She is the Bournemouth Symphony Orchestra's artist in residence, the latest in a succession of supremely talented musicians to have held that post, including Sunwook Kim, Johannes Moser and Nemanja Radulovic. In a move that signals that she is different, Gabriela Montero began her tenure with an impromptu piano performance on Bournemouth Pier last October. The term ends on February 26 with a recital with the BSO principals at the Lighthouse.
The other dimension to her being different is her unique improvisational gift. It has given her a devoted following around the world. She can take any melody and just run with it, as many audiences have discovered. Montero is a fascinating and intriguing interviewee even from three thousand miles away. Our conversation ranged from power and politics, to human rights, the state of her native Venezuela and music as a force for good. Picture:Shelley Mosman
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It has been 12 years since I picked up the album Gently Weeps album by the Hawaiian ukulele player Jake Shimabukuro, largely to see what he did with the George Harrison title track. You can make up your own mind on that here, but for me that was all the impetus I needed when this album (with bassist Nolan Verner and guitarist Dave Preston) turned up.
Let's just say Shimabukuro is unlike any other ukulele player you will ever have heard. In fact you'd probably be surprised to learn that it is ukulele at all on most of these tracks where he brings out a lute-like quality (Lament with Pink Floyd-like atmospherics), something akin to an acoustic guitar (the more MOR Summer Rain) and on the furious hard rock opener When the Masks Come Down with Preston off the leash and the gritty, fist-tight tension of Twelve this is to ukulele what Rodrigo y Gabriela are to flamenco.
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Pacific Symphony is keeping on with programming that works. Today, the orchestra announced its 2020–2021 classical series, underwritten by the Hal and Jeanette Segerstrom Family Foundation. On the schedule: lots of guest artists, plus a continued commitment to signature events.
The biggest name coming to Orange County next season is Lang Lang, who plays Beethoven's Second Piano Concerto with the orchestra on Oct. 4. Longtime Music Director Carl St. Clair conducts the one-night-only concert. As of now, tickets to this performance are only available to season subscribers.
Guest soloists for 2021 include Emanuel Ax, who plays Mozart, Jan. 14–16; James Ehnes, soloing in the Sibelius Violin Concerto, Feb. 25–27; and Rachel Barton Pine, who performs the Mendelssohn Violin Concerto, May 6–8, her first appearance with Pacific Symphony.
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The American jazz trio The Bad Plus confirmed their 2020 spring tour following the release of their second album, ACTIVATE INFINITY, which was released in October of 2019. The spring tour will include a multi-show residency at Village Vanguard in New York City for six consecutive days.
The tour will begin on March 19th in Kenosha, WI at the Bedford Concert Hall and will wrap up on April 12th in Washington, DC at the Blues Alley. The tour will include multi- show residencies not only in New York City but also in Oakland, CA and Washington, D.C. as well. The New York City residency is taking place at the Village Vanguard on March 24th through the 29th. The Oakland, CA residency will take place at Yoshi's on April 3rd and 4th. Washington's residency will take place at the Blues Alley on April 10th through the 12th.
The Bad Plus is made up of bassist Reid Anderson, drummer Dave King, and pianist Orrin Evans, hailing from Minneapolis, MN. Their newest album ACTIVATE INFINITY was produced by The Bad Plus themselves and engineered and mixed by Andy Taub at NYC's Brooklyn Recording back in May of 2019.
SEE THE DATES via NYSMusic
He performed at the Royal Wedding of Prince Harry and Meghan Markle in 2018. Two years earlier, at the age of 17, he won the BBC's Young Musician Competition. And he's appeared on Britain's Got Talent with his six musical siblings. Yet, cellist Sheku Kanneh-Mason, who is just 20 years old and still studies at the Royal Academy of Music, is grounded in the music he loves. He's just released his second solo recording. It features Elgar's Cello Concerto in E minor and other pieces that are close to his heart.
"What I'm always searching for is the most convincing and expressive way to play the music that I'm playing. There are lots of pieces of music that I really, really want to learn. I think meaningful playing is what I practice for."
READ & LISTEN TO MPR: New Classical Tracks:
One of the greatest losses to both avant-garde music and cinema in the past decade was the tragic death of Icelandic composer Jóhann Jóhannsson. Known best for his score for Mandy and his work with Denis Villeneuve on films like Sicario and Arrival, Jóhannsson's work became quickly beloved by cinema-heads the world over, which made his passing at 48 even more bitter; he had a lot of life yet to live and a lot more work to do. This included a burgeoning directorial career of his own - a year before his passing, the composer premiered his first film, an adaptation of Olaf Stapleton's sci-fi classic Last and First Men (which influenced the likes of H.P. Lovecraft, C.S. Lewis, and Arthur C. Clarke, and which you should really check out given that it's available for free online), in a work-in-progress exhibition at the Manchester International Film Festival, which he scored live alongside a narration done by Tilda Swinton.
Well, a completed version of Last and First Men will have its world premiere at the Berlin International Film Festival next week, and it already has a trailer ready to go. Take a look at this and tell us that you aren't intrigued.
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British pianist Benjamin Grosvenor presents a new recording of two concerto favorites: Chopin's Piano Concertos Nos.1 and 2, released on Decca Classics. Recorded with Elim Chan and the Royal Scottish National Orchestra (RSNO), the record marks Benjamin's fifth album on Decca Classics, following the hugely successful Homages in 2016, and is his first orchestral album since 2012.
These works have been an active part of Grosvenor's repertoire since his early teens: "Chopin was the first composer to whom I felt a strong connection as a child. I have always been drawn to his music, and his piano concertos are among some of the finest in the repertoire." Of the new recording, which came to fruition following a successful performance of the Piano Concerto No.2 with Elim Chan and the RSNO in 2018, Benjamin notes: "I am delighted to have the opportunity to collaborate with Elim and the outstanding musicians of the RSNO." Benjamin appears this spring in the US performing the Piano Concerto No.1.
In conjunction with this new release, BG has made some time available TODAY!, February 29 to speak with classical radio in the US. Watch for our tweets throughout the day
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
You Already Know, the New Deal/Impulse! debut from the acclaimed drummer Ted Poor-"a trustworthy engine in countless modern-jazz settings," per the New York Times-isn't your typical jazz drummer's recording, almost defiantly so.
Jane Ira Bloom trio set for Brooklyn's 'ShapeShifter Lab' / Jazz-Quad
Posted: February 8, 2020 12:00 AM
| By: Admin
Soprano saxophonist/composer and NASA artist Jane Ira Bloom brings her trio for the first time to Brooklyn NY - ShapeShifter Lab on March 13 performing with long-time bandmates bassist Mark Helias and drummer Matt Wilson. A pioneer in the use of live electronics and movement in jazz, Bloom's been leading bands into new creative territory for over 40 years. She is a multi-time winner of the Downbeat Critics Poll and Jazz Journalists Award for Soprano Saxophone and recipient of the Guggenheim fellowship. The trio has always held a special fascination for musicians because "playing in threes" holds out the possibility that something can always be slightly off balance and that's just what fires the imagination of players like these. Helias and Wilson, mature composer/ bandleaders in their own right, add depth and innovation to every spontaneous choice they make. Don't miss these "fearless jazz explorers who share a commitment to beauty & adventure.
American original Jane Ira Bloom does it again. This time the 21st-century soprano saxophonist reimagines the poetry of 19th-century visionary Emily Dickinson in two different settings. This new 2 CD pack, has the quartet (Dawn Clement (piano), Mark Helias (bass)& Bobby Previte (drums) interpretating Dickinson's poetry both instrumentaly and in spoken word settings that feature readings by popular stage & film actor Deborah Rush. After the success of her 2016 trio album release Early Americans, Bloom shifts gears with Wild Lines / Improvising Emily Dickinson. Bloom composed Wild Lines when she was awarded a 2015 CMA/ Doris Duke New Jazz Works commission. She was inspired to musically reimagine Dickinson when she learned that the poet was a pianist and improviser herself.
SYND: PRI/Jazz After Hours, Jazz FM Markets include: New York, Los Angeles, Chicago, San Francisco, Philadelphia, Boston, Miami, Cleveland, Portland, Seattle, Detroit, Austin, St. Louis, Kansas City, New Orleans, Minneapolis, Milwaukee, Albuquerque, Berkeley CA, San Antonio, Louisville, Knoxville, Orlando, Madison WI, Long Island NY, Omaha, Hartford CT, WV(Statewide), OR(Statewide), ME(Statewide), Honolulu, Vancouver, Berlin, Pisa, Oslo INTER: Canada, Mexico, UK, Ireland, Wales, France, Germany, Italy, Spain, Netherlands, Norway, Poland, Austria, Norway, Russia, Chile, Australia, New Zealand, South Africa Online: MOJA, Jazz From Gallery 41, Downbeat, Soulandjazz.com, salt peanuts, Contemporary Fusion Review, LEMON WIRE, Midwest Record, Green Arrow, Jazz Views, Radio Valencia, Jazzandrock.com, Keys and Chords, era jazzu
You never know what American original soprano saxophonist Jane Ira Bloom is going to do next. After the success of her 2014 all-ballads release "Sixteen Sunsets" Bloom shifts into another gear showcasing the kinetic energy of her acclaimed trio playing with the musicians that she knows best on Early Americans (OTL142). It's her first trio album, sixteenth as leader and sixth recording on the Outline label. Her sound is like no other on the straight horn and she lets it fly on every track. She's joined by long-time bandmates Mark Helias on bass & drummer Bobby Previte and with over fifty years of shared musical history together the album is sure to be a winner. Bloom's collaboration with Helias dates back to the mid 70's in New Haven CT and her unique chemistry with Previte has been ongoing since 2000. She brought the group together in summer 2015 to Avatar Studio B in NYC to capture their breathtaking sound in both stereo and surround-sound with renowned audio engineer Jim Anderson. The album features twelve Bloom originals ranging from the rhythmic drive of "Song Patrol" and "Singing The Triangle" to the spare melancholy of "Mind Gray River." She closes the album with a signature solo rendition of the American songbook classic, Bernstein & Sondheim's "Somewhere." World-renowned portrait photographer Brigitte Lacombe contributes a stunning cover image of Bloom. "Playing in threes" has always held a special fascination for jazz artists - it offers the possibility that something can be slightly off balance and that's just what fires the imagination of players like Bloom, Helias, & Previte. With Early Americans Jane Ira Bloom stands in the vanguard of her generation carving out new territory in the heart of the jazz tradition. Don't miss this trio of "fearless jazz explorers who share a commitment to beauty & adventure."
"I grew up listening to these songs and knowing the lyrics. They were a part of my earliest listening experiences so playing them is like breathing to me. As time's gone by it's been easier to let the meaning of the songs come through the horn."- Jane Ira Bloom
Award winning soprano saxophonist Jane Ira Bloom has always had a special feeling for ballad performances. So much so that she has now finally released: Sixteen Sunsets, a beautiful new recording featuring expressive interpretations from the American Songbook along with five compelling slow tempo original compositions. With this her 15th album as leader and her first all-ballads album, Sixteen Sunsets pairs JIB with long-time colleagues Cameron Brown on bass and Matt Wilson on drums, along with an exciting new pianist we will all be hearing a lot more from: Dominic Fallacaro.
After thirty years, Award winning soprano saxophonist Jane Ira Bloom has returned to her original label, Outline Records, for a disc employing an electro-acoustic band which brings together fellow 70's New Havenite Mark Helias on bass, drummer Matt Wilson, and Seattle new comer Dawn Clement on keyboards for Mental Weather. After premiering the piece with the Doris Duke new jazz works program, Bloom then brought the band into Avatar Studio B in NYC with audio engineering legend Jim Anderson and laid down nine thrilling tracks.
4 New 'ON' this week: 198 'Total
SYND: NPR: Fresh Air PRI: All That Jazz, WFMT Net: Jazz with Bob Parlocha, CMJ & Jazzweek Charts Markets include: New York, Los Angeles, Chicago, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Miami, Atlanta, Cleveland, Baltimore, St. Louis, Detroit, Portland, Las Vegas, San Diego, New Orleans, Buffalo, Albuquerque, Berkeley CA, Louisville, Jacksonville, Orlando, Honolulu, Buffalo, Omaha, Raleigh, Toledo, Santa Fe, San Jose, San Antonio, Knoxville, Stanford CA, Puerto Rico CANADA: Toronto, Ottawa, Winnipeg, Quebec INTER: France, The Netherlands, Australia, Germany, Poland, Portugal, New Zealand, Russia, Austria, Columbia Charts: CMJ & Jazzweek Press includes: Downbeat, All About Jazz, JazzTimes
Whether adventuring into interior or outer space in her music, award winning soprano saxophonist Jane Ira Bloom continues to navigate her unique musical path with creative abandon. Wingwalker, her 14th album as leader and fourth album on the Outline label reunites Bloom with long-time bandmates Dawn Clement on piano, bassist Mark Helias, and drummer Bobby Previte. After two years since Bloom's last release "Mental Weather," she brought the band together in June 2010 to record new compositions written during time made possible by a Guggenheim Fellowship. Wingwalker was recorded in Avatar Studio B in New York City with renowned audio engineer Jim Anderson. The album features eleven Bloom originals and a solo sax rendition of Lerner & Lowe's classic "I Could Have Danced All Night." From the groove inspired "Life on Cloud 8" to the spare simplicity of "Adjusting to Midnight," Jane has journeyed further into jazz dimensions without a safety net. The CD also features an extra mp3 downloadable version of the music condensed into a 5 minute 49 second event.
8 New 'ON' this week: 336 Total
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Direct: SiriusXM, Music Choice
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Online: The Jazz Session, Moja, Live 365, Taintradio, Jazzweekly.com, All About Jazz, amazon, Aggie Radio, UKJazzRadio, Jazz Virtuosa, Hot House, Cory Weeds, Jazzreview.com, Jazz Police, PopMatters, Big Butter and the Eggman, IAJRC