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George Benson: Bio

Simply one of the greatest guitarists in jazz history, George Benson is an amazingly versatile musician, whose adept skills find him crossing easily between straight-ahead jazz, smooth jazz, and contemporary R&B. Blessed with supreme taste, a beautiful, rounded guitar tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing, Benson's inspirations may have been Charlie Christian and Wes Montgomery, but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush, soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proven more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole -- a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace -- but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.

Miles in the SkyBenson actually started out professionally as a singer, performing in nightclubs at eight, recording four sides for RCA's X label in 1954, and forming a rock band at 17 while using a guitar that his stepfather made for him. Exposure to records by Christian, Montgomery and Charlie Parker got him interested in jazz, and by 1962, the teenage Benson was playing in Brother Jack McDuff's band. After forming his own group in 1965, Benson became another of talent scout John Hammond's major discoveries, recording two highly regarded albums of soul-jazz and hard bop for Columbia and turning up on several records by others, including Miles Davis' Miles in the Sky. He switched to Verve in 1967, and, shortly after the death of Montgomery in June 1968, producer Creed Taylor began recording him with larger ensembles on A&M (1968-1969) and big groups and all-star combos on CTI (1971-1976).

Breezin' While the A&M and CTI albums certainly earned their keep and made Benson a guitar star in the jazz world, the mass market didn't catch on until he began to emphasize vocals after signing with Warner Bros. in 1976. His first album for Warner Bros., Breezin', became a Top Ten hit on the strength of its sole vocal track, "This Masquerade," and this led to a string of hit albums in an R&B-flavored pop mode, culminating with the Quincy Jones-produced Give Me the Night. As the '80s wore on, though, Benson's albums became riddled with commercial formulas and inferior material, with his guitar almost entirely relegated to the background. Perhaps aware of the futility of chasing the charts (after all, "This Masquerade" was a lucky accident), Benson reversed his field late in the '80s to record a fine album of standards, Tenderly, and another with the Basie band, his guitar now featured more prominently. His pop-flavored work also improved noticeably in the '90s. Benson retains the ability to spring surprises on his fans and critics, like his dazzlingly idiomatic TV appearance and subsequent record date with Benny Goodman in 1975 in honor of John Hammond, and his awesome command of the moment at several Playboy Jazz Festivals in the '80s. His latter-day recordings include the 1998 effort Standing Together, 2000's Absolute Benson, 2001's All Blues, and 2004's Irreplaceable. Three songs from 2006's Givin' It Up, recorded with Al Jarreau, were nominated for Grammy Awards in separate categories.

Songs and StoriesBenson began to see numerous reissues of his catalog material from his years with producer Creed Taylor on Verve, A&M, and CTI, from 2008 on. In 2009, he signed to Concord and released Songs and Stories for the label; he followed it up with his first primarily instrumental album in 35 years entitled Guitar Man in 2011. Two years later, in 2013, Benson released Inspiration: A Tribute to Nat King Cole, featuring arrangements by Nelson Riddle and Randy Waldman. Recorded at the age of 70, it was one of Benson's finest albums.

George Benson

Beyond the Blue Horizon (CTI: 40th Anniversary Ed)

Sony Masterworks

Click Here For Artist Stories

1 So What  
2 The Gentle Rain (From The Film 'The Gentle Rain'  
3 All Clear  
4 Ode To A Kudu  
5 Somewhere In The East  
6 All Clear (Alt. Take)  
7 Ode To A Kudu (Alt. Take)  
8 Somewhere In The East (Alt. Take)  
George Benson - So What, Live In Pori Jazz 198
George Benson Blues Jazz Lesson Guitar
Tavis Smiley | George Benson | September 30, 2014
George Benson singing 'This Masquerade'
International #JazzDay: Herbie Hancock and George Benson: 'Walkin'
Gorillaz - Humility (Official Video)

George Benson's Beyond the Blue Horizon, 1971 and his label debut with CTI is "one of Benson s best records, with 'So What'' and 'The Gentle Rain' ... lyrical but quite hard-bitten, and with an excellent rhythm section behind him, Benson finds room to stretch out" (The Penguin Guide to Jazz Recordings). AllMusic.com calls it " superb jazz session... a must-hear for all aficionados of Benson s guitar." For all those who long for George Benson who played masterfully and powerfully. For all those who love the masterful guitarist who had you playing air guitar if you were a non musician and had you picking up the needle and setting it back to cop his licks, this one's for you. The selections are straight up and cooking. Ron Carter and Jack De Johnette drive the rhythm section along throughout.

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