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Tour Dates

02/01/2019Kennedy Center for the Performing Arts / Washington, D.C.
02/02/2019Kennedy Center for the Performing Arts / Washington, D.C.
02/05/2019Duke University / Durham, NC
02/07/2019Modlin Center for the Arts / Richmond, VA
02/09/2019Carnegie Hall / New York, NY
02/12/2019Herkulessaal / Munich, Germany
02/14/2019Elbphilharmonie / Hamburg, Germany
02/17/2019London Symphony Orchestra / London, UK
02/19/2019Musikverein Wien / Wien, Austria
02/21/2019Berliner Philharmoniker / Berlin, Germany
02/23/2019Musikverein Wien / Wien, Austria
02/27/2019Koncertna sien Slovenskej filharmonie / Bratislava, Slovakia
03/07/2019Auditorio Principe Felipe / Oviedo, Spain
03/09/2019Palau de la Musica / Valencia, Spain
03/11/2019Iber:Camera / Barcelona, Spain
03/12/2019Palau de la Musica Catalana / Barcelona, Spain
03/14/2019La Filarmonica / Madrid, Spain
03/15/2019Auditorio de Zaragoza / Zaragoza, Spain
03/17/201992nd Street Y / New York, NY
03/28/2019National Concert Hall / Taipei, Taiwan
03/31/2019Macau Cultural Centre, Grand Auditorium / Macau, China
04/03/2019Shenzhen Concert Hall / Shenzhen, China
04/06/2019Shanghai Symphony Hall / Shanghai, China
04/08/2019Nanjing Poly Grand Theatre / Nanjing, China
04/10/2019Qintai Grand Theatre / Wuhan, China
04/12/2019National Centre for the Performing Arts / Beijing, China
04/17/2019La Jolla Music Society / La Jolla, CA
04/25/2019Boston Symphony Orchestra / Boston, MA
04/26/2019Symphony Hall / Boston, MA
04/27/2019Symphony Hall / Boston, MA
04/30/2019Symphony Hall / Boston, MA
05/03/2019Cincinnati Symphony / Cincinnati, OH
05/04/2019Cincinnati Symphony / Cincinnati, OH
05/05/2019Linton Chamber Music Series / Cincinnati, OH
05/06/2019Linton Chamber Music Series / Cincinnati, OH
05/10/2019Indianapolis Symphony / Indianapolis, IN
05/11/2019Indianapolis Symphony / Indianapolis, IN
05/15/2019Orchestre Symphonique de Montreal / Montreal, QC
05/16/2019Orchestre Symphonique de Montreal / Montreal, QC
05/17/2019Orchestre Symphonique de Montreal / Montreal, QC
05/18/2019Carnegie Hall / New York, NY
05/25/2019Israel Philharmonic / Tel Aviv, Israel
05/26/2019Israel Philharmonic / Tel Aviv, Israel
05/27/2019Israel Philharmonic / Tel Aviv, Israel
05/28/2019Israel Philharmonic / Jeruselem, Israel
05/30/2019Israel Philharmonic / Tel Aviv, Israel
06/02/2019Barbican Hall / London, UK
06/06/2019Musikverein Wien / Wien, Austria
06/10/2019Barbican Hall / London, UK
06/14/2019National Concert Hall / Dublin, Ireland
06/16/2019Barbican Hall / London, UK
06/20/2019Berliner Philharmoniker / Berlin, Germany
06/21/2019Berliner Philharmoniker / Berlin, Germany
06/22/2019Berliner Philharmoniker / Berlin, Germany
06/23/2019Berliner Philharmoniker / Berlin, Germany
06/27/2019Chautauqua Amphitheater / Chautauqua, NY
07/04/2019Rheingau Musik Festival / Ingelheim, Germany
07/07/2019Kissinger Sommer / Bad Kissingen, Germany
07/09/2019Rheingau Musik Festival / Wiesbaden, Germany
07/10/2019Rheingau Musik Festival / Geisenheim, Germany
07/12/2019Rheingau Musik Festival / Wiesbaden, Germany
07/14/2019Munchen Philharmonie / Munich, Germany

Daniil Trifonov: Bio

"Few artists have burst onto the classical music scene in recent years with the incandescence of the pianist Daniil Trifonov." – The New York Times

"Daniil Trifonov is an astonishing pianist." – Los Angles Times

"The 24-year- old Russian is without question the most astounding young pianist of our age." – The London Times

"We can't actually know what Liszt sounded like, but we do know he was a virtuoso, and he mesmerized his listeners, and people found something distinctive and other-worldly and spiritual about him. All those things hold true of Trifonov, as well, though they add up to a pretty pale description of playing that can only be described as a visceral experience. … His recital Saturday afternoon at the Kennedy Center's Terrace Theater, courtesy of the Washington Performing Arts Society, was a knockout." – Washington Post

"A slender man with an exuberant stage presence, Mr. Trifonov is certainly a virtuoso with a demonstrably prizewinning technique, evident as he fluidly sailed through bravura passages, his fingers moving in a blur through rapid octaves and chords. But he offered far more than mere virtuosity. …Mr. Trifonov demonstrated an elegant touch and witty grace in more lighthearted moments and poetic insight in more introspective passages." – New York Times

"Trifonov's recital was breathtaking. [Martha] Argerich last year told the FT she had never before heard a touch like his, and all I can do is concur: it's not just a matter of precision and weighting, it's a unique amalgam of fastidious tenderness and seemingly unfettered wildness. After two exquisite Debussy Images, he gave an account of Chopin's complete Etudes that was truly revelatory: his emotional restraint – and frugality with the pedal – made the lyrical ones all the more moving, while his preternatural dexterity lent the finger-twisters a rare grace." – Financial Times

"Daniil is a thoroughly subjective artist. His technique is so impeccable that with him, the rest is expression of identity in its purest form. That identity emerges in all the things he's not able to put into words: tenderness, depth, but sometimes also dark abysses."– Deutsche Welle

Russian pianist Daniil Trifonov (dan-EEL TREE-fon-ov) has made a spectacular ascent in the world of classical music as a solo artist, a champion of the concerto repertoire, a collaborator at the keyboard in chamber music and song, and a composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. "He has everything and more … tenderness and also the demonic element. I never heard anything like that," marveled pianist Martha Argerich, while the Times (UK) has named Trifonov "without question the most astounding pianist of our age."

Focusing on Chopin in the 2017-18 season, he releases Chopin Evocations, his fourth album as an exclusive Deutsche Grammophon artist, which includes both works by Chopin himself and, marking Trifonov's first foray into a new repertoire, works of 20th-century composers who were greatly influenced by the Polish master, including Samuel Barber, Federico Mompou and others.

Trifonov gives over 20 recitals on the same theme across the U.S., Europe and Asia this season, including one in Carnegie Hall as part of a seven-concert, season-long Perspectives series which he curates. Three of the seven concerts are devoted to Chopin and his influence: the solo recital and two all-Chopin programs with cellist Gautier Capuçon and the Kremerata Baltica chamber orchestra. Further concerts in the series include collaborations with baritone Matthias Goerne and Trifonov's teacher and mentor Sergei Babayan, the latter capping a U.S. tour that includes the world premiere of a Carnegie-commissioned work for two pianos by Mauro Lanza; a performance of his own piano concerto with longtime collaborator Valery Gergiev leading the Mariinsky Orchestra, again culminating a U.S. tour; and finally a solo recital in Zankel Hall that includes a seminal piece from each decade of the 20th century. Trifonov curates a similar series of recitals and orchestral appearances this season at the Vienna Konzerthaus, where he gives five performances, and in San Francisco, concluding with a season-closing Rachmaninoff performance with the San Francisco Symphony and Michael Tilson-Thomas.

Trifonov's season contains much else as well. He tours Asia in the fall with a combination of recitals and orchestral performances, and goes on European tours with violinist Gidon Kremer and Kremerata Baltica, the London Philharmonic, the Royal Concertgebouw Orchestra, and the Teatro alla Scala Orchestra. Other orchestral appearances include Strauss's Burleske with the Spanish National Orchestra and Bavarian Radio Symphony Orchestra; the Schumann Concerto with Lisbon's Gulbenkian Orchestra and the Berlin Philharmonic; Prokofiev with the Mariinsky Orchestra led by Gergiev, and the Cleveland Orchestra led by Michael Tilson Thomas; Scriabin's Piano Concerto with the Seattle Symphony and Ludovic Morlot; a performance of his own piano concerto with the Detroit Symphony; and further Rachmaninoff performances with Gergiev and the Munich Philharmonic, the Toronto Symphony led by Peter Oundjian, and the Philadelphia Orchestra under the baton of Yannick Nézet-Séguin.

The 2016-17 season brought the release of Transcendental, a double album that represented Trifonov's third title as an exclusive Deutsche Grammophon artist and the first time Liszt's complete concert etudes had been recorded for the label in full. In concert, the pianist – winner of Gramophone's 2016 Artist of the Year award – played Tchaikovsky's First Piano Concerto under Riccardo Muti in the historic gala finale of the Chicago Symphony's 125th anniversary celebrations. Having scored his second Grammy Award nomination with Rachmaninoff Variations, he performed Rachmaninoff for his debut with the Berlin Philharmonic under Sir Simon Rattle at the orchestra's famous New Year's Eve concert, aired live in cinemas throughout Europe. Also with Rachmaninoff, he made debuts with the Melbourne and Sydney Symphonies, returned to the Los Angeles Philharmonic under Gustavo Dudamel and the Royal Liverpool Philharmonic, and headlined the Munich Philharmonic's "Rachmaninoff Cycle" tour with Gergiev. Mozart was the vehicle for his reengagements with the New York Philharmonic, Cleveland Orchestra, and Philadelphia Orchestra, as well as for dates with the Staatskapelle Dresden at home and at the Salzburg Festival and London's BBC Proms. He rejoined the Staatskapelle for Ravel, besides playing Beethoven with Zurich's Tonhalle Orchestra; Prokofiev with the Rotterdam Philharmonic; Chopin on tour with the Mahler Chamber Orchestra; and Schumann with the Houston Symphony, Royal Stockholm Philharmonic, and on tour with Riccardo Chailly and the Teatro alla Scala Orchestra. With a new recital program of Schumann, Shostakovich, and Stravinsky, Trifonov made recital debuts at London's Barbican and Melbourne's Recital Centre; appeared in Berlin, Vienna, Florence, Madrid, Oslo, Moscow, and other European hotspots; and returned to Philadelphia, Baltimore, and – for the fourth consecutive year – the mainstage of New York's Carnegie Hall. He also returned to the Tanglewood, Verbier, Baden-Baden, and Salzburg Festivals.

Other highlights of recent seasons include complete Rachmaninoff concerto cycles at the New York Philharmonic's Rachmaninoff Festival and with London's Philharmonia Orchestra; debuts with the Chicago Symphony, Boston Symphony, Cleveland Orchestra, Philadelphia Orchestra, Montreal Symphony, Rome's Orchestra dell'Accademia Nazionale di Santa Cecilia, London's Royal Philharmonic and BBC Proms, the Berlin Staatskapelle, and the Royal Stockholm Philharmonic, where he headlined the prestigious Nobel Prize Concert; and an Asian tour with the Czech Philharmonic. Since making solo recital debuts at Carnegie Hall, London's Wigmore Hall, Vienna's Musikverein, Japan's Suntory Hall, and the Salle Pleyel in Paris in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington D.C., Boston's Celebrity Series, London's Royal Festival and Queen Elizabeth halls, Amsterdam's Concertgebouw (Master Piano Series), Berlin's Philharmonie (the Kammermusiksaal), Munich's Herkulessaal, Bavaria's Schloss Elmau, Zurich's Tonhalle, the Lucerne Piano Festival, the Palais des Beaux-Arts in Brussels, the Théâtre des Champs Élysées and Auditorium du Louvre in Paris, Barcelona's Palau de la Musica, Tokyo's Opera City, and the Seoul Arts Center.

The 2013-14 season saw the release of Trifonov: The Carnegie Recital, the pianist's first recording as an exclusive Deutsche Grammophon artist; captured live at his sold-out 2013 Carnegie Hall recital debut, the album scored both an ECHO Klassik Award and a Grammy nomination. Besides the similarly Grammy-nominated Rachmaninoff Variations, recorded with the Philadelphia Orchestra and Yannick Nézet-Séguin, his discography also features a Chopin album for Decca and a recording of Tchaikovsky's First Piano Concerto with Gergiev and the Mariinsky Orchestra on the ensemble's own label.

It was during the 2010-11 season that Trifonov won medals at three of the music world's most prestigious competitions, taking Third Prize in Warsaw's Chopin Competition, First Prize in Tel Aviv's Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow's Tchaikovsky Competition. In 2013 he was also awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy's foremost music critics.

Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow's Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own piano concerto in 2013, the Cleveland Plain Dealer marveled: "Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov."

1 Liszt: Etudes in C major - Preludio  
2 Liszt: Etudes in A minor  
3 Liszt: Etudes in F major - Paysage  
4 Liszt: Etudes in D minor - Mazeppa  
5 Liszt: Etudes in B flat major - Feux follets  
6 Liszt: Etudes in G minor - Vision  
7 Liszt: Etudes in E flat major - Eroica  
8 Liszt: Etudes in C minor - Wilde Jagd  
9 Liszt: Etudes in A flat major - Ricordanza  
10 Liszt: Etudes in F minor  
11 Liszt: Etudes in D flat major - Harmonies du soir  
12 Liszt: Etudes in B flat minor - Chasse-neige  
13 Liszt: Etudes - Waldesrauschen  
Daniil Trifonov Liszt 12 Transcendental Etudes
Liszt: Grandes Etudes De Paganini, S.141, No.3 In G-Sharp Minor - La Campanella
Daniil Trifonov - Living the Classical Life:
Daniil Trifonov 2018 debut in Taiwan

Daniil Trifonov is one of the few pianists to have recorded Liszt's concert Études in one concentrated period and the first to record them in full for Deutsche Grammophon. He set down his visionary interpretations within the space of five days, a feat in keeping with the tireless energy and superhuman spirit of Liszt himself. Trifonov's approach to Liszt is informed by the legacy of the Russian school of piano playing in which he was raised and by his profound understanding of the composer's musical language. "Liszt's technical virtuosity is just a means to evoke extremes of emotion," observes Trifonov. "His daring harmonic and structural innovations revealed new horizons for emotional and psychological expression in music. His compositions can be described as dynamic depictions of the spiritual experiences of a Romantic soul."

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