe, String Quartet, and Piano | B. Martinů
1 Hector Del Curto – Trace of Time (2021) [9:36]  
2 Julia Smith – Quartet for Strings / Allegro Ritmico [4:11]  
3 Lento Expressivo [5:44]  
4 Allegro Giocoso [3:02]  
5 Jessie Montgomery – Voodoo Dolls (2008) [5:18]  
6 Adolphus Hailstork – Deep River: Rhapsody for String Quartet (2021) [10:47]  
7 Astor Piazzolla – Tango Ballet (1956) [11:58]  
8 Hector Del Curto – Bien Curiosa (2022) [3:43]  
9 Agustín Bardi (Arr. Víctor Lavallén/Jisoo Ok) – Gallo Ciego (2020) [3:45]  
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On Friday, August 23, 2024, Apollo Chamber Players releases their seventh album, Trace of Time, as a digital release on Azica Records. In this project featuring works by Héctor Del Curto, Julia Smith, Jessie Montgomery, Adolphus Hailstork, Astor Piazzolla and Agustín Bardi, Apollo brings together a diverse patchwork of cultural stories seen partly through the lens of how they linger in our memories as time passes. Of the seven pieces featured on the album, three were commissioned by Apollo Chamber Players with the request that each composer craft a piece reflecting their heritage – yielding an album capturing influences ranging from Argentine Tango music to West African drumming patterns and African-American spirituals. Houston-based Apollo Chamber Players, the core string quartet ensemble consisting of Matthew J. Detrick and Anabel Ramirez Detrick, violins; Aria Cheregosha, viola; and Matthew Dudzik, cello – are joined on select tracks by renowned bandoneon performer Hector Del Curto and guest violists Melissa Reardon and Ashleigh Gordon.

In Trace of Time, Apollo continues its mission of storytelling through music, celebrating diverse cultural experiences and bringing communities together. Their previous album, Moonstrike (Azica Records, 2022) was praised by Take Effect for “inestimable, multi-cultured, rhythmic chamber sounds that we could never tire of.” For this new album, the thematic and cultural ideas in the music are accented by vibrant artwork created digitally on an iPad by Houston-based artist Lynn Lane, including portraits of each featured artist and composer along with cover art depicting an Argentinian street lamp, known as a “farole.” This captivating image evokes the passage of time in one of the album’s key settings while hinting at other historical references – including the use of lamps as guidloeposts signaling freedom on the Underground Railroad.

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