Home » Stories » Ilan Eshkeri speaks with The Spool podcast on setting the earth to music in 'A Perfect Planet'

Stories for January 26, 2021

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    The pandemic forced touring musician Robin Spielberg to reinvent how she plies her trade / York Daily Record
     
    Posted At : January 26, 2021 7:22 AM

    York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes.  She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again."  She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that.   They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began.  And everything changed.  READ THE FULL York Daily Record ARTICLE

  • Cho Seong-jin to premiere unheard piece by Mozart, in Salzburg, on composer's 265th birthday / The Korea Times
     
    Posted At : January 25, 2021 3:20 PM

    The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday. READ THE FULL Korea Times ARTICLE

  • Jon Batiste lindy hops his way through 'I Need You' / boingboing
     
    Posted At : January 25, 2021 12:00 AM

    Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!" Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN  writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks? SEE THE boingboing PAGE & WATCH THE VIDEO

  • The 48 minutes of William Susman's 'A Quiet Madness' offer more than their fair share of listening rewards / textura
     
    Posted At : January 24, 2021 12:00 AM

    textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway.  The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal. For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry. READ THE FULL textura REVIEW

  • 'We can't have a New York City without Birdland' / PIX11
     
    Posted At : January 24, 2021 12:00 AM

    Iconic NYC jazz club rallies to stay open amid pandemic. WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist. Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible." READ THE FULL PIX11 ARTICLE

  • Vikingur Olafsson - Philip Glass: Piano Works. Simplicity that is almost majestic / The Guardian
     
    Posted At : January 24, 2021 12:00 AM

    For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection." The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it.    Photograph: Antonio Olmos SEE The Guardian PAGE

  • Amid the pandemic, NY's 'Ashokan Center' extends its virtual reach / The Daily Freeman
     
    Posted At : January 24, 2021 12:00 AM

    The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer. The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual. "We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online." COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before. "So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced." READ THE FULL Daily Freeman ARTICLE

Top 10 for Jan

  • Jon Batiste :

    'I Need You' from 'We Are'

     Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE.
  • SIGNUM saxophone quartet :

    Echoes

     An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
  • The Album Leaf :

    SYNCHRONIC - OMPS

     Milan Records announces the release of SYNCHRONIC (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by The Album Leaf.
  • Shai Maestro :

    Human

     In its review of pianist Shai Maestro's leader debut, The Dream Thief, All About Jazz spoke of "a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.
  • Poor Clare Sisters of Arundel :

    Light for the World

     More than 800 years since they were founded, the Poor Clare Sisters of Arundel – a community of 23 nuns living in the south of England – have found themselves unexpected recording stars.
  • Ilan Eshkeri :

    A Perfect Planet

     Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria).
  • Jane Ira Bloom, Mark Helias :

    Some Kind of Tomorrow

     Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow.
  • Catalyst Quartet :

    Uncovered Vol. 1 - Samuel Coleridge-Taylor

     On Friday, February 5, 2021, GRAMMY Award-winning Catalyst Quartet releases UNCOVERED Volume 1 on Azica Records.
  • Laila Biali :

    A Case of You - LIVE

     SOCAN Music and JUNO Award winner Laila Biali shares an intimate acoustic cover of Joni Mitchell's classic love song, A Case of You, captured live off the floor at Revolution Recording Studios.
  • Max Richter :

    Beethoven - Opus 2020

     Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday.

Ilan Eshkeri speaks with The Spool podcast on setting the earth to music in 'A Perfect Planet'

Posted: January 10, 2021 12:00 AM | By: Admin
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The Spool's Clint Worthington writes.....Even before the pandemic, before we couldn't leave our homes anymore, nature docs were my happy place. But luckily, the Sir David Attenborough Industrial Complex continues apace with BBC One's A Perfect Planet, which just started airing in America on Discovery Channel's new streaming service, Discovery+. This five-part series explores the planet on which we live, the natural forces that maintain our fragile ecosystems, and the life that lives on it: volcanoes, oceans, sunlight, and so on. And along the way, we catch up on dozens of little personal dramas from creatures trying to survive and contribute to the Earth's majesty, from lizards trying to climb mountains in the middle of an avalanche to the struggles of undersea creatures to adapt to the pressures of the ocean.

If you've seen these kinds of shows, you know not just Attenborough's reedy, authoritative narration, but the big, bombastic scores that tend to accompany it. But for composer Ilan Eshkeri, for whom Perfect Planet is his fourth round at scoring an Attenborough-narrated nature doc series, he wanted it to sound a bit different. And that he does; the bigness and sweep are still there, but tempered by more muted, atmospheric orchestrations and the introduction of pop elements like guitars and drums. And the title track, "A Perfect Planet," makes wonderful use of several children's choirs to illustrate the fragility and innocence of the Earth, and the generations we'll be leaving the planet to after we're gone - an even greater reminder of the need to take direct action on climate change.

Clint Worthington who talks to actors, filmmakers, composers and other figures from the realm of film and television had the pleasure of sitting down with Eshkeri, who's scored everything from Stardust to Ghosts of Tsushima, to talk about his motivations behind the project, how his own environmentalism fuels his scoring, and more.

LISTEN TO THE PODCAST

Crossover Media Projects with Ilan Eshkeri

  • Ilan Eshkeri

    A Perfect Planet

    Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria). Available everywhere now, the album features the music from Eshkeri's fourth collaboration with Sir David Attenborough, the legendary naturalist who will narrate the BBC series.

    Composer ILAN ESHKERI says: "Creating the music for A Perfect Planet has been a hugely rewarding experience. The series celebrates the extraordinary world we are a part of as well as showing the delicate balance of the systems that support life, and what we need to do to ensure its future stability. It's a message that's very important to me and one that I believe we have a responsibility to engage with – in a way that not only educates but inspires the next generation. This influenced my approach to the music, and set me on an unconventional path. Composing the music for A Perfect Planet has also been enormously challenging – not least because of the unprecedented logistical issues of trying to record an orchestra during the lockdown! I'm grateful to everyone at the BBC and [production company] Silverback who supported me and the ideas I threw at them and I hope my music can play a small part in helping to inspire change."

  • Ilan Eshkeri

    The White Crow OMPS w/Lisa Batiashvili

    Half-hearted concessions to freedom of expression were not enough to hold Rudolf Nureyev in the Soviet Union. The young dancer, a superstar soloist of the Kirov Ballet, caused an international sensation when he became the first Soviet artist to defect to the West during the Cold War. The White Crow, a new film directed by Ralph Fiennes, charts Nureyev's journey from childhood poverty in Siberia and meteoric rise as a principal dancer to the decisive moment of his defection in June 1961 at Le Bourget airport in Paris. The story's personal and political drama surges through Sir David Hare's screenplay and is intensified by the austere beauty of Ilan Eshkeri's original score. Deutsche Grammophon is set to release the soundtrack album on 22 March 2019 to coincide with the movie's international release.