Bettye LaVette's first single in 1963 was a major hit, but for the next 40 years, the R&B singer bounced between label deals and near-destitution as her peers such as Aretha Franklin, Marvin Gaye and Diana Ross became superstars. LaVette grew up in Detroit, the birthplace of Motown, but the label's founder Berry Gordy Jr. never brought her onto his roster.
But LaVette is having the last laugh. At age 74, she's now enjoyed five Grammy nominations and numerous lifetime achievement awards. LaVette's new studio album Blackbirds is the ninth record she's released since 2003, when she kicked off a late-career resurgence.
She brought The Who's Pete Townshend to tears when she performed Love Rain Over Me at the 2008 Kennedy Center Honors. It led to her performing at President Barack Obama's inauguration ceremony.
Her talent for finding new emotion in other people's songs is such that Justin Hayworth from the Moody Blues once told her that he'd written Nights in White Satin, but he never understood it until she sang it. Her voice, both on stage and in person, is what makes LaVette so extraordinary.
After all these years, she's in a lane of her own. Bettye LaVette is the last of the great women of R&B's golden era.
LaVette joined us for a conversation about her long career as the underdog of American blues.
LISTEN TO THE JazzFM91 - Toront CAN SEGMENT
Data Lords is a new double-album by Grammy Award-winning composer and bandleader Maria Schneider. Inspired by conflicting relationships between the digital and natural worlds, the recording features Schneider's acclaimed orchestra of 18 world-class musicians.
Schneider says; "No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I'm not alone in struggling to find space – to keep connected with my inner world, the natural world, and just the simpler things in life," says Schneider. "Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two- album release reflecting these two polar extremes."
In the latest, 89.9WUCF: Orlando FL Magazine - Bob Kelley reviews the latest from keyboardist and arranger Antonio Adolfo - we celebrate the birth of tenor saxophonist Sonny Rollins - and Maria Schneider lets us in on her take of two polarized worlds with "Data Lords". LISTEN TO THE SEGMENT
"Beauty will save the world." Those are the words of cellist Camille Thomas, whose new album, Voice of Hope, speaks to this very idea. This album concept, at first glance, might have been at risk of feeling overly saccharine. It turns out, it'll take no more than nine seconds before the opening Kaddish by Ravel pulls you in and you know this is no lightweight endeavor from Thomas. This is not a sweet, innocent beauty, but one of visceral yearning, colored with mesmerizing, sometimes hauntingly beautiful soundscapes.
Thomas delivers this, her second release on the Deutsche Grammophon label, alongside musical colleagues very much on her home turf - the Brussels Philharmonic and their French music director Stéphane Denève.
Hear Camille Thomas and Stéphane Denève discuss the recording of Never Give Up on 90.1WRTI: Philadelphia
Canada's most successful songwriters, composers and music publishers are will be honoured in the 31st annual SOCAN Awards, held for the first time online, with Shawn Mendes solidifying his place in songwriting royalty earning two of the most prestigious prizes, becoming the most-awarded SOCAN member in a single year.
Follow @socanmusic on Facebook, Instagram and Twitter (#2020SOCANawards) to join in the celebration of more than 50 award winners announced today through September 25th via special virtual presentation. Celebrations include Drake, LIGHTS, bülow, Andrew Lockington, Daniel Caesar, Laila Biali and more.
Biali has some new music for fall/winter including the release of Anthem by Leonard Cohen.
Laila Biali released her cover of 'Anthem' by Leonard Cohen last Friday, Sept 18, for Leonard's birthday celebration TODAY Sept 21.
The 2019 JUNO-Award winner covers her fellow Canadian and music icon with his relevant song that delivers a salient message for the times we find ourselves in: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything, that's where the light gets in." Leonard would have turned 86 today.
This single releases on the heels of Laila's highly succsessful 2020 album release, Out of Dust, which came out on March 27 and features an expansive ensemble of instrumentalists and singers including GRAMMY Award winners and nominees Lisa Fischer, John Ellis, Larnell Lewis, and others.
CBC Radio 1 is premiering the track today along with the Quarantunes video. Watch the attached
In 1968, a 16-year-old jazz fan at Palo Alto High School in California decides to hold a concert in the school's auditorium to raise funds for its International Club-and convinces Thelonious Monk's manager that his client should be the headliner. (Not surprisingly, the student, Danny Scher, would soon become a major force in the live-music production world.) As concert day approaches, one of the school's janitors, an audio enthusiast, offers to tune the piano in exchange for recording the show, a deal that's quickly agreed to. On the afternoon of October 27, the Thelonious Monk Quartet gives its only known high-school performance. Afterward, the janitor (his name apparently lost to history, though researchers are no doubt still working on that) hands the young promoter a tape. It goes in a box, where it sits for the next 50 years. When its owner rediscovers it, he contacts Monk's son T.S., who-first tickled by the story, then impressed by the recording's quality-sanctions its release.
READ THE FULL JazzTimes ARTICLE
UK singer and producer Labrinth just scored his first-ever Emmy Award for Outstanding Original Music and Lyrics thanks to his Euphoria soundtrack standout, "All For Us." The song, which ended the emotional rollercoaster first season, was nominated alongside Pharrell and Chad Hugo's "Letter to My Godfather" from The Black Godfather, Thomas Mizer and Curtis Moore's "One Less Angel" from The Marvelous Mrs. Maisel, and Trent Reznor and Atticus Ross' "The Way It Used to Be" from Watchmen. Reznor and Ross won the Emmy for the dramatically-titled Outstanding Music Composition For A Limited Series, Movie Or Special award.
READ THE FULL UPROXX ARTICLE
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
World-renowned singer-songwriter Melody Gardot announces her long-awaited new album along with the release of a highly anticipated single which sees her join forces with 17-time Grammy Award winning music icon Sting.
Igor Levit releases double album marked by a desire for encounter and togetherness / WFMT: Featured New Release
Posted: September 15, 2020 12:00 AM
| By: Admin
Pianist Igor Levit has released a very personal double album marked by a desire for encounter and togetherness. The program includes rarely played arrangements of Bach and Brahms by Ferruccio Busoni and Max Reger, as well as Palais de Mari – Morton Feldman's final work for piano. "Encounter" is the pianist's sixth disc released on the Sony Classical label and conveys the urgent desire for human togetherness – at a time when isolation is the order of the day.
A very personal double album marked by a desire for encounter and togetherness. The program includes rarely played arrangements of Bach and Brahms by Ferruccio Busoni and Max Reger, as well as Palais de Mari – Morton Feldman's final work for piano.
Longing and its fulfilment at the same time: Igor Levit's new double album "Encounter" is the pianist's sixth disc released on the Sony Classical label and conveys the urgent desire for encounter and human togetherness – at a time when isolation is the order of the day. The result is a very personal recital. While speaking touchingly of the hardships and unexpected feelings of liberty resulting from social distancing, musically the recital stands out for the objective spirit of its carefully crafted form.
Igor Levit's work on the 32 Beethoven Piano Sonatas has been the most important endeavour of the past 15 years of his life. This autumn will see his new studio recording of the complete sonata cycle released on Sony Classical on September 13 and represents the recorded testament to almost half his life spent in the study and performance of these sonatas. The release of this momentous 9-album cycle is one of the most eagerly awaited recordings for the 250-year Beethoven anniversary.
No other composer has had such an important influence on Igor Levit's life as that of Ludwig van Beethoven. He admits that this composer's music is around him practically every day and in almost everything he does. The profound impact of Beethoven's music- since his first emotional point-of-no-return with the Missa solemnis at age 13, followed by his first dedicated work on Sonata op. 2/2–has subsequently shaped Levit's approach to almost all music, whether he is playing Liszt, Shostakovich or Rzewski.
Sparked by the tragic death of a close friend in an accident, Igor Levit's piano playing reflects upon an experience of loss encompassing grief, despair, resignation and solace. He concentrates on works whose gloomy grandeur and melancholy beauty have occupied him for years. Each of them pays tribute to the virtuoso possibilities of the piano. Poetic moments of contemplative silence blend with life-affirming and extremely sensual music with a direct physical fascination. ...
Sony Classical announces the release of Pianist Igor Levit's third album - Bach, Beethoven, Rzewski. Available October 30, the album includes Bach's Goldberg Variations and Beethoven's Diabelli Variations, long considered acid tests of the performer's art, plus Frederic Rzewski's gigantic cycle on the Chilean revolutionary song ¡El pueblo unido, jamás será vencido!, which has the reputation of being nearly unplayable. Not content with canonized masterpieces, Levit is equally drawn to the physical challenge of Rzewski's virtuosic tightrope walks.
38 NEW 43 Total
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Igor Levit has recorded the Partitas by this incommensurable Bach, BWV 825-830: it's the second release by the 27-year-old pianist, whom many regard as the greatest talent of his time. With his debut album, featuring the late Beethoven sonatas, Levit already enjoyed great success and international critical acclaim: the album rose to no. 46 in Germany's Top 100 album charts.
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"Unlike those technically brilliant young pianists who dazzle briefly and disappear, Levit is pre-eminently a real musician who seems built to last." – The Guardian
For the last three years, Igor Levit's name has been the first to be mentioned whenever there has been talk of the most exciting of the younger generation of pianists. What is so surprising about Levit is not only the maturity of his interpretations, but his boundless appetite for new repertoire of works as difficult and demanding as possible. For his long awaited debut album, the twenty-six-year-old Levit has chosen some of the most challenging repertoire ever written for piano: Beethoven's last five piano sonatas. On his two-CD debut set, Levit is not just another young aspiring pianist releasing his debut album, but rather an outstanding artist who meets the exceptionally high demands of this extraordinary music. Levit's technical and artististic command in the difficult "Hammerklaviersonate" op. 106 is sure to be recognized as one of the most astounding accomplishments in recent history of Beethoven recordings.