Contrabass Conversations writes......Mark Helias is a renowned bassist, composer and producer who has performed throughout the world for more than four decades with some of the most important and innovative musicians in Jazz and Improvised Music including Don Cherry, Edward Blackwell, Anthony Davis, Dewey Redman, Anthony Braxton, Abbey Lincoln, Cecil Taylor, and Uri Caine. Mark recently released Some Kind of Tomorrow with saxophonist Jane Ira Bloom.
We talk about what life has been like during the pandemic, this latest remote album collaboration with Jane and about remote collaboration in general, and many lessons learned from Mark's years working as a jazz bassist.
The debut album of Joe Lovano's Trio Tapestry was one of 2019's most talked-about releases. This musical concept is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus.
Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. The music he writes for this group-tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving-encourages subtle and differentiated responses from his creative partners, creating interactions in which Lovano describes as "magical." Carmen Castaldi's space-conscious approach to drumming further refines an improvisational understanding that he and Lovano have shared since the early 1970s. The trio is also an inspired context for Marilyn Crispell's solos, counter melodies, and improvisational embellishments. Her feeling for sound-color helps the chamber music character of the group bloom.
Joe Lovano sat down with Ruth Fisher of JazzFM's Full Circle. Ruth commented that she was "Really thrilled to be in conversation with the incredible sax man. SEE THE POST
Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Released by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Montana Public Radio's John Floridis interviewed HH about the new recording. LISTEN TO THE SEGMENT
udiscovermusic.'s Sharon Kelly writes.....Oboist Albrecht Mayer has released his new album Mozart, a personal and affectionate tribute to one of the greatest composers who ever lived. Albrecht Mayer has lived with Mozart's music for almost half a century. He first discovered the composer while he was a boy soprano in the Bamberg Cathedral Choir, an early experience which is perhaps partly responsible for the warm, singing quality of his oboe playing. Albrecht Mayer's new album Mozart is inspired by his lifelong love for the composer's music and is his first all-Mozart album. Photo: Christoph Köstlin
READ THE FULL udiscovermusic. ARTICLE
In her first new recording in a decade, Joy Harjo – the first Native American named Poet Laureate of the United States – digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world – I Pray for My Enemies, was released from Sunyata Records/Sony Orchard Distribution on March 5, 2021.
Collaborating with producer/engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of these times.
"The concept for I Pray for My Enemies began" says Harjo, "with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment – that is, to beat together."
Join Spokane Public Radio's 'Soundspace' as Zan hosts a phone interview with the multi-instrumentalist musician, poet, performer, activist and 23rd U.S. Poet Laureate, as she speaks about what inspired her recent album. LISTEN
KDFC - KUSC's Brian Lauritzen and Jeffrey Freymann write.....Minari tells the story of a Korean family that moves to Arkansas in the 1980s, hoping to find their American dream by working a farm. For almost every film, the score is the last element to be added – after all the other editing has been done, and the actors have moved on to their next projects. But composer Emile Mosseri approached his score to Minari another way, writing many of the original themes when there was only a script, and the film hadn't yet been shot.
He says he sent director Lee Isaac Chung sketches for the score even before he was officially hired as the film's composer, and thinks that the music would have had a less important role if it had been written later.
Mosseri has only scored a handful of films, including the critically acclaimed The Last Black Man in San Francisco and Miranda July's Kajillionaire, yet won this nomination (one of six for the film) with a score about the intersection of two cultures that doesn't try to sound like either of them.
Listen to Brian Lauritzen and Emile Mosseri chat on KDFC: San Francisco & KUSC: Los Angeles
WFMT's Lisa Flynn writes.....The new album by Charles Richard-Hamelin presents two important works by Frédéric Chopin and consolidates the musician's place in the highest ranks of the pianistic world. Describing the 24 Preludes, Richard-Hamelin says: "One can hear the entire scope of Chopin's output inside the microcosm that are the Preludes. Across all the different major and minor keys, we get hints of his Études, Nocturnes, Impromptus, Mazurkas, and even fragments of larger works such as the Ballades. Yet, there is also a sense of an overarching story being told in 24 chapters of various lengths and weights. It is Chopin at his most beautiful, heart-wrenching, experimental, dissonant, sometimes even violent. It is a fascinating journey through the human psyche and my interpretation aims to show precisely that."
For April 13, 2021, Charles Richard-Hamelin: Chopin Preludes is the WFMT: Chicago 'Featured New Release'
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
Hot on the heels of his 2020 Diapason d'Or and Gramophone Award triumphs, British pianist Benjamin Grosvenor presents his first album in a renewed exclusive partnership with Decca Classics.
The album, Liszt, is released on 19th February 2021, signifying Grosvenor's most substantial solo recording to date, centred around the works of the Romantic piano virtuoso and composer, Franz Liszt. The release marks Benjamin's sixth album on Decca Classics, following the award-winning Chopin Piano Concertos in 2020.
Grosvenor says, "Decca Classics has been my recording home for the last decade, and I'm pleased that we are continuing our partnership with this new release. The music of Liszt has been central to my repertoire since I was introduced to it as a child, by my grandfather. I wanted with this recording to show the composer in his different aspects, including some of his original compositions, but also displaying the extraordinarily re-creative abilities he showed in his transcriptions."
British pianist Benjamin Grosvenor presents a new recording of two concerto favorites: Chopin's Piano Concertos Nos.1 and 2, released on Decca Classics. Recorded with Elim Chan and the Royal Scottish National Orchestra (RSNO), the record marks Benjamin's fifth album on Decca Classics, following the hugely successful Homages in 2016, and is his first orchestral album since 2012.
These works have been an active part of Grosvenor's repertoire since his early teens: "Chopin was the first composer to whom I felt a strong connection as a child. I have always been drawn to his music, and his piano concertos are among some of the finest in the repertoire." Of the new recording, which came to fruition following a successful performance of the Piano Concerto No.2 with Elim Chan and the RSNO in 2018, Benjamin notes: "I am delighted to have the opportunity to collaborate with Elim and the outstanding musicians of the RSNO." Benjamin appears this spring in the US performing the Piano Concerto No.1.
In this new recording, British pianist Benjmain Grosvenor explores works by great composers paying tribute to their predecessors. Among these works, Mendelssohn looks back to the Prelude & Fugue form made so popular by Bach; and Franck does likewise (adding a Chorale as a central section). Busoni takes Bach's great solo violin Chaconne, presenting it in a bold transcription for piano; Chopin breathes new life in to the traditional ‘Barcarolle' of Venetian gondoliers, followed ten years later by Lizst's tribute to Italian folksong, Venezia e Napoli. From the 20th Century, Ravel looks to the traditional baroque suite for inspiration for his Tombeau de Couperin (available only on the digital release). The new album will be released by Decca on September 9, 2016.
16 NEW 49 TOTAL
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Benjamin Grosvenor presents Dances, a glittering album shining the spotlight on music from Bach to Boogie Woogie via Chopin, Scriabin, Granados and the Blue Danube. Grosvenor states: "This album's inspiration comes from a letter in 1909 from Busoni, proposing a ‘dance program' comprising original compositions and transcriptions.With Bach's 4th Partita as its starting point, this recording presents a chronologically and geographically wide-ranging recital of works by composers (and transcribers) to whose output the keyboard was central, featuring both familiar and more obscure gems from the piano repertoire."
26 NEW 53 Total
SYND: PRI/Classical 24, CBC Direct: SiriusXM, Music Choice, Spafax Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Houston, Dallas, Cleveland, Seattle, Atlanta, Minneapolis, St. Louis, Portland, Denver, Austin, Pittsburgh, Detroit, Baltimore, New Orleans, Austin, Louisville, Buffalo, Honolulu, Canada Online: Taintradio