Over the last half decade, Shabaka Hutchings has established himself as a central figure in the London jazz scene, which is enjoying its greatest creative renaissance since the breakthroughs of Joe Harriott and Evan Parker in the 1960s. Hutchings has a restlessly creative and refreshingly open-minded spirit, playing in a variety of groups-most notably, Sons of Kemet, The Comet Is Coming, and Shabaka & the Ancestors-and embracing influences from the sounds of London's diverse club culture, including house, grime, jungle, and dub. "The common theme in my career as a jazz musician has been wondering if what I'm doing is the thing that I should be doing," says Hutchings, who studied classical clarinet at college at London's prestigious Guildhall School of Music & Drama. "Me learning about jazz, how to play and interpret, was always a case of just trial and error. I think where I've come to recently is I've stopped trying to think ‘Is what I'm doing valid? or ‘Is what I'm doing part of the jazz tradition?' and just see myself as a musician."
Hutchings is featured on the cover of the May issue of Downbeat. SEE COVER IMAGE
JWVIBE's Jonathan Widran writes.....It may not be necessary to fully appreciate its majestic sweep, but those who find themselves seduced and culturally and spiritually uplifted from the get-go by Ain't Got Long, the Art of Time Ensemble's soulful and multi-faceted sixth album, should probably know a little something about the groups' nearly quarter century history as they engage in the pin drop perfection of the collection's exquisite and colorful arrangements of Great American Songbook and other classics and the gorgeous vocal showcases of jazz great Madeleine Peyroux (Robert Johnson's "Love in Vain," "Someone to Watch Over Me," "What'll I Do") and renowned Canadian performers Gregory Hoskins ("Calling All Angels," "After Mardi Gras"), Jessica Mitchell (Radiohead's "Exit Music (For a Film)," Joni Mitchell's "River") and Sarah Slean ("Sad Song").
Playing on the name, this album is all about the art of timelessness.
READ THE FULL JW VIBE REVIEW
Skope's Sasha Lauryn writes....."A world in which people seek the uncertainties, and possibilities, of art" is the vision of one of the most innovative ensembles to be gracing the popular music landscape right now. With the recent release of their latest album, it's undeniable that Art Of Time Ensemble is bringing that vision to life. Led by the artistic direction and vision of Andrew Burashko together with arrangements by Jonathan Goldsmith who reinterpreted a wide array of songs that qualify as standards. Goldsmith stays faithful to the original melodies and form and then pushes the boundaries as far as possible in every conceivable way. After immersing myself in the deeply sensory sonic landscapes, mesmerizing motifs and hypnotic storytelling that their recent album ‘Ain't Got Long' boasts, I can say with certainty they do just that. The Canada based collective have been breaking archaic genre boundaries since 1998, as their eclectic mix of musicians has attracted captivated crowds on multiple tours. Honestly, I'm just waiting for them to announce their next road trip. This album features the phenomenal pipes of Madeleine Peyroux, Gregory Hoskins, Jessica Mitchell and Sarah Slean. Perhaps it's Andrew's perfect pairings of soundscape with singer or the astounding arrangements of the songs themselves that sets this album apart from anything I've experienced.
Whatever it is, I can't get enough.
READ THE FULL Skope Magazine REVIEW
WRTI's SUSAN LEWIS writes......The Catalyst Quartet uncovers music and the stories of the people who wrote it in its new recording series UNCOVERED. The first volume focuses on music by late 19th-century English composer, Samuel Coleridge-Taylor.
The Catalyst Quartet, founded in 2010 by the Sphinx Organization, aims to "reimagine" the classical music experience. "Sometimes classical music is presented like a museum piece," says violist Paul Laraia. "We want to make sure everything we do has relevance to today," and so the ensemble's programs reach out to a diverse audience, with diverse repertoire.
This new project, Uncovered, featuring music of composers who have been overlooked because of race or gender, begins with an album of music by Samuel Coleridge-Taylor, a Black English composer born in the late 19th century, the child of an English mother and an African father from Sierra Leone.
Ironically, Coleridge-Taylor, who was born in 1875 and died suddenly at the age of 37, was acclaimed during his short lifetime. Raised in England, he started violin at 5, joined the Royal College of Music at 15, and at 23, had a triumphant premiere of his cantata, Hiawatha's Wedding Feast, set to the poetry of Henry Wadsworth Longfellow. He toured the U.S., where he visited The White House at the invitation of President Teddy Roosevelt. He was so successful, the story goes, that New York musicians in the early 1900s began referring to him as "The Black Mahler;" others are said to have called him "The Black Dvorak."
And while Hiawatha's Wedding Feast remains familiar to many choral ensembles and you may recognize his melodies such as Deep River, much of his over 80 compositions, including operas, ballet music, songs, a symphony, violin concerto and chamber music are unknown today.
Volume 1: Samuel Coleridge-Taylor includes one quartet, and two quintets, one featuring pianist Stewart Goodyear, and one with clarinetist Anthony McGill.
LISTEN & WATCH THE 90.1WRTI: Philadelphia INTERVIEW
Acclaimed guitarist Todd Mosby joins me for the latest episode of Harmonious World. We all need perspective right now, and there's a lot of that in Todd's latest album - Aerial Views . Todd's comment about creating music that musicians will love to perform on is very apt and I finish with Aether, one of my favourite tracks of 2021. Harmonious World Podcast gives many thanks to Todd for allowing me to feature clips from Aerial Views alongside our conversation.
'SOMETHING came from Baltimore's' Thom Gouker......Yeah! This was a big thrill for me. I was nervous interviewing one of my favorite artists of all time, Joe Lovano, so I decided to ask him 20 goofy questions to see how he handled them. He easily accepted the challenge and spun junk questions into gold. It's very impressive and that it why I suggest that you check out the Youtube interview, we chatted for 1 1/2 and must of it make it to tape.
"Garden of Expression" is the sent album with the trio Lovano/Crispell/Castaldi, the first was the 2018 release "Seeds of Change"
Do we have to explain who Joe Lovano is????? This is copied from Wiki. Joseph Salvatore Lovano (born December 29, 1952) is an American jazz saxophonist, alto clarinetist, flautist, and drummer. He has earned a Grammy Award and several mentions on Down Beat magazine's critics' and readers' polls. He is married to jazz singer Judi Silvano with whom he records and performs. Lovano was a longtime member of a trio led by drummer Paul Motian.
LIMELIGHT Magazine's Clive Paget writes......Superlative soloists and compelling chamber music from a quartet on a mission.
One of the revolutions set in progress by last year's Black Lives Matter protests has been the refocusing of the classical music industry's attention of composers of colour, many of them historical figures formerly the preserve of the curious collector and rarely programmed live.
New York-based Catalyst Quartet was founded in 2010 by the Sphinx Organization, an outstanding Detroit-based social justice organisation dedicated to transforming lives through the power of diversity in the arts. The ensemble (Karla Donehew Perez, violin; Abi Fayette, violin; Paul Laraia, viola; and Karlos Rodriguez, cello) build programs and projects accordingly and this excellent release of music by Samuel Coleridge-Taylor is the first in a projected series of "Uncovered" CDs focussing on composers overlooked because of race and/or gender (others releases will include music by Joseph Boulogne Chevalier de Saint-Georges, William Grant Still, Florence B. Price, Coleridge-Taylor Perkinson, and George Walker).
CLICK HERE FOR THE LIMELIGHT PAGE
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
Daniil Trifonov discusses 'Silver Age' with Harmonious World Podcast
Posted: February 16, 2021 12:00 AM
| By: Admin
Interview with Harmonious World podcast
Daniil Trifonov's latest album for Deutsche Grammophon, recorded with Valery Gergiev and the Mariinsky Orchestra, recalls a time when Russia's composers, poets, artists, dramatists and star performers were among the most original anywhere in the world. Silver Age illustrates the artistic audacity and brilliance of a turbulent era in the country's history with works by three of its most pioneering composers. The double disc includes Scriabin's Concerto for Piano and Orchestra in F sharp minor Op.20, Prokofiev's Piano Concerto No.2 in G minor Op.16 and Stravinsky's Three Movements from Petrushka. The tracklist also comprises Stravinsky's Serenade and excerpts from The Firebird (arranged for piano by Agosti), together with Prokofiev's Sarcasmes Op.17, Piano Sonata No.8 in B flat major Op.84 and the "Gavotte" from 3 Pieces from "Cinderella" Op.95 No.2.
Daniil Trifonov's latest album for Deutsche Grammophon, recorded with Valery Gergiev and the Mariinsky Orchestra, recalls a time when Russia's composers, poets, artists, dramatists and star performers were among the most original anywhere in the world. Internationally released today, November 2020, Silver Age illustrates the artistic audacity and brilliance of a turbulent era in the country's history with works by three of its most pioneering composers.
The Russian pianist's new album, which will be available in double disc and e-album formats, includes Scriabin's Concerto for Piano and Orchestra in F sharp minor Op.20, Prokofiev's Piano Concerto No.2 in G minor Op.16 and Stravinsky's Three Movements from Petrushka. The tracklist also comprises Stravinsky's Serenade and excerpts from The Firebird (arranged for piano by Agosti), together with Prokofiev's Sarcasmes Op.17, Piano Sonata No.8 in B flat major Op.84 and the "Gavotte" from 3 Pieces from "Cinderella" Op.95 No.2.
After the highly acclaimed album "Destination Rachmaninov – Departure" Daniil Trifonov concludes his Rachmaninov project on 11 October 2019 with his new album "Destination Rachmaninov – Arrival". For this occasion, DG will release a 4 LP Gatefold set exclusively as D2C product, which will include all 4 Piano Concertos by Russian composer Sergei Rachmaninov.
In addition to the Piano Concertos, this album features a selection of Daniil Trifonov's own Rachmaninov transcriptions including Rachmaninov's famous "Vocalise" and virtuosic "The Silver Sleigh Bells". Finally, the product features an unreleased track of the heart-rending "Vocalise" in an exclusively long version.
As a teenager, Daniil Trifonov absorbed lessons from the recordings of Sergei Rachmaninov, lessons that fed the creative process of his latest Deutsche Grammophon project, Destination Rachmaninov – Departure, the first of two albums comprising Trifonov's cycle of the great Russian composer's piano concertos. Destination Rachmaninov – Departure, set for release on October 12, 2018, features Concertos Nos. 2 and 4, along with Rachmaninov's solo piano transcriptions of three movements from Bach's Violin Partita in E major. Together with its upcoming October 2019 sequel Destination Rachmaninov – Arrival, which contains Concertos Nos. 1 and 3, Trifonov's new album documents a journey of artistic exploration made in company with the Philadelphia Orchestra and its music director Yannick Nézet-Séguin, who have a special, historical connection to Rachmaninov. Rachmaninov first performed with the Philadelphia Orchestra and its then Music Director Leopold Stokowski in 1913 as a soloist in his own Third Piano Concerto and returned many times as pianist and conductor before his death thirty years later.
Pianist Daniil Trifonov's latest Deutsche Grammophon album captures the magic of Chopin's music and traces its influence through the works of five other composers. Chopin Evocations is set for release on October 6, and Trifonov will perform in the United States throughout October and November. On this double-disc set, Trifonov performs Chopin's two piano concertos and a selection of some of his earliest and latest solo works as well as tributes to Chopin by Grieg, Mompou, Schumann, Tchaikovsky and Barber. This recording features world premiere recordings of new orchestrations of the Piano Concertos by Trifonov's fellow pianist-composer Mikhail Pletnev, who conducts the Mahler Chamber Orchestra in these renditions.
27 NEW 83 TOTAL
SYND: NPR, C24, TRH, CBC Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Seattle, Cleveland, Minneapolis, Portland, Cincinnati, Detroit, NJ(Statewide), MN(Statewide), IA(Statewide), AL(Statewide), NE(Statewide), Canada Online: The Rehearsal Studio
Daniil Trifonov is one of the few pianists to have recorded Liszt's concert Études in one concentrated period and the first to record them in full for Deutsche Grammophon. He set down his visionary interpretations within the space of five days, a feat in keeping with the tireless energy and superhuman spirit of Liszt himself. Trifonov's approach to Liszt is informed by the legacy of the Russian school of piano playing in which he was raised and by his profound understanding of the composer's musical language. "Liszt's technical virtuosity is just a means to evoke extremes of emotion," observes Trifonov. "His daring harmonic and structural innovations revealed new horizons for emotional and psychological expression in music. His compositions can be described as dynamic depictions of the spiritual experiences of a Romantic soul."
11 NEW 51 TOTAL
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Daniil Trifonov's latest recording for Deutsche Grammophon, released on August 28, 2015, pays homage to his musical idol, Sergei Rachmaninov, as the 24-year-old Russian artist connects with the soul and spirit of his fellow countryman's art. Rachmaninov Variations, his first studio album, unlocks the romance, energy and sheer virtuosity of the fiendishly difficult Variations on a Theme of Chopin and Variations on a Theme of Corelli, both ideal showpieces for this young pianist's talents. By way of a perfect interlude between these two classics of the solo piano repertoire comes the world premiere recording of Trifonov's own Rachmaniana, created as a tribute to the legendary pianist-composer.
29 NEW 90 Total
SYND: Classical 24, Exploring Music, CBC Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, St. Louis, Seattle, Cleveland, Minneapolis, Cincinnati, Portland, Detroit, Baltimore, Cincinnati, Denver, Pittsburgh, Austin, New Orleans, Memphis, Columbus OH, Madison WI, Honolulu, Canada Online: Taintradio, Sinfini
For Daniil Trifonov, January 28 marks the U.S. release of Trifonov: The Carnegie Recital, his debut album as an exclusive Deutsche Grammophon recording artist. Last February – the day before his sold-out main-stage Carnegie Hall recital debut –the young Russian pianist signed with the illustrious label, and the first release of their new partnership is a live recording of that performance. Capturing his accounts of Liszt's formidable B-minor Sonata, Scriabin's "Sonata-Fantasy" in G-sharp minor, Chopin's 24 Preludes, and, as an encore, the second of Medtner's Four Fairy Tales, the new disc has already scored a multitude of rave reviews in Europe; Germany's Bayerischer Rundfunk spoke for many in observing: "At 21, Daniil Trifonov has already cultivated a pianistic freedom that…will probably remain out of most pianists' reach all their lives." The U.S. release is timed to coincide with Trifonov's return to Carnegie Hall on February 6, when he will play Schumann's Symphonic Etudes alongside works by Ravel, Debussy, and Stravinsky. The same program serves as the vehicle for his Symphony Center recital debut, presented by the Chicago Symphony, three days later (Feb 9).
49 New 'ON' this week: 85 TOTAL
SYND: PRI/Classical 24, The Romantic Hours Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Denver, Portland, Baltimore, Cincinnati, New Orleans, Pittsburgh, Detroit, Indianapolis, Louisville, Albuquerque, Buffalo, Honolulu Online: RadioIO, Taintradio, WGOE, MusiClassical