Now in its 39th season, the Alexander String Quartet has undergone some personnel changes, but its founding violist, Paul Yarbrough, is still in his lofty place. That will change on May 16, with Yarbrough's final performance as a member of the ASQ, in the Herbst Theater closing of the 2019–2020 San Francisco Performances Saturday Morning Series.
After Yarbrough's retirement, this summer the quartet will welcome his successor, David Samuel, a violist with a long history of working with the ASQ as a guest artist in recording and education projects. Samuel has a prestigious career as a chamber musician, soloist, and orchestral musician. He is currently associate principal violist with the Auckland (NZ) Philharmonia Orchestra, and serves on the faculty of the University of Auckland. Photo Credit: Shirley Singer
READ THE FULL San Francisco Classical Voice ARTICLE
Norwegian composer and pianist Ola Gjeilo has a musical style that is often described as cinematic and evocative, characterised by warm harmonies, flowing melodies and gently rocking, repeated figures. He is an exclusive Decca Classics recording artist, and the new album follows the highly successful Winter Songs (2017) and Ola Gjeilo (2016), which also feature Tenebrae, Voces8 and the Choir of Royal Holloway. NIGHT is his first solo piano album to be released on Decca.
Gjeilo's now presents a stunning collection of brand-new original works for solo piano, composed and performed by Gjeilo himself. NIGHT is an intimate and meditative collection of peaceful piano music, inspired by the twilight hours in the place he now calls home – New York City.
In conjunction with this release Ola has made some time today! Thursday February 28 to speak with US radio.
Game of Tones:
Microtonal Guitarist John Schneider plays the 30th iteration of PITT's Beyond 2020 Microtonal Music Festival.
Despite its modernist ring, microtonal music is not a recent phenomenon. The term was first coined over a century ago, and the concept - music using altered pitches and tuning systems to play notes not found in the standard Western twelve-tone system - has been utilized as far back as history books go. But thanks to the internet, the ease of self-education through YouTube tutorials, and the advancement of musical technology, microtonal music has evolved into an (almost) mainstream field of study and expression.
Founder of MicroFest, John Schneider is a guitarist and arranger who also writes for harp and percussion. A professor of music at Los Angeles Pierce College, Schneider also hosts the KPFK Los Angeles weekly radio program "Global Village."
From Fri., Feb. 28 to Sun., March 1, a slate of local and international groups will explore microtonality from a variety of approaches through a mix of electronic and acoustic instruments, light shows, video projections, and dance, as well as lectures from experts in the field. Performers include Del Sol String Quartet (San Francisco), MikroEnsemble (Finland), Brightwork Ensemble (Los Angeles), and Pittsburgh musicians Aaron Myers-Brooks, Nuiko Wadden, and Lindsey Goodman, and many more.
READ THE FULL PGH City Paper ARTICLE
Rhythm Planet showcases mostly new releases in our playlist this week, together with some rediscoveries and remembrances along the way. On the jazz front, we hear the music of saxophonists Eric Alexander, Wayne Shorter (by Jazz at Lincoln Center Orchestra), and Brent Jensen; plus pianists Tim Ray, Joey Alexander's "Inner Urge", and Laurence Hobgood's lovely string-quartet version of Glen Campbell's classic song "Witchita Lineman." Vibraphonist Chris Dingman's new album is called Embrace, and we listen to "Inner Child" from it. This week's playlist also includes; Sheku Kanneh-Mason & London Symphony Orchestra / "Blow the Wind Southerly.
READ THE FULL KCRW: Rhythm Planet Article and Playlist for 2/25/20:
Joey Alexander, the Grammy-nominated jazz pianist, composer and bandleader recently unveiled 'Warna' (Verve Records). The album is primarily a collection of reflective, moving new and original music by an experienced and confident musician. Translating as "color" from Alexander's native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics' and readers' poll victories in DownBeat and JazzTimes. Joining Alexander on the new album are Larry Grenadier and Kendrick Scott, who comprise the core piano trio. On several tracks, Venezuelan-born percussion Luisito Quintero, and flautist Anne Drummond, join the burgeoning jazz pianist.
Joey sits down with 91.3KXCI: Tucson to discuss the recording. Listen to the attached file
The two Piano Concertos by Frederic Chopin recorded here have been an integral part of British pianist Benjamin Grosvenor's repertoire ever since his early teens. And this level of familiarity definitely manifests itself in his playing. There's a constant fluid limpidity and clarity to his phrasing, and an overall forward momentum shaped by delicate contours. Nothing ever sounds forced or affected, but rather seemingly moves along naturally. The slow passages are contemplative whilst the fast passages quite simply dance off the keyboard. And when a certain degree of darkness creeps into the music, his playing takes on an appropriately different mien, and the same can be said when the music takes on a highly Polonaise style.
READ THE FULL Classical Music Sentinel REVIEW
Touring solo artists come to Western Pennsylvania almost every week of the concert season. Touring orchestras, by contrast, are a real rarity. Yes, Gustav Mahler and the New York Philharmonic played in Pittsburgh before World War I, and Leonard Bernstein and the Vienna Philharmonic came here more than 30 years ago.
The Venice Baroque Orchestra will perform a program called "Vivaldi and the Apotheosis of the Concerto in the 18th Century" on Feb. 29 at Pittsburgh's Carnegie Music Hall in Oakland. Andrew Fouts is keyed up for the Venice Baroque concert. He and his colleagues in Chatham Baroque are mainly responsible for local concerts which present baroque music in historically informed style on period-style instruments.
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‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
Jackson Browne talks about Haiti benefit album with The Independent
Posted: January 31, 2020 12:00 AM
| By: Admin
Jackson Browne: ‘My generation were idealistic and naive but we were right about so many things'
The singer-songwriter talks to Kevin E G Perry about his benefit album for Haiti, the calamitous state of the planet, Donald Trump's ‘wild lies', his fears about the election, and getting old.
The morning after our interview I get a call from Jackson Browne. I stare at my phone in bleary-eyed confusion, trying to remember if one of the all-time great singer-songwriters had let slip anything scandalous he might be eager to recant, but when I pick up I hear his warm Californian tones overflowing with enthusiasm. "I just realised I didn't finish telling you about Rick!"
Rick appears in the third verse of Browne's song "Love Is Love", the lead single from a new benefit album, Let the Rhythm Lead, which he recorded in Haiti along with a group of fellow musicians to support the charity Artists for Peace and Justice (APJ). Browne has been passionate about their work since playing a benefit concert after the devastating 2010 earthquake, and was impressed by APJ's ability to swiftly build a school in Port-au-Prince that now provides free education to 2,600 of the most impoverished children in the western hemisphere. Moved by the stories he heard from Haiti, Browne wrote "Standing in the Breach", the title track of his 2014 album about the disaster and the long history of colonialism and slavery that preceded it. "It's a difficult subject, so it took me a long time to finish that song," he says. "I think it took me longer to write than it took them to build the school."
It was only when he arrived in Haiti to visit the school that APJ built that Browne learned they'd also constructed an artist's institute in the south coast town of Jacmel, where young people were learning to become sound engineers in a modern studio. "When I saw it I thought, well, people from outside of Haiti should come here and work," he says. "So I asked some people if they wanted to come." PHOTO: ( Rex )
Let the Rhythm Lead: Haiti Song Summit Vol. 1 is a meeting of musical styles and traditions that brings together the world views of songwriters Paul Beaubrun, Jackson Browne, Habib Koité, Jenny Lewis, Raúl Rodríguez, Jonathan Russell and Jonathan Wilson alongside members of Haitian roots band Lakou Mizik at the Artists Institute of Jacmel.
Steeped in polyrhythmic drumming of Haitian Vodou, complex notes of Spanish Tres, Flamenco and Malian Guitar, interwoven with North American folk and rock, Let the Rhythm Lead is a musical odyssey, employing an array of diverse songwriting traditions and genres to tell stories of new friendships and collaborations, powerful spirits and ancient traditions, all the while honoring humanity, love, understanding, awakening and rejuvenation. Six languages narrate the journey with singing in English, French, Creole, Khassonké, Manding and Spanish.