Stories for January 27, 2021
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The pandemic forced touring musician Robin Spielberg to reinvent how she plies her trade / York Daily Record
Posted At : January 26, 2021 7:22 AM
York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes. She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again." She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that. They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began. And everything changed. READ THE FULL York Daily Record ARTICLECho Seong-jin to premiere unheard piece by Mozart, in Salzburg, on composer's 265th birthday / The Korea Times
Posted At : January 25, 2021 3:20 PM
The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday. READ THE FULL Korea Times ARTICLEJon Batiste lindy hops his way through 'I Need You' / boingboing
Posted At : January 25, 2021 12:00 AM
Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!" Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks? SEE THE boingboing PAGE & WATCH THE VIDEOThe 48 minutes of William Susman's 'A Quiet Madness' offer more than their fair share of listening rewards / textura
Posted At : January 24, 2021 12:00 AM
textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway. The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal. For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry. READ THE FULL textura REVIEW'We can't have a New York City without Birdland' / PIX11
Posted At : January 24, 2021 12:00 AM
Iconic NYC jazz club rallies to stay open amid pandemic. WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist. Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible." READ THE FULL PIX11 ARTICLEVikingur Olafsson - Philip Glass: Piano Works. Simplicity that is almost majestic / The Guardian
Posted At : January 24, 2021 12:00 AM
For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection." The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it. Photograph: Antonio Olmos SEE The Guardian PAGEAmid the pandemic, NY's 'Ashokan Center' extends its virtual reach / The Daily Freeman
Posted At : January 24, 2021 12:00 AM
The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer. The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual. "We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online." COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before. "So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced." READ THE FULL Daily Freeman ARTICLETop 10 for Jan
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Jon Batiste :
'I Need You' from 'We Are'
Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. -
SIGNUM saxophone quartet :
Echoes
An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album. -
The Album Leaf :
SYNCHRONIC - OMPS
Milan Records announces the release of SYNCHRONIC (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by The Album Leaf. -
Shai Maestro :
Human
In its review of pianist Shai Maestro's leader debut, The Dream Thief, All About Jazz spoke of "a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music. -
Poor Clare Sisters of Arundel :
Light for the World
More than 800 years since they were founded, the Poor Clare Sisters of Arundel – a community of 23 nuns living in the south of England – have found themselves unexpected recording stars. -
Ilan Eshkeri :
A Perfect Planet
Sony Music today announces the January 8, 2021 release of A PERFECT PLANET (SOUNDTRACK FROM THE BBC SERIES) with music by composer ILAN ESHKERI (Stardust, The Young Victoria). -
Jane Ira Bloom, Mark Helias :
Some Kind of Tomorrow
Soprano saxophonist Jane Ira Bloom and bassist Mark Helias come together to create duets discovered in the moment in a way that is rarely heard today with Some Kind of Tomorrow. -
Catalyst Quartet :
Uncovered Vol. 1 - Samuel Coleridge-Taylor
On Friday, February 5, 2021, GRAMMY Award-winning Catalyst Quartet releases UNCOVERED Volume 1 on Azica Records. -
Laila Biali :
A Case of You - LIVE
SOCAN Music and JUNO Award winner Laila Biali shares an intimate acoustic cover of Joni Mitchell's classic love song, A Case of You, captured live off the floor at Revolution Recording Studios. -
Max Richter :
Beethoven - Opus 2020
Max Richter and Deutsche Grammophon are set to release a brand-new orchestral composition to mark the 250th anniversary of Beethoven's birthday.
Jeni Slotchiver - American Heritage makes 'Manao Radio: Year-end Catches of the Day'
Posted: December 30, 2020 12:00 AM | By: Admin"Catch of the Day" is Matthew Gurewitsch's 90-minute sampler of recent recordings, with off-the-cuff commentary, reminiscences, and free association. It airs at noon Hawaiian time the first and last Sunday of each month as part of Paul Janes-Brown's "Alpha & Omega Show" on KMNO, Manao Radio 91.7 FM, an all-volunteer station in Wailuku.
Herewith are Matthew's comments on his final show of the year. It includes; American Heritage (Zoho Classix 2020) with Jeni Slotchiver, piano. Pieces featured are Florence B. Price, Dances in the Canebreaks
III. Silk Hat and Walking Cane
Florence B. Price (1887-1953) is much on our mind these days as one of America's classical composers cheated by gender or race of a fair shot. But was she? In 1933, the Chicago Symphony, if you please, introduced her prize-winning Symphony No. 1 in E minor, the year after it was completed, establishing her place in the history books; never before had a major orchestra performed a Black woman's music. Three further symphonies would follow. In a spirit the great Antonín Dvořák would surely have applauded, Price drew inspiration from the songs and the spirituals of her native Deep South. She composed prolifically, she was honored as a teacher, and her work continued to be performed widely by artists including the trail-blazing Marian Anderson. In short, though long neglected in death, Price can scarcely be said to have been overlooked in her lifetime. Now a rising tide of interest in Black composers is lifting her boat, along with many others. Jeni Slotchiver's wide-ranging program gives a goodly number of those voices a welcome hearing. Price's trio of elegant salon pieces evoke Scott Joplin, George Gershwin, and other popular tunesmiths of like vintage. In Slotchiver's performance, the pizzazz baked into the writing registers register chiefly as unfulfilled potential.
SEE Hawaii's 91.7Manao Radio: Year-end Catches of the Day' & BEYONDCRITICISM PAGE
Crossover Media Projects with Jeni Slotchiver
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Jeni Slotchiver
American Heritage
Following the success of the Busoni The Visionary series, Jeni is humbled to introduce something so intimately close to home. With Southern roots of her own, Ms. Slotchiver's debut ZOHO CD release American Heritage is her homage to the legendary composers preserving American folk music and creating anew. What was once familiar, is reborn.
Spanning 125 years, from Louis Moreau Gottschalk's The Banjo (ca. 1854-5) to Frederic Rzewski's Down by the riverside (1979), American Heritage presents piano compositions by composers of concert music, inspired by the melodies, dance rhythms, harmonic inventions and various stylistic elements evocative of the American experience. Of the eight composers represented, six are of African descent and two of these are women. There are quotes from spirituals, use of the African American pentatonic scale, the African call and response structure popularized in southern church tradition, polyphonic rhythms of jazz, and the rich, sultry harmonies of blues. With the exception of the rich musical heritage of Indigenous people, the largest and most important American folkloric body of work arrived on American shores with the first enslaved African people.