Contrabass Conversations writes......Mark Helias is a renowned bassist, composer and producer who has performed throughout the world for more than four decades with some of the most important and innovative musicians in Jazz and Improvised Music including Don Cherry, Edward Blackwell, Anthony Davis, Dewey Redman, Anthony Braxton, Abbey Lincoln, Cecil Taylor, and Uri Caine. Mark recently released Some Kind of Tomorrow with saxophonist Jane Ira Bloom.
We talk about what life has been like during the pandemic, this latest remote album collaboration with Jane and about remote collaboration in general, and many lessons learned from Mark's years working as a jazz bassist.
The debut album of Joe Lovano's Trio Tapestry was one of 2019's most talked-about releases. This musical concept is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus.
Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. The music he writes for this group-tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving-encourages subtle and differentiated responses from his creative partners, creating interactions in which Lovano describes as "magical." Carmen Castaldi's space-conscious approach to drumming further refines an improvisational understanding that he and Lovano have shared since the early 1970s. The trio is also an inspired context for Marilyn Crispell's solos, counter melodies, and improvisational embellishments. Her feeling for sound-color helps the chamber music character of the group bloom.
Joe Lovano sat down with Ruth Fisher of JazzFM's Full Circle. Ruth commented that she was "Really thrilled to be in conversation with the incredible sax man. SEE THE POST
Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Released by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Montana Public Radio's John Floridis interviewed HH about the new recording. LISTEN TO THE SEGMENT
udiscovermusic.'s Sharon Kelly writes.....Oboist Albrecht Mayer has released his new album Mozart, a personal and affectionate tribute to one of the greatest composers who ever lived. Albrecht Mayer has lived with Mozart's music for almost half a century. He first discovered the composer while he was a boy soprano in the Bamberg Cathedral Choir, an early experience which is perhaps partly responsible for the warm, singing quality of his oboe playing. Albrecht Mayer's new album Mozart is inspired by his lifelong love for the composer's music and is his first all-Mozart album. Photo: Christoph Köstlin
READ THE FULL udiscovermusic. ARTICLE
In her first new recording in a decade, Joy Harjo – the first Native American named Poet Laureate of the United States – digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world – I Pray for My Enemies, was released from Sunyata Records/Sony Orchard Distribution on March 5, 2021.
Collaborating with producer/engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of these times.
"The concept for I Pray for My Enemies began" says Harjo, "with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment – that is, to beat together."
Join Spokane Public Radio's 'Soundspace' as Zan hosts a phone interview with the multi-instrumentalist musician, poet, performer, activist and 23rd U.S. Poet Laureate, as she speaks about what inspired her recent album. LISTEN
KDFC - KUSC's Brian Lauritzen and Jeffrey Freymann write.....Minari tells the story of a Korean family that moves to Arkansas in the 1980s, hoping to find their American dream by working a farm. For almost every film, the score is the last element to be added – after all the other editing has been done, and the actors have moved on to their next projects. But composer Emile Mosseri approached his score to Minari another way, writing many of the original themes when there was only a script, and the film hadn't yet been shot.
He says he sent director Lee Isaac Chung sketches for the score even before he was officially hired as the film's composer, and thinks that the music would have had a less important role if it had been written later.
Mosseri has only scored a handful of films, including the critically acclaimed The Last Black Man in San Francisco and Miranda July's Kajillionaire, yet won this nomination (one of six for the film) with a score about the intersection of two cultures that doesn't try to sound like either of them.
Listen to Brian Lauritzen and Emile Mosseri chat on KDFC: San Francisco & KUSC: Los Angeles
WFMT's Lisa Flynn writes.....The new album by Charles Richard-Hamelin presents two important works by Frédéric Chopin and consolidates the musician's place in the highest ranks of the pianistic world. Describing the 24 Preludes, Richard-Hamelin says: "One can hear the entire scope of Chopin's output inside the microcosm that are the Preludes. Across all the different major and minor keys, we get hints of his Études, Nocturnes, Impromptus, Mazurkas, and even fragments of larger works such as the Ballades. Yet, there is also a sense of an overarching story being told in 24 chapters of various lengths and weights. It is Chopin at his most beautiful, heart-wrenching, experimental, dissonant, sometimes even violent. It is a fascinating journey through the human psyche and my interpretation aims to show precisely that."
For April 13, 2021, Charles Richard-Hamelin: Chopin Preludes is the WFMT: Chicago 'Featured New Release'
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
Avi Avital loves his plucked string family / New Classical Tracks
Posted: February 17, 2021 12:00 AM
| By: Admin
New Classical Tracks Julie Amacher writes......Backed by years of study and critically acclaimed performances, Avi Avital's latest album for Deutsche Grammophon presents a survey of the finest works ever written for mandolin. The pioneering Israeli musician's first full recording of original compositions for his instrument reflects the quality and breadth of its classical repertoire. Art of the Mandolin charts the artistic journey of a performer whose inspired new commissions and arrangements of virtuoso works have introduced the solo mandolin to the world's leading concert halls.
Backed by years of study and critically acclaimed performances, Avi Avital's latest album for Deutsche Grammophon presents a survey of the finest works ever written for mandolin. The pioneering Israeli musician's first full recording of original compositions for his instrument reflects the quality and breadth of its classical repertoire. Art of the Mandolin, released today internationally, also charts the artistic journey of a performer whose inspired new commissions and arrangements of virtuoso works have introduced the solo mandolin to the world's leading concert halls.
Art of the Mandolin, on which Avital is joined by the Venice Baroque Orchestra, harpist Anneleen Lenaerts, guitarist Sean Shibe, harpsichordist Yizhar Karshon and theorbo player Ophira Zakai, includes a concerto by Vivaldi, a sonata by Domenico Scarlatti, Beethoven's exquisite yet little-known Adagio ma non troppo for mandolin and harpsichord (or harp), and more recent chamber and solo works by Paul Ben-Haim, Hans Werner Henze, Giovanni Sollima and David Bruce. The programme not only reveals the versatility of this instrument but allows glimpses of its fascinating history over the last three centuries. Avital has specifically chosen music by composers not known for their mandolin works: "I wanted to explore what the instrument meant, and means, in the wider world – to composers who are, as it were, coming to it from the outside rather than the inside."
Deutsche Grammophon presents the extended, limited edition of Avi Avital's "spellbinding" (Newark Star-Ledger) DG debut, Bach. The album features several tracks of newly recorded Bach, all arranged by Avital for the mandolin, including the famous Prélude from Cello Suite No. 1, BWV 1007.
The GRAMMY-nominated Israeli mandolinist Avi Avital has been praised as a both an "enthralling and sensitive soloist" (Boston Globe) and a "convincing advocate for his instrument" (Wall Street Journal). As the first mandolinist signed to Deutsche Grammophon, he has brought the instrument to entirely new audiences, building a fresh legacy for the mandolin through virtuosic performance and a commitment to commissioning new works and arrangements in a range of genres. Avital has now released - Vivaldi, his third album on DG that returns the instrument to its origins-the Venetian Baroque and master composer Antonio Vivaldi. On this CD Avital captures the mystical spirit of Venice, shedding new light on Vivaldi's musical genius by performing his own transcriptions of the composer's works. He is joined on the album by the Venice Baroque Orchestra on this, the ensemble's twelfth recording on Deutsche Grammophon. Avital and the VBO are also about to embark on a major North American tour this spring, stopping in Southern California, Miami, Boston and Carnegie Hall as well as Calgary and Montreal.
16 New 'ON' 116 TOTAL
SYND: Classical 24, Classical Guitar Alive, Sunday Baroque, CBC Direct: SiriusXM, Music Choice, MOOD, Spafax Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, Houston, St. Louis, Minneapolis, Denver, Portland, Pittsburgh, Baltimore, Cincinnati, New Orleans, Detroit, Austin, Memphis, Albuquerque, Louisville, Buffalo, Honolulu, Canada Online: ClassicallyHip, Tainradio
Reflecting a blend of genres, Between Worlds is Grammy-nominated mandolin player Avi Avital's second album for Deutsche Grammophon/Universal Music Classics, slated for release on January 14, 2014. Avital embraces both improvisational and traditional music with this new record, combining elements of classical and traditional folk resulting in a rich and adventurous musical journey.
25 New 'ON' 77 TOTAL
SYND: PRI/Classical 24, The Romantic Hours Direct: SiriusXM, Music Choice, MOOD
Markets include: New York, Los Angeles, Chicago, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Denver, Portland, Baltimore, Portland, Cincinnati, New Orleans, Detroit, Pittsburgh, Austin, Memphis, Madison WI, Buffalo, Louisville, Columbus OH, Honolulu Online: RadioIO, Taintradio, MusiClassical, WGOE