Bettye LaVette's first single in 1963 was a major hit, but for the next 40 years, the R&B singer bounced between label deals and near-destitution as her peers such as Aretha Franklin, Marvin Gaye and Diana Ross became superstars. LaVette grew up in Detroit, the birthplace of Motown, but the label's founder Berry Gordy Jr. never brought her onto his roster.
But LaVette is having the last laugh. At age 74, she's now enjoyed five Grammy nominations and numerous lifetime achievement awards. LaVette's new studio album Blackbirds is the ninth record she's released since 2003, when she kicked off a late-career resurgence.
She brought The Who's Pete Townshend to tears when she performed Love Rain Over Me at the 2008 Kennedy Center Honors. It led to her performing at President Barack Obama's inauguration ceremony.
Her talent for finding new emotion in other people's songs is such that Justin Hayworth from the Moody Blues once told her that he'd written Nights in White Satin, but he never understood it until she sang it. Her voice, both on stage and in person, is what makes LaVette so extraordinary.
After all these years, she's in a lane of her own. Bettye LaVette is the last of the great women of R&B's golden era.
LaVette joined us for a conversation about her long career as the underdog of American blues.
LISTEN TO THE JazzFM91 - Toront CAN SEGMENT
Data Lords is a new double-album by Grammy Award-winning composer and bandleader Maria Schneider. Inspired by conflicting relationships between the digital and natural worlds, the recording features Schneider's acclaimed orchestra of 18 world-class musicians.
Schneider says; "No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I'm not alone in struggling to find space – to keep connected with my inner world, the natural world, and just the simpler things in life," says Schneider. "Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two- album release reflecting these two polar extremes."
In the latest, 89.9WUCF: Orlando FL Magazine - Bob Kelley reviews the latest from keyboardist and arranger Antonio Adolfo - we celebrate the birth of tenor saxophonist Sonny Rollins - and Maria Schneider lets us in on her take of two polarized worlds with "Data Lords". LISTEN TO THE SEGMENT
"Beauty will save the world." Those are the words of cellist Camille Thomas, whose new album, Voice of Hope, speaks to this very idea. This album concept, at first glance, might have been at risk of feeling overly saccharine. It turns out, it'll take no more than nine seconds before the opening Kaddish by Ravel pulls you in and you know this is no lightweight endeavor from Thomas. This is not a sweet, innocent beauty, but one of visceral yearning, colored with mesmerizing, sometimes hauntingly beautiful soundscapes.
Thomas delivers this, her second release on the Deutsche Grammophon label, alongside musical colleagues very much on her home turf - the Brussels Philharmonic and their French music director Stéphane Denève.
Hear Camille Thomas and Stéphane Denève discuss the recording of Never Give Up on 90.1WRTI: Philadelphia
Canada's most successful songwriters, composers and music publishers are will be honoured in the 31st annual SOCAN Awards, held for the first time online, with Shawn Mendes solidifying his place in songwriting royalty earning two of the most prestigious prizes, becoming the most-awarded SOCAN member in a single year.
Follow @socanmusic on Facebook, Instagram and Twitter (#2020SOCANawards) to join in the celebration of more than 50 award winners announced today through September 25th via special virtual presentation. Celebrations include Drake, LIGHTS, bülow, Andrew Lockington, Daniel Caesar, Laila Biali and more.
Biali has some new music for fall/winter including the release of Anthem by Leonard Cohen.
Laila Biali released her cover of 'Anthem' by Leonard Cohen last Friday, Sept 18, for Leonard's birthday celebration TODAY Sept 21.
The 2019 JUNO-Award winner covers her fellow Canadian and music icon with his relevant song that delivers a salient message for the times we find ourselves in: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything, that's where the light gets in." Leonard would have turned 86 today.
This single releases on the heels of Laila's highly succsessful 2020 album release, Out of Dust, which came out on March 27 and features an expansive ensemble of instrumentalists and singers including GRAMMY Award winners and nominees Lisa Fischer, John Ellis, Larnell Lewis, and others.
CBC Radio 1 is premiering the track today along with the Quarantunes video. Watch the attached
In 1968, a 16-year-old jazz fan at Palo Alto High School in California decides to hold a concert in the school's auditorium to raise funds for its International Club-and convinces Thelonious Monk's manager that his client should be the headliner. (Not surprisingly, the student, Danny Scher, would soon become a major force in the live-music production world.) As concert day approaches, one of the school's janitors, an audio enthusiast, offers to tune the piano in exchange for recording the show, a deal that's quickly agreed to. On the afternoon of October 27, the Thelonious Monk Quartet gives its only known high-school performance. Afterward, the janitor (his name apparently lost to history, though researchers are no doubt still working on that) hands the young promoter a tape. It goes in a box, where it sits for the next 50 years. When its owner rediscovers it, he contacts Monk's son T.S., who-first tickled by the story, then impressed by the recording's quality-sanctions its release.
READ THE FULL JazzTimes ARTICLE
UK singer and producer Labrinth just scored his first-ever Emmy Award for Outstanding Original Music and Lyrics thanks to his Euphoria soundtrack standout, "All For Us." The song, which ended the emotional rollercoaster first season, was nominated alongside Pharrell and Chad Hugo's "Letter to My Godfather" from The Black Godfather, Thomas Mizer and Curtis Moore's "One Less Angel" from The Marvelous Mrs. Maisel, and Trent Reznor and Atticus Ross' "The Way It Used to Be" from Watchmen. Reznor and Ross won the Emmy for the dramatically-titled Outstanding Music Composition For A Limited Series, Movie Or Special award.
READ THE FULL UPROXX ARTICLE
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
World-renowned singer-songwriter Melody Gardot announces her long-awaited new album along with the release of a highly anticipated single which sees her join forces with 17-time Grammy Award winning music icon Sting.
Gustavo Dudamel, LA Phil 'Ives: Complete Symphonies' is the WFMT 'Featured New Release'
Posted: September 11, 2020 12:00 AM
| By: Admin
Gustavo Dudamel and the Los Angeles Philharmonic present a rare complete set of the symphonies by Charles Ives. These critically acclaimed live performances were recorded at Walt Disney Concert Hall in February 2020. Ives was an American original, an artist ahead of his time who explored novel combinations of traditional classical forms and American vernacular music, pioneering and exploiting techniques of polytonality, polyrhythm, and textural complexity. These recordings offer fresh insights into the music of a radical thinker and creator of what Leonard Bernstein called "his own private musical revolution."
Deutsche Grammophon releases Gustavo Dudamel and the Los Angeles Philharmonic's performances of the complete Charles Ives symphony cycle. Called "a revelation" by the Los Angeles Times, the rarely heard symphony cycle was recorded in early 2020 as part of the LA Phil's Dvořák and Ives festival.
"Performances like this don't come around every day." - Los Angeles Times
The prestigious Los Angeles Philharmonic, led by Music & Artistic Director Gustavo Dudamel, and Deutsche Grammophon, the world's leading classical music label, are set to extend their long history of making music together. They will now build on a relationship that has already produced benchmark recordings of works by Mahler and John Adams, among others, and seen orchestra and conductor play key roles in the visionary "DG Concerts" initiative, which allowed music-lovers rapid virtual access to live LA Phil concerts.
Upcoming releases on Deutsche Grammophon will include a tribute to multi-award-winning film composer John Williams and, as the LA Phil marks its centenary season, a commemorative limited-edition box set entitled LA PHIL – 100 YEARS, which will encompass many of the most significant performances given by the orchestra over the decades. As a prelude to this renewed cooperation, in November 2018 DG released the LA Phil and Dudamel's new reading of the complete score of Tchaikovsky's ballet The Nutcracker to widespread acclaim, with Gramophone hailing the orchestra's "fabulous" playing and The New York Times calling the album a "joyously vibrant recording".
The Christmas ballet by Tchaikovsky that needs no introduction is brought to life in its entirety by Gustavo Dudamel and the Los Angeles Philharmonic. Featuring beloved pieces such as the "Waltz of the Snowflakes" and the "Dance of the Sugar-Plum Fairy," this new recording of The Nutcracker is the first in Deutsche Grammophon's new partnership with the Los Angeles Philharmonic and Dudamel.
It was his achievement at the 2003 Gustav Mahler Conducting Competition in Bamberg that catapulted Venezuelan conductor Gustavo Dudamel to international stardom, and the music of Mahler has remained central not only to his repertoire, but to his entire musical philosophy. Now, Dudamel resumes his survey of the Mahler symphonies with Mahler 7, now available on Deutsche Grammophon. Recorded with the Simón Bolívar Symphony Orchestra of Venezuela, the 7th is a "symphony of everything", says Dudamel, "from chaos to glory, sarcasm to tenderness, from a funeral march to a seductive tango. It is a cosmic symphony of perfect construction and galactic emotional scope."
SYND: PRI/Classical 24, The Romantic Hours Direct: SiriusXM, Music Choice Markets include: Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, St. Louis Minneapolis, Cleveland, Cincinnati, Denver, Austin, Detroit, Austin, New Orleans, Memphis, Madison WI, Honolulu, Canada Online: ClassicallyHip
World renowned conductor Gustavo Dudamel's first-ever original musical composition for the screen, THE LIBERATOR-Libertador brings immediacy and passion to the life story of one of history's great men. The timeless story of a people's struggle for independence is brought to sumptuous life in THE LIBERATOR. Dudamel, who consulted with film score master John Williams in the preparations for writing the music, describes his score as "atmospheric, post-Mahlerian music, full of tension, hope and struggle." The Simón Bolívar Symphony Orchestra and guests from the world of Venezuelan folk music lend the score a distinctive Latin American flavor. On July 31st. The Suite from Libertador will have its world premiere at the Hollywood Bowl, under the baton of Dudamel himself with the LA Philharmonic.
Gustavo Dudamel, fresh from starting a 19-day residency at the Salzburg Festival with open rehearsals, special events, symposiaand performances of Mahler's Symphonies Nos. 3, 7 and 8, as well as Mozart's Mass in C minor, has joined Deutsche Grammophon in announcing his debut album with the Berlin Philharmonic, set for global release in September. Gustavo Dudamel conducts Strauss's mighty Also sprach Zarathustra, the sonorous epic which will be forever associated with Stanley Kubrick's ground-breaking film, 2001: A Space Odyssey, alongside the tone poems Don Juan and Till Eulenspiegel, both significant landmarks in Strauss's development as a master of orchestral texture and form.