Home » Stories » Jay Wadley - Driveways makes 'Film School Rejects: 20 Best Movie Soundtracks Released in 2020'

Stories for January 27, 2021

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    The pandemic forced touring musician Robin Spielberg to reinvent how she plies her trade / York Daily Record
     
    Posted At : January 26, 2021 7:22 AM

    York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes.  She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again."  She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that.   They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began.  And everything changed.  READ THE FULL York Daily Record ARTICLE

  • Cho Seong-jin to premiere unheard piece by Mozart, in Salzburg, on composer's 265th birthday / The Korea Times
     
    Posted At : January 25, 2021 3:20 PM

    The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday. READ THE FULL Korea Times ARTICLE

  • Jon Batiste lindy hops his way through 'I Need You' / boingboing
     
    Posted At : January 25, 2021 12:00 AM

    Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!" Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN  writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks? SEE THE boingboing PAGE & WATCH THE VIDEO

  • The 48 minutes of William Susman's 'A Quiet Madness' offer more than their fair share of listening rewards / textura
     
    Posted At : January 24, 2021 12:00 AM

    textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway.  The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal. For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry. READ THE FULL textura REVIEW

  • 'We can't have a New York City without Birdland' / PIX11
     
    Posted At : January 24, 2021 12:00 AM

    Iconic NYC jazz club rallies to stay open amid pandemic. WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist. Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible." READ THE FULL PIX11 ARTICLE

  • Vikingur Olafsson - Philip Glass: Piano Works. Simplicity that is almost majestic / The Guardian
     
    Posted At : January 24, 2021 12:00 AM

    For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection." The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it.    Photograph: Antonio Olmos SEE The Guardian PAGE

  • Amid the pandemic, NY's 'Ashokan Center' extends its virtual reach / The Daily Freeman
     
    Posted At : January 24, 2021 12:00 AM

    The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer. The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual. "We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online." COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before. "So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced." READ THE FULL Daily Freeman ARTICLE

Top 10 for Jan

  • Jon Batiste :

    'I Need You' from 'We Are'

     Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE.
  • SIGNUM saxophone quartet :

    Echoes

     An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
  • The Album Leaf :

    SYNCHRONIC - OMPS

     Milan Records announces the release of SYNCHRONIC (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by The Album Leaf.
  • Shai Maestro :

    Human

     In its review of pianist Shai Maestro's leader debut, The Dream Thief, All About Jazz spoke of "a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.
  • Poor Clare Sisters of Arundel :

    Light for the World

     More than 800 years since they were founded, the Poor Clare Sisters of Arundel – a community of 23 nuns living in the south of England – have found themselves unexpected recording stars.
  • Ilan Eshkeri :

    A Perfect Planet

     Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria).
  • Jane Ira Bloom, Mark Helias :

    Some Kind of Tomorrow

     Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow.
  • Catalyst Quartet :

    Uncovered Vol. 1 - Samuel Coleridge-Taylor

     On Friday, February 5, 2021, GRAMMY Award-winning Catalyst Quartet releases UNCOVERED Volume 1 on Azica Records.
  • Laila Biali :

    A Case of You - LIVE

     SOCAN Music and JUNO Award winner Laila Biali shares an intimate acoustic cover of Joni Mitchell's classic love song, A Case of You, captured live off the floor at Revolution Recording Studios.
  • Max Richter :

    Beethoven - Opus 2020

     Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday.

Jay Wadley - Driveways makes 'Film School Rejects: 20 Best Movie Soundtracks Released in 2020'

Posted: December 30, 2020 12:00 AM | By: Admin
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Film School Rejects Charlie Brigden writes……This article is part of our 2020 Rewind. Follow along as we explore the best and most interesting movies, shows, performances, and more from this very strange year. In this entry, we're listening to the best movie score soundtracks of 2020.

I don't need to tell you how tough 2020 has been for all of us, but one bright side is that the music coming out of cinema has been fantastic. With the change in film exhibition due to the COVID-19 crisis, the playing field seems like it's been leveled, and a lot more independent film scores are getting noticed instead of the usual blockbuster blackout. And from that, the kind of scores we've been blessed with - synth-heavy, delicate chamber music, symphonic brilliance – -have been amazing.

It could still be better for female composers being given opportunities, as male composers are still heavily favored, but with scores like Tamar-kali‘s Shirley, Hannah Peel‘s The Deceived, Gazelle Twin‘s Nocturne, Isobel Waller-Bridge‘s Emma, and Aska Matsumiya‘s I'm Your Woman, plus Hildur Guðnadóttir‘s ground-breaking Oscar win for Joker, the future is certainly bright.

(We also saw the loss of an absolute legend in the industry in 2020, the great Ennio Morricone, but thankfully, with the sheer amount of music he wrote, there is still much to explore.)

This year's list has a good mix of drama, adventure, horror, and even the occasional super-villain, along with some great archival releases, as usual. There's plenty to go around, so let's celebrate the wonderful music the year has given us. Among the 20 best movie score soundtracks released in 2020 is; Driveways (Milan Records).

Jay Wadley‘s score for Andrew Ahn's Driveways, a film featuring the final performance of Brian Dennehy, feels like slipping into a beautiful dream. It's like laying down and wrapping yourself in these delicately spaced piano notes, with the warm and empathetic strings comforting you, leaving you to float amidst memories and reflect on their importance to you. It's not quite ambient; it feels more lucid in its design for that, but the gift this music gives you in the way it lets you meditate inside it is a rare one indeed, as well as supplying an emotionally resonant underpinning for the film itself

SEE THE FULL Film School Rejects PAGE

Crossover Media Projects with Jay Wadley

  • Jay Wadley

    Driveways OMPS

    Milan Records today releases Driveways (Original Motion Picture Soundtrack) with music by composer and music producer Jay Wadley (Indignation, Tales of the City, ADAM).  Available everywhere now, the soundtrack features music written by Wadley for the forthcoming film directed by Andrew Ahn.  Nominated for two Independent Spirit Awards, Driveways is out now and available to watch on demand. 

    Of the soundtrack, composer Jay Wadley says, "In my score for Andrew Ahn's Driveways, I took an understated, paired down approach with textured analog production on a felted grand piano and chamber string ensemble.  The film is a delicate and subtle piece, so Andrew and I felt the score needed to take extra care not to step on or get in the way of story and character.  As I began the creative process, my way into Cody and Del's sound was through an attempt to capture the mood of childhood experiences like tooling around in the yard and on the porch during long, lazy, hot summer afternoons. I find a certain dreaminess, comfort, and melancholy to those days that informed the music's overall tone and character. To echo the simple yet profound nature of Del and Cody's friendship, I used equally simple recurring melodic and harmonic material that often plays as intimate duets between strings and piano. These melodies thoughtfully blossom and mature throughout the film, deepening their associations, and help us connect to relationships that have shaped us and remind us of the beauty and tragedy of their impermanence."