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Elizabeth Joy Roe: Bio

Pianist Elizabeth Joy Roe has been hailed "brilliant" (The New York Times), "an artist to be taken seriously" (The Chicago Tribune), "electrifying" (The Dallas Morning News), "a mature, fascinating interpreter and an artist of intelligence, insight, and a genuine grace" (The Southampton Press), and she was named one of the classical music world's "Six on the Rise: Young Artists to Watch" by Symphony Magazine. The recipient of the prestigious William Petschek Piano Debut Recital Award, she has appeared as recitalist, orchestral soloist, and collaborative musician at major venues worldwide, including Carnegie Hall, Lincoln Center, and the 92nd Street Y (New York); the Kennedy Center (Washington, DC); Salle Cortot (Paris); the Ravinia Festival (Chicago); the Seoul Arts Center (Korea); the National Center for the Performing Arts (Beijing); the Oriental Art Center (Shanghai); Teatro Argentino (Buenos Aires); the Adrienne Arsht Center (Miami); the Banff Centre (Canada); and the Festspiele Mecklenburg-Vorpommern (Germany). She has given the Carnegie Hall premiere of Messiaen's Visions de l'Amen for the composer's centennial celebration, hosted by Pierre Boulez; performed for members of the United Nations; presented at international leadership symposia including the EG, Imagine Solutions Conference, La Ciudad de las Ideas, and Chicago Ideas Week; and completed an artistic residency sponsored by the U.S. Embassy in Argentina.

Ms. Roe's multifaceted career includes performance broadcasts on the BBC, NPR, PBS, and KBS; new music premieres; and a diverse range of artistic projects and collaborations. Her discography comprises a solo album, Images Poetiques (Universal Classics Korea / Deutsche Grammophon), and four piano duo albums, of which When Words Fade (Steinway Label) spent over a dozen weeks at the top of the Billboard classical chart. An avid chamber musician, she has collaborated with an array of esteemed artists, including violinist Daniel Hope, violist Richard O'Neill, cellist Ralph Kirshbaum, the Parker Quartet, and jazz pianist Shelly Berg; she is also a founding member of Decoda (the first ever Affiliate Ensemble of Carnegie Hall) and Trio Ariadne (ensemble-in-residence at the Green Music Center in California). Most notably, she co-created the groundbreaking Anderson & Roe Piano Duo, whose concerts, compositions, social media presence (including a blog featured in Gramophone), and Emmy-nominated music videos (viewed by millions on YouTube) have captivated audiences around the globe.

Ms. Roe made her concerto debut in 1997 with the Chicago Philharmonic, eliciting critical acclaim from The Chicago Tribune's John Von Rhein: "Elizabeth Joy Roe supplied scintillation in the Grieg [Concerto] ... A lot of pianists play the Grieg but not many adults twice the age of Miss Roe could make this familiar score sing so poetically or with such spontaneity." She has since appeared with the Hartford, Tucson, Santa Fe, Indianapolis, Milwaukee, Corpus Christi, Lubbock, and Ars Viva Symphony Orchestras; the Juilliard Orchestra; the Seongnam Philharmonic Orchestra; the Indianapolis and Milwaukee Chamber Orchestras; and members of the Metropolitan Opera Orchestra, among others. In 2003, she stepped in on short notice to replace the late John Browning for subscription performances of the Barber Piano Concerto (Browning's signature work) with the Delaware Symphony Orchestra; The Delaware News Journal pronounced her pianism as "astonishing" and "stunning."

Committed to arts advocacy, Ms. Roe was one of the inaugural fellows of The Academy-a program of Carnegie Hall, The Juilliard School, and The Weill Music Institute. As part of this professional fellowship, she performed regularly at Carnegie Hall with Ensemble ACJW, taught at PS 131Q in Queens, and co-directed the Children's Music Campaign NYC. In recognition of her educational and leadership endeavors, she was awarded the McGraw-Hill Companies' Robert Sherman Award for Music Education and Community Outreach. She has taught at Smith College as Visiting Artist and Lecturer in Music, and she is currently an Artist-in-Residence at Sonoma State University.

A Chicago native, Ms. Roe was 13 years old when she won the grand prize at the IBLA International Piano Competition in Italy. Throughout her career she has received honors from the National Foundation for Advancement in the Arts, the Music for Youth Foundation, the National Association for Professional Asian Women, and the Samsung Foundation of Culture. She earned her bachelor's and master's degrees from The Juilliard School as a full scholarship student of Yoheved Kaplinsky, graduating with Scholastic Distinction for her thesis on representations of music in the fiction of Thomas Mann, Marcel Proust, and E.M. Forster. A Steinway Artist and Soros Fellow, Ms. Roe's mission is to connect with others through the inspiration, joy and essential humanity of music.

1 John Field - Nocturne No.1 in E flat Major  
2 John Field - Nocturne No.2 in C Minor  
3 John Field - Nocturne No.3 in A flat Major  
4 John Field - Nocturne No.4 in A major  
5 John Field - Nocturne No.5 in B flat Major  
6 John Field - Nocturne No.6 in F Major Cradle-Song  
7 John Field - Nocturne No.7 in Major  
8 John Field - Nocturne No.8 in E flat Major  
9 John Field - Nocturne No.9 in E Minor  
10 John Field - Nocturne No.10 in E Major Nocturne Pastorale  
11 John Field - Nocturne No.11 in E flat Major  
12 John Field - Nocturne No.12 in E Major Nocturne Caracteristique: Noontide  
13 John Field - Nocturne No.13 in C Major Reverie-Nocturne  
14 John Field - Nocturne No.14 in G Major  
15 John Field - Nocturne No.15 in D Minor Song without Words  
16 John Field - Nocturne No.16 in C Major  
17 John Field - Nocturne No.17 in C Major  
18 John Field - Nocturne No. 18 in F Major  
Anderson & Roe - THE RITE OF SPRING (4 of 10) - Rivals/Procession

Following her critically acclaimed coupling of the Britten & Barber Piano Concertos with the London Symphony Orchestra, Elizabeth Joy Roe enlightens the extraordinary world of John Field. John Field has been called the ‘Father of the Nocturne', creating the form which Chopin perfected, but thus relegated to a footnote in musical history. In fact, he was held in high regard by his contemporaries: a student of Clementi, he knew Haydn, Hummel, Czerny and Mendelssohn, was championed by Liszt and an acknowledged influence on Chopin, Brahms and Schumann. Roe brings all 18 Nocturnes together for the first time on a single album.

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