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Igor Levit

Brahms w/Vienna Philharmonic-Christian Thielemann

Sony Classical
Release Date: October 4, 2024

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60 Minutes profiles Igor Levit
Igor Levit - An interview with BBC New Generation Artist
May It Return To The Heart (Igor Levit, pianist & Hans Ulrich Obrist, curator) | DLD 18
Bundesversammlung: Igor Levit im Interview am 13.02.22
1 Brahms: Piano Concerto No. 1 in D minor, Op. 15 / I. Maestoso  
2 II. Adagio  
3 III. Rondo. Allegro non troppo  
4 Brahms: Piano Concerto No. 2 in B flat major, Op. 83 / I. Allegro non troppo  
5 II. Allegro appassionato  
6 III. Andante  
7 IV. Allegretto grazioso  
8 Brahms: Fantasies (7 piano pieces), Op. 116 / No. 1: Capriccio in D Minor  
9 No. 2: Intermezzo in A Minor  
10 No. 3: Capriccio in G Minor  
11 No. 4: Intermezzo in E Major  
12 No. 5: Intermezzo in E Minor  
13 No. 6: Intermezzo in E Major  
14 No. 7: Capriccio in D Minor  
15 Brahms: Intermezzi (3), Op. 117 / No. 1 in E-Flat Major  
16 No. 2 in B-Flat Minor  
17 No. 3 in C-Sharp Minor  
18 Brahms: Klavierstücke (6), Op. 118 / No. 1: Intermezzo in A Minor  
19 No. 2: Intermezzo in A Major  
20 No. 3: Ballade in G Minor  
21 No. 4: Intermezzo in F Minor  
22 No. 5: Romance in F Major  
23 No. 6: Intermezzo in E-Flat Minor  
24 Brahms: Klavierstücke (4), Op. 119 / No. 1: Intermezzo in B Minor  
25 No. 2: Intermezzo in E Minor  
26 No. 3: Intermezzo in C Major  
27 No. 4: Rhapsody in E-Flat Major  
28 Brahms: Waltz in A Major, Op. 39, No. 15  
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“Feel-good vibes effervesced, while applause resounded around the stage: that’s amore!” This is how the Viennese newspaper Der Standard described the audience’s enthusiastic reaction after Igor Levit, Christian Thielemann, and the Vienna Philharmonic performed Brahms’s First Piano Concerto at Vienna’s famous Musikverein in April 2024: “During these fifty minutes, an irresistible dose of emotion was conveyed – but at the same time the sophisticated structure of Brahms’s masterpiece remained crystal-clear.” Levit and Thielemann had already performed the Second Piano Concerto with the same orchestra in December 2023; the headline in Die Presse at the time ran: “Igor Levit sets a new gold standard for Brahms.” 

These two concertos make up the first joint recording by Levit and Thielemann, which will be released as a triple album with Levit’s recording of Brahms’s well-known solo works opp. 116–119. Levit’s and Thielemann’s first meeting was quite unplanned, although both had been curious about each other for a long time. In 2015, Levit spontaneously stepped in for a colleague who had fallen ill and performed Mozart’s C major Concerto K 467 with Thielemann and the Staatskapelle Dresden in Munich. Despite an extremely short rehearsal period, the two hit it off straight away: “We have such a similar way of thinking that it is not necessary to discuss many things,” says Thielemann. And Levit adds: “When the piece begins, I simply have complete confidence in you. I know I can’t take a wrong turn. Having such unconditional trust is extraordinary.”

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