Contrabass Conversations writes......Mark Helias is a renowned bassist, composer and producer who has performed throughout the world for more than four decades with some of the most important and innovative musicians in Jazz and Improvised Music including Don Cherry, Edward Blackwell, Anthony Davis, Dewey Redman, Anthony Braxton, Abbey Lincoln, Cecil Taylor, and Uri Caine. Mark recently released Some Kind of Tomorrow with saxophonist Jane Ira Bloom.
We talk about what life has been like during the pandemic, this latest remote album collaboration with Jane and about remote collaboration in general, and many lessons learned from Mark's years working as a jazz bassist.
The debut album of Joe Lovano's Trio Tapestry was one of 2019's most talked-about releases. This musical concept is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus.
Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. The music he writes for this group-tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving-encourages subtle and differentiated responses from his creative partners, creating interactions in which Lovano describes as "magical." Carmen Castaldi's space-conscious approach to drumming further refines an improvisational understanding that he and Lovano have shared since the early 1970s. The trio is also an inspired context for Marilyn Crispell's solos, counter melodies, and improvisational embellishments. Her feeling for sound-color helps the chamber music character of the group bloom.
Joe Lovano sat down with Ruth Fisher of JazzFM's Full Circle. Ruth commented that she was "Really thrilled to be in conversation with the incredible sax man. SEE THE POST
Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Released by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Montana Public Radio's John Floridis interviewed HH about the new recording. LISTEN TO THE SEGMENT
udiscovermusic.'s Sharon Kelly writes.....Oboist Albrecht Mayer has released his new album Mozart, a personal and affectionate tribute to one of the greatest composers who ever lived. Albrecht Mayer has lived with Mozart's music for almost half a century. He first discovered the composer while he was a boy soprano in the Bamberg Cathedral Choir, an early experience which is perhaps partly responsible for the warm, singing quality of his oboe playing. Albrecht Mayer's new album Mozart is inspired by his lifelong love for the composer's music and is his first all-Mozart album. Photo: Christoph Köstlin
READ THE FULL udiscovermusic. ARTICLE
In her first new recording in a decade, Joy Harjo – the first Native American named Poet Laureate of the United States – digs deep into the indigenous red earth and the shared languages of music to sing, speak and play a stunningly original musical meditation that seeks healing for a troubled world – I Pray for My Enemies, was released from Sunyata Records/Sony Orchard Distribution on March 5, 2021.
Collaborating with producer/engineer Barrett Martin on this unique new album, Harjo brings a fresh identity to the poetry and songs that have made her a renowned poet of the Muscogee Creek Nation and one of the most authentic and compelling voices of these times.
"The concept for I Pray for My Enemies began" says Harjo, "with an urgent need to deal with discord, opposition. It could have been on a tribal, national or a personal level. I no longer remember. The urgency had a heartbeat and in any gathering of two or more, perhaps the whole planet, our hearts lean to entrainment – that is, to beat together."
Join Spokane Public Radio's 'Soundspace' as Zan hosts a phone interview with the multi-instrumentalist musician, poet, performer, activist and 23rd U.S. Poet Laureate, as she speaks about what inspired her recent album. LISTEN
KDFC - KUSC's Brian Lauritzen and Jeffrey Freymann write.....Minari tells the story of a Korean family that moves to Arkansas in the 1980s, hoping to find their American dream by working a farm. For almost every film, the score is the last element to be added – after all the other editing has been done, and the actors have moved on to their next projects. But composer Emile Mosseri approached his score to Minari another way, writing many of the original themes when there was only a script, and the film hadn't yet been shot.
He says he sent director Lee Isaac Chung sketches for the score even before he was officially hired as the film's composer, and thinks that the music would have had a less important role if it had been written later.
Mosseri has only scored a handful of films, including the critically acclaimed The Last Black Man in San Francisco and Miranda July's Kajillionaire, yet won this nomination (one of six for the film) with a score about the intersection of two cultures that doesn't try to sound like either of them.
Listen to Brian Lauritzen and Emile Mosseri chat on KDFC: San Francisco & KUSC: Los Angeles
WFMT's Lisa Flynn writes.....The new album by Charles Richard-Hamelin presents two important works by Frédéric Chopin and consolidates the musician's place in the highest ranks of the pianistic world. Describing the 24 Preludes, Richard-Hamelin says: "One can hear the entire scope of Chopin's output inside the microcosm that are the Preludes. Across all the different major and minor keys, we get hints of his Études, Nocturnes, Impromptus, Mazurkas, and even fragments of larger works such as the Ballades. Yet, there is also a sense of an overarching story being told in 24 chapters of various lengths and weights. It is Chopin at his most beautiful, heart-wrenching, experimental, dissonant, sometimes even violent. It is a fascinating journey through the human psyche and my interpretation aims to show precisely that."
For April 13, 2021, Charles Richard-Hamelin: Chopin Preludes is the WFMT: Chicago 'Featured New Release'
Icelandic pianist and post-classical composer Eydís Evensen has confirmed details of her debut album, BYLUR, which will be released on 23rd April, 2021 by XXIM Records, Sony's new imprint for innovative, post-genre instrumental music.
On 26 March 2021 the ambitiously multifaceted musician/composer Clark presents his chillingly affecting ninth studio album Playground In A Lake, on which he broadens horizons and tries new things, with profound results.
Three-time GRAMMY Award-nominated pianist Joey Alexander follows his major-label debut album, WARNA (Verve Records), with three new singles "SALT" (March 19: LINK), "Under the Sun" (April 23), and "Summer Rising" (May 28) set for global release on Verve.
Hilary Hahn - Paris is the 98.7WFMT 'Featured New Release'
Posted: March 8, 2021 12:00 AM
| By: Admin
98.7WFMT's Lisa Flynn writes.....Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No. 1, which received its first performance in the French capital in 1923.
Hilary Hahn's new recording pays homage to the rich cultural heritage of a city that has been close to her heart throughout her career. Set for international release by Deutsche Grammophon on 5 March 2021, Paris sees the American violinist resume her productive partnership with the Orchestre Philharmonique de Radio France and its Music Director, Mikko Franck. The three-time Grammy Award-winner's album presents the world premiere of Einojuhani Rautavaara's Deux Sérénades, commissioned by Mikko Franck. It also includes Ernest Chausson's Poème and Sergei Prokofiev's Violin Concerto No.1, which received its first performance in the French capital in 1923.
Following the widely celebrated release of Hilary Hahn Plays Bach on Decca Classics last fall, Hilary Hahn returns with a world premiere recording of Antón García Abril's 6 Partitas, commissioned by Hahn for solo violin-her first-ever solo commission and her first of a set of pieces from a single composer. Each movement has a different theme, displays its own personality, and is deeply tied to the performer for whom the work was written-so much so that García Abril chose to name the movements after Hahn in acrostic: HEART, IMMENSITY, LOVE, ART, REFLECTIVE, YOU.
There is a longstanding tradition of great composers writing six polyphonic works for the violin. Perhaps due to the creativity that arises when a composer is limited to a single unaccompanied instrument, and the challenge of creating a set of diverse but cohesive material within that framework, these pieces rank amongst the most iconic, progressive compositions in the repertoire. Hahn commissioned these 6 Partitas from García Abril both to continue this tradition as well as to amplify this important contemporary composer outside of his home country. Likewise, García Abril found inspiration in Hahn's technical proficiency and interpretational skill, writing her personality and mastery of the violin into the music itself.
When Hilary Hahn plays Bach came out on Sony in 1997, critics were astounded that a performer would choose solo Bach for her debut album; they were further confounded by her elegant approach to this music's technical and interpretive challenges at such a young age. Bach expert Nicholas Anderson wrote in BBC Music Magazine at the time, "Bach's six unaccompanied solos - three each of partitas and sonatas - have long been regarded as the pinnacle of violin writing and the most elusive of goals for the aspiring performer... Hahn's affection for Bach's music becomes apparent at almost every turn; and the concluding movement of the C major Sonata is a tour de force. I long to hear more." Stereo Review wrote, "I would go so far as to say that I've never heard this legendary, impossible piece of music played on a higher level, technically and musically, than it is on Hahn's debut CD. This is simply a magnificent performance, completely true in all its parts and possessed of a depth and wisdom that belie the performer's age. Unlike most of the violinists who play this music, she is truly its master, and that frees her to play it with soul."
Now 38, she completes her recording of the Bach sonatas and partitas for solo violin in an album that will be released on Decca Classics on October 5, 2018. The new album includes the first partita and first and second sonatas.
An artist portrait curated by Hilary Hahn herself, Retrospective features recordings from albums she made as a Deutsche Grammophon artist as well as almost 30 minutes of new, unreleased material from a live concert of Mozart's Violin Sonata K. 379 and new recordings of three tracks from her Encores album. Commissioned through Hahn's social media platforms, the Retrospective artwork and packaging were designed using portraits submitted by her fans.
After touring together for many years, Paavo Järvi joins Hilary Hahn's on hernew DG album, Mozart 5, Vieuxtemps 4 - Violin Concertos. This is Hahn's first recording with The Deutsche Kammerphilharmonie Bremen and Paavo Järvi and is the violinist's first orchestral offering since her 2010 pairing of Tchaikovsky's violin concerto and Jennifer Higdon's Pulitzer-prize winning violin concerto, which was written for Hahn. With this new album, she returns to core violin repertoire on the heels of the Grammy-win for 'In 27 Pieces: the Hilary Hahn Encores,' Mozart 5, Vieuxtemps 4 are two concertos that have been part of Hahn's repertoire since she was ten years old.
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Throughout her career, Hilary Hahn has been an advocate for new music - most notably commissioning a concerto by Edgar Meyer and a Pulitzer Prize-winning concerto by Jennifer Higdon. Her recent album, Silfra, was a genre-bending experiment with prepared-pianist Hauschka. Prior to that, she released an album of sonatas by Charles Ives. More than ten years ago, Hahn began her most ambitious project, "In 27 Pieces: the Hilary Hahn Encores," to expand and enrich the violin repertoire. She commissioned more than two dozen composers to write short-form pieces for acoustic violin and piano and toured these new works internationally over the 2011-12 and 2012-13 seasons in countries such as Turkey, Germany, Luxembourg, Belgium, France, the Netherlands, the United Kingdom, the United States, Japan, Austria and Spain.