The new Maria Schneider album came to me on the day that Amazon's Jeff Bezos, Apple's Tim Cook, Facebook's Mark Zuckerberg and Google's Sundar Pichai appeared before the US Congress to answer questions about their impact: pure data lords. The title of the new album ‘Data Lords' is also about the impact that such companies are having not just on the US but on the rest of the world. The album is a major undertaking. Maria Schneider is acutely aware of the effect that the digital world has on creativity. She feels that the digital world reduces our own inner space, reduces creativity. Schneider writes: ‘I can't imagine I'm alone in often feeling desperate to get away from every device bombarding me with endless chatter, endless things –endless demands. Shutting it all down and encountering space and silence, I easily find myself again drawn to nature, people, silence, books, poetry, art, the earth and sky.' In some ways that is a summary of the album.
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New York Public Radio (NYPR), home of WNYC, Gothamist, WNYC Studios, WQXR, and The Jerome L. Greene Performance Space, announced today that Edward Yim has been named Chief Content Officer for WQXR, New York City's classical music station. His appointment will take effect on September 28th.
In this role, Yim will be responsible for developing and implementing a strategic vision that helps WQXR reach a broader, more inclusive audience, drives digital innovation, bolsters WQXR's role in New York City's arts and culture ecosystem, and increases WQXR's relevance and service to the city's communities. Collaborating with teams across NYPR, Yim will oversee all of WQXR's programming and operations, from live broadcasts, podcasts, and digital content, to strategic partnerships, events and community engagement. He will also be responsible for managing the station's operating budget, and fundraising across NYPR's diversified revenue base of members, donors and sponsors. Yim will report to NYPR President and CEO Goli Sheikholeslami.
Yim brings to WQXR over two decades of experience at several of the country's premier music institutions, including American Composers Orchestra (ACO), where he has served as President and CEO since 2017. There, he led the organization's strategic planning, staff and fundraising while working closely with the artistic leadership to create the organization's profile and activity. During his tenure, ACO pursued its mission to perform, promote, celebrate, and commission music by American composers -- with particular focus on women, transgender, non-binary, and gender non-conforming artists, Black and Latinx artists, and immigrant artists -- and championed works that challenged the notion of a core repertoire. Prior to ACO, Yim held senior positions at several of the nation's most significant music institutions, including the New York Philharmonic, New York City Opera, IMG Artists, and The Los Angeles Philharmonic Association.
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It is hard to imagine a more energentic ambassador for the classical guitar than Sharon Isbin. With more than 30 albums to her credit, Isbin has made waves in the music world not only by premiering important works for the instrument but by seeking out cross-genre collaborations with such musicians as Steve Vai, Thaigo de Mello, Joan Baez, and many others.
Now as the COVID-19 pandemic paralyzes live music everywhere, Ms. Isbin has released two albums highlighting the possibilities of collaboration across national boundaries and genres. On August 4th she discussed the recordings and her career with Peter Haney of WORT's Back Porch Serenade.
In "Affinity," Isbin revisits concert favorites and debuts new works written for her by noted contemporary composers from three continents. These include Chris Burbeck's jazz-influenced concerto "Affinity," the album's title track, which Isbin performed in Madison with the Madison Sympohony Orchestra in 2017. In a second release titled "Strings for Peace," Isbin makes her first foray into Indian classical music, playing compositions in the Hindustani tradition by the noted Sarod virtuoso Amjad Ali Khan, together with the composer and his sons, who are also masters of the instrument. This release follows a successful tour of India that Isbin undertook with Khan in 2019.
Together, the two releases call for cooperation across boundaries of nation and faith at a time of increasing world tension and division. Although Sharon Isbin is not currently touring live, she did participate in the 2020 Colorado Music Festival, and the virtual concert, recorded in her living room, is still available for free viewing (registration required). Isbin hopes that these two new releases and her virtual performances will provide comfort to music lovers as everyone continues to struggle with restrictions on concerts due to the ongoing public health crisis.
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The American composer John Finbury writes his music thinking of whole America, Brazil and all South American countries. His music is interpreted by singer Magos Herrera on four of the seven songs, Chano Dominguez on piano, John Patitucci on double bass and Antonio Sanchez on drums. The production is by Emilio D. Miller. The music was recorded in two sessions in New York in 2019, before the virus changed everything. As always, for his part, the music is fascinating and the songs are a continuous change of South American rhythms coming from the various traditions of the continent. Everything is perfect in production, there is very little to complain about, the record is a perfect meeting between producer, composer and musicians. Salón Jardínhe is in a trio, with the pianist taking the applause for how he manages to interpret a bolero rhythm in such a sensual way, but to underline it is also the solo of John Patitucci who transforms his bulky instrument into a kind of guitar.
The lyrics are singer in Spanish and English with the sensual and sometimes dramatic voice of
Magos Herrera , as on All The Way To The End . Great album, a very high level production in the genre.
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Uncertainties have rocked the start of 2020, crushing promises of live concerts at venues and festivals. But today's artists aren't letting these aftershocks pause the show. The start of the new decade was blessed with so many fresh albums in various genres. While reality seems to grow more chaotic by the minute, these new releases are perfect for those who want to temporarily escape from the real world through retro-pop tracks and trancy synth beats blasting in their ears. Stacker created a list of the best 50 albums of the year so far, collecting data on top albums of 2020 from Metacritic. Each album is ranked according to its Metascore as of June 23, 2020, with ties being broken by the number of reviews.
#35. 'We Are Sent Here by History' by Shabaka & the Ancestors
- Metascore: 84
- Release date: March 13, 2020
Shabaka & the Ancestors are a contemporary jazz outfit brought together by saxophonist Shabaka Hutchings. "We Are Sent Here by History" melds saxophone, trumpet, drums, percussion, bass, and piano notes to evoke images of South Africa's traditions and culture.
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Chris Brubeck's Concerto for guitar and orchestra Affinity is a single-movement work in three sections: the first bright, jazzy and energetic; the second, based on a melody by his father, jazz great Dave Brubeck, mellow and Chopin-haunted; the third a whirling percussive dance infused with foot-tapping Brazilian and Middle Eastern vibes. Though Rodrigo isn't far away, either. Ably accompanied by the Maryland Symphony Orchestra under Elizabeth Schulze, Isbin gives a sparkling, virtuoso account that neatly underscores Brubeck's bountiful musical syncretism, while revealing a wider vista with smaller peaks and valleys visible in the distance.
Though smaller in scale, Brouwer's colourful El Decamerón Negro for solo guitar also boasts three sections but its romantic tale of love and war achieves its intensity through intimacy, Isbin relishing the sweeping scales and arpeggios, the toccata-like textures and the programmatic elements. After a delightful interlude in the form of a duet version, arranged by and performed with Isbin's former student Colin Davin, of Lauro's popular Waltz No 3, Isbin returns to the subject of love with Tan Dun's extraordinary Seven Desires, a surreal courting ritual between flamenco guitar and pipa, and Richard Danielpour's three Rumi settings for voice and guitar, Of Love and Longing, in which she is joined by the soprano Isabel Leonard. Thanks in large part to Leonard's clear diction and languid phrasing, we're suddenly made aware that a more transcendent, spiritual love was with us on the journey all along.
‘Affinity' by name, affinity by nature, Sharon Isbin's terrific latest recording evinces a wonderful talent for making fully hers what was written for her, regardless of style.
No doubt, you've heard some new music in rotation lately on KXPR - music that seemingly stands a bit outside of what you are used to hearing on the classical station. There's no question that the standard European repertory that we've come to associate with classical music is important. The music is beautiful, powerful, and well, classic. But there's a whole world of amazing and unique classical music either rarely presented or being created right now across the globe. On KXPR, we want to bring you examples of the diverse face of classical music today. Among our few examples of the broad classical music reach we're spinning, from Manhattan (New York OR Kansas) to Mumbai is....Amjad Ali Khan - "Love Avalanche" - Performed by Sharon Isbin.
Guitarist Sharon Isbin has been incredibly busy of late. One of her three albums released within the last year is called "String for Peace."
The record is Isbin's first foray into the intriguing sounds of Indian classical music. It's not always easy to separate classical music from its traditional European roots. But when I listen to the music of Amjad Ali Khan, I am reminded that there is so much more out there.
Isbin and Ali Khan have been working on making this collaboration happen for nearly a decade. Isbin's guitar is paired with traditional Indian instruments including the sarod, played by Amjad and sons, and the tabla. Ali Khan says of the collaboration, "The idea is to achieve a cross-fertilization at both the cellular and cosmic levels of two classical music traditions, which are often held to be radically different."
You can hear more about the recording on a recent episode of New Classical Tracks from Minnesota Public Radio.
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The first-time teaming of Poland's dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced.
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Milan Records announces the Friday, August 21 release of I Am Woman (Original Motion Picture Soundtrack), an album of music from the biographical film surrounding Australian singer Helen Reddy as performed by Chelsea Cullen.
Praised by The Washington Post for playing with "an easy warmth, drawing the orchestra after him like a halo around a candle flame," cellist Kian Soltani follows his DG debut album, Home, with a Dvořák album centered on the famous cello concerto.
A Washington Post' critic's suggestions for 'art with meaning' during the 'stay-at-home pandemic' includes; Carnegie Hall's Live streaming series
Posted: July 22, 2020 12:00 AM
| By: Admin
As the pandemic grinds on, I find myself trying to be more disciplined about wasting time, especially online. I want to go there only with a purpose, not just to while away a few hours clicking idling from distraction to distraction.
Some artists, and institutions, seem to be equally purposeful, making and doing things for their online audiences with the same sense of intention and meaning. The best of them even offer a sense of what life will be like after the pandemic creates a new normal, when we all live in a hybrid world of "real life" and virtual aesthetic consumption. Here are a few things that meet this new standard.
The Russian composer Alexander Scriabin lived through some of the most riotously creative years of music history in his home country. He was a masterful pianist, deeply influenced by Chopin, but evolved an idiosyncratic style that eventually encompassed his own mix of mysticism and atonality. In his earlier years, he composed in a hyperromantic style and forms, including volatile preludes, dreamy études, ebullient mazurkas and searching sonatas.
Few pianists are better equipped to play this repertoire than Daniil Trifonov, who features Scriabin's music as his selections for Carnegie Hall's streaming Live with Carnegie Hall series. Trifonov knows every nuance of this kinetic and mercurial music. He performs with a face mask on, at a piano in a domestic space; the sound is remarkably good. The stream also includes a conversation between Trifonov and pianist Emanuel Ax.
After the highly acclaimed album "Destination Rachmaninov – Departure" Daniil Trifonov concludes his Rachmaninov project on 11 October 2019 with his new album "Destination Rachmaninov – Arrival". For this occasion, DG will release a 4 LP Gatefold set exclusively as D2C product, which will include all 4 Piano Concertos by Russian composer Sergei Rachmaninov.
In addition to the Piano Concertos, this album features a selection of Daniil Trifonov's own Rachmaninov transcriptions including Rachmaninov's famous "Vocalise" and virtuosic "The Silver Sleigh Bells". Finally, the product features an unreleased track of the heart-rending "Vocalise" in an exclusively long version.
As a teenager, Daniil Trifonov absorbed lessons from the recordings of Sergei Rachmaninov, lessons that fed the creative process of his latest Deutsche Grammophon project, Destination Rachmaninov – Departure, the first of two albums comprising Trifonov's cycle of the great Russian composer's piano concertos. Destination Rachmaninov – Departure, set for release on October 12, 2018, features Concertos Nos. 2 and 4, along with Rachmaninov's solo piano transcriptions of three movements from Bach's Violin Partita in E major. Together with its upcoming October 2019 sequel Destination Rachmaninov – Arrival, which contains Concertos Nos. 1 and 3, Trifonov's new album documents a journey of artistic exploration made in company with the Philadelphia Orchestra and its music director Yannick Nézet-Séguin, who have a special, historical connection to Rachmaninov. Rachmaninov first performed with the Philadelphia Orchestra and its then Music Director Leopold Stokowski in 1913 as a soloist in his own Third Piano Concerto and returned many times as pianist and conductor before his death thirty years later.
Pianist Daniil Trifonov's latest Deutsche Grammophon album captures the magic of Chopin's music and traces its influence through the works of five other composers. Chopin Evocations is set for release on October 6, and Trifonov will perform in the United States throughout October and November. On this double-disc set, Trifonov performs Chopin's two piano concertos and a selection of some of his earliest and latest solo works as well as tributes to Chopin by Grieg, Mompou, Schumann, Tchaikovsky and Barber. This recording features world premiere recordings of new orchestrations of the Piano Concertos by Trifonov's fellow pianist-composer Mikhail Pletnev, who conducts the Mahler Chamber Orchestra in these renditions.
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SYND: NPR, C24, TRH, CBC Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Seattle, Cleveland, Minneapolis, Portland, Cincinnati, Detroit, NJ(Statewide), MN(Statewide), IA(Statewide), AL(Statewide), NE(Statewide), Canada Online: The Rehearsal Studio
Daniil Trifonov is one of the few pianists to have recorded Liszt's concert Études in one concentrated period and the first to record them in full for Deutsche Grammophon. He set down his visionary interpretations within the space of five days, a feat in keeping with the tireless energy and superhuman spirit of Liszt himself. Trifonov's approach to Liszt is informed by the legacy of the Russian school of piano playing in which he was raised and by his profound understanding of the composer's musical language. "Liszt's technical virtuosity is just a means to evoke extremes of emotion," observes Trifonov. "His daring harmonic and structural innovations revealed new horizons for emotional and psychological expression in music. His compositions can be described as dynamic depictions of the spiritual experiences of a Romantic soul."
11 NEW 51 TOTAL
SYND: Classical 24, CBC Direct: SiriusXM, MOOD, AccuRadio Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Dallas, Seattle, Cleveland, Minneapolis, Portland, Cincinnati, Houston, Detroit, Santa Fe, Hartford CT, Honolulu, KS(Network), NE(Network), IN (Network), SC (Network), Canada Online: WSJ
Daniil Trifonov's latest recording for Deutsche Grammophon, released on August 28, 2015, pays homage to his musical idol, Sergei Rachmaninov, as the 24-year-old Russian artist connects with the soul and spirit of his fellow countryman's art. Rachmaninov Variations, his first studio album, unlocks the romance, energy and sheer virtuosity of the fiendishly difficult Variations on a Theme of Chopin and Variations on a Theme of Corelli, both ideal showpieces for this young pianist's talents. By way of a perfect interlude between these two classics of the solo piano repertoire comes the world premiere recording of Trifonov's own Rachmaniana, created as a tribute to the legendary pianist-composer.
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SYND: Classical 24, Exploring Music, CBC Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, St. Louis, Seattle, Cleveland, Minneapolis, Cincinnati, Portland, Detroit, Baltimore, Cincinnati, Denver, Pittsburgh, Austin, New Orleans, Memphis, Columbus OH, Madison WI, Honolulu, Canada Online: Taintradio, Sinfini
For Daniil Trifonov, January 28 marks the U.S. release of Trifonov: The Carnegie Recital, his debut album as an exclusive Deutsche Grammophon recording artist. Last February – the day before his sold-out main-stage Carnegie Hall recital debut –the young Russian pianist signed with the illustrious label, and the first release of their new partnership is a live recording of that performance. Capturing his accounts of Liszt's formidable B-minor Sonata, Scriabin's "Sonata-Fantasy" in G-sharp minor, Chopin's 24 Preludes, and, as an encore, the second of Medtner's Four Fairy Tales, the new disc has already scored a multitude of rave reviews in Europe; Germany's Bayerischer Rundfunk spoke for many in observing: "At 21, Daniil Trifonov has already cultivated a pianistic freedom that…will probably remain out of most pianists' reach all their lives." The U.S. release is timed to coincide with Trifonov's return to Carnegie Hall on February 6, when he will play Schumann's Symphonic Etudes alongside works by Ravel, Debussy, and Stravinsky. The same program serves as the vehicle for his Symphony Center recital debut, presented by the Chicago Symphony, three days later (Feb 9).
49 New 'ON' this week: 85 TOTAL
SYND: PRI/Classical 24, The Romantic Hours Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Denver, Portland, Baltimore, Cincinnati, New Orleans, Pittsburgh, Detroit, Indianapolis, Louisville, Albuquerque, Buffalo, Honolulu Online: RadioIO, Taintradio, WGOE, MusiClassical