One would find it hard to beat the all-star line-up featured in The Cave of Wondrous Voice, a new, hour-long survey of vocal and chamber music by the California-based composer Mark Abel. David Shifrin, Carol Rosenberger, Hila Plitmann, and Fred Sherry headline the album but they're not its only stars. On the whole, The Cave of Wonderous Voice is smartly played and engineered. Abel's writing throughout is fluent and often genial. While certain spots in the Trio, particularly, might benefit from grittier moments to offset the diatonic ones, this is music of considerable expressive directness as well as charm.
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Composer, pianist, and conductor Michael Shapiro joins us to talk about the music on his latest disc, including his John Milton-inspired piano concerto entitled Archangel. In this action-packed work, Shapiro lays out the epic Biblical battle between good and evil as a metaphor for the challenges we all face in our daily lives (which includes the current coronavirus pandemic – something Michael recently fell victim to himself). Also on the disc: orchestral excerpts from an opera based on Federico Garcia Lorca, and a full-throttle realization for orchestra of the famous organ Toccata by French composer Charles-Marie Widor.
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Voice of Hope is Camille Thomas's second album for Deutsche Grammophon. The Franco-Belgian cellist's program pays tribute to people's ability to triumph over adversity, create harmony in place of chaos, and overcome hatred with love. The album presents the world-premiere recording of Fazil Say's concerto Never Give Up, a response to terrorist attacks in Paris and Istanbul written for and premiered by Thomas, and also includes an exquisite selection of songs, prayers, and laments, Bruch's Kol Nidrei and Ravel's Kaddisch among them.
For June 30, Camille Thomas - Voice of Hope is the WFMT: Chicago 'Featured New Release'
Recently French composer and pianist Lucas Debargue breathed new life into the harpsichord sonatas of Domenico Scarlatti and presents works outside the standard piano repertoire. The Parisian pianist has already climbed the pinnacle of piano artistry with Beethoven, Liszt and Ravel and unleashed full-blown romantic thunderstorms with Schubert's A-minor Piano Sonata no. 14 and the madcap finale of Ravel's Gaspard de la nuit.
On the album, Debargue devotes himself completely to Domenico Scarlatti. He already played four of this Italian master's sonatas on his highly acclaimed début album. Germany's Der Spiegel waxed ecstatic: "Debargue's Scarlatti recalls his mighty predecessors. He displays the subtle touch and feeling once bestowed on these miniatures by Vladimir Horowitz and imparts new sound to Scarlatti's keyboard music. … Debargue touches the outer limits of expression between joylessness and rapture: one may find it overwrought, but it's never less than gripping. And then there's the gentle Glenn Gould touch."
Debargue joins us for this mini-episode of REMOTE with a couple words on some of his pandemic-projects, reading list, and the importance of emphasizing our similarities rather than differences. READ THE Q&A
Max Richter's trailblazing 2015 composition Sleep is now available to download with the launch of a new app. The app enables listeners to reimagine the 8-hour Deutsche Grammophon recording in custom-made musical sessions to help with focus, meditation and sleep which many people will need in the midst of the pandemic lockdown. It brings to a wider audience some of the experience shared by those lucky enough to attend Richter's extraordinary eight-hour overnight performances of Sleep – complete with beds – including LTW's own Tim Cooper who wrote about it here when it came to London in 2017.
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In episode 925 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY June 30 at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm and in an immediate podcast on http: // animajazz. eu will be the protagonists CARLA BLEY - ANDY SHEPPARD - STEVE SWALLOW - CD "Life Goes On" - "Life Goes On_ III. And On "(ECM).
The third volume of a sequence of albums begun with Trios in 2013 and continued with Andando El Tiempo (2016), Life Goes On – once more recorded in Lugano and produced by Manfred Eicher - features striking new music from American pianist/composer Carla Bley, whose trio with saxophonist Andy Sheppard and bassist Swallow has a long history. (Their first recording in trio format was Songs with Legs, recorded for the ECM-distributed WATT label in 1994.) Bley has composed for ensembles of every size but, over time, the trio has established itself as an ideal unit for expressing the essence of her work. Throughout Life Goes On, Carla's terse, distinctive piano, shaping phrases irreducible as Monk or Satie, is beautifully framed by Swallow's eloquent, elegant bass guitar and Sheppard's yearning saxes. This trio has a unique collective sound, reflecting – as The Telegraph recently noted – "musical mastery of a rare order".
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu and the "DOWNLOAD" of the episode can be made, free of charge, from the podcasts area. Happy listening.
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The 2020 Juno Awards have wrapped, announcing a list of winners that has been on hold since the COVID-19 pandemic shuttered the in-person Saskatoon weekend of events in March. But tonight, June 29, the Canadian Academy of Recording Arts and Sciences (CARAS) and CBC combined the usual two-night series of events into an hour-and-a-half-long pre-recorded special, delivering a night that Canadian music fans have been waiting for.
Winner for 'Classical album of the year: large ensemble' is Orchestre symphonique de Montréal, conducted by Kent Nagano, The John Adams Album.
Released to coincide with Nagano's final season with the Montréal Symphony, The John Adams Album contains his key orchestral works conducted by one of his greatest, lifelong champions "Like all great pieces, each time one returns to them and restudies them, I'm able to find something more - new dimensions that I haven't seen before, other reflections of innovation and genius." - Kent Nagano on John Adams
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Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
John Scofield has great respect for the Steve Swallow compositions / Musicalmemoirs
Posted: June 20, 2020 12:00 AM
| By: Admin
John Scofield has long admired Steve Swallow, as a friend, a mentor and for his composer skills. A Libra, Swallow was born October 4, 1940 and is celebrated for his collaborations with Jimmy Giuffre, Gary Burton and Carla Bley. He is lauded for being someone who stepped away from the upright bass and switched entirely to electric bass long before that was a popular decision for a jazz bassist to make. He is legendary for his stylized use of the upper register on his electric bass and for embracing fusion music. His original musical choices were piano and trumpet. However, at age fourteen, he was drawn to the acoustic bass. His love of avant-garde jazz was inspired by working with the Paul Bley trio in 1960. He recorded with George Russell also, and was a member of the Art Farmer quartet from 1962-65. He followed that experience by joining the popular Stan Getz Band (1965-1967) and then became part of Gary Burton's quartet until 1970. Steve Swallow leapt into the fusion pool of music fearlessly. His innovative playing and love of jazz combined to inspire him to become a respected composer. John Scofield is one of Steve Swallow's longtime friends and fellow musicians. One who has great respect for the Swallow compositions. Consequently, he has reverently produced this album of Steve Swallow's music.
John Scofield and his trio open with a Swallow composition titled, "She Was Young" that was originally set to a Robert Creeley poem as part of a National Endowment for the Arts grant. This work was released on the ECM album, "Home" and the song was sung by Sheila Jordan. Scofield shows his crystal-clear intention to establishing the pretty melody before venturing into his guitar improvisation. Swallow walks his bass solidly beneath and Bill Stewart colors the song with drum artistry.
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"I love these songs. Sometimes when we play it's like one big guitar, the bass part and my part together," John Scofield shared.
Speaking about his production in provided liner notes, Scofield explained:
"These two giants bring out the best in me. Swallows compositions make perfect vehicles for improvisation. The changes are always interesting. They're grounded in reality with cadences that make sense. They're never just intellectual exercises and they're so melodic. They're all songs, rather than pieces. They could all be sung."
"Behind the drum kit, Bill Stewart is alert to all implications and interactions. What Bill does is more than playing the drums. He's a melodic voice in the music, playing counterpoint and comping, while also swinging really hard," Scofield sings the praises of his drummer.
One of my favorite compositions that John Scofield has arranged is "Awful Coffee." Those of us who are coffee drinkers have all experienced a cup of awful coffee. Now, laughably, there's a musical sound track to this experience. Swallow takes a melodic bass solo during this arrangement and John Scofield trades fours with Bill Stewart. Swallow originally wrote this at an up-tempo pace, but Scofield has slowed it down, with Swallow's generous support. Scofield has included the very first tune that Swallow ever penned, "Eiderdown." It's been recorded several times by a variety of artists and the trio justifiably performs this one with gusto. Another favorite of mine is the sensitive ballad titled, "Away." One of the unusual things about this song is the introduction, that sounds like it could be a verse, yet it's only played once during the entire piece.
"8 in F" is a straight-ahead composition that swings hard and features Stewart at the top with spicy drums firing the tune up like hot sauce. Another favorite is the closing tune, "Radio" that John Scofield says is one of the more difficult songs to solo on because of the unique harmony employed and this song showcases Steve Swallows celebrated ‘broken time bass playing' style.
All in all, if you love jazz guitar, outstanding compositions and a tight, cohesive trio interpreting the music, you will find this album to your liking. A plus is that the concept is celebrating a legendary musician and composer whose music is being arranged and offered like diamond earrings for your ears. Swallow's also contributing his iconic bass licks on this recording. It's a win-win situation!
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it. John was a 20-year-old student at Berklee when he first met and played with bassist Swallow, and they have continued ever since, in many different contexts.
"I love these songs", says Scofield of the selection of Swallow compositions explored here – a broad range including tunes that have become standards, as well as some lesser-known works. The rapport between Scofield and Swallow is evident in every moment. John: "Sometimes when we play it's like one big guitar, the bass part and my part together."
Behind the drum kit, Bill Stewart is alert to all the implications of the interaction. "What Bill does is more than ‘playing the drums,'" Scofield says. "He's a melodic voice in the music, playing counterpoint, and comping, while also swinging really hard." The guitarist himself plays with fire and invention throughout: "These two giants bring out the best in me."
Grammy Award-winning jazz guitarist, band leader and composer, John Scofield is set to release his new album, Combo 66, marking his 66th birthday, on September 28 via Verve Records. The album, which features long-time drummer Bill Stewart, bassist Vincente Archer and pianist/organist Gerald Clayton, combines jazz with genre-defying elements, allowing Scofield to find new modes of expression.
Coming off a Grammy win earlier this year for his last album, Past Present, John Scofield has been largely in the spotlight over the last year, sitting in the with The Roots on The Tonight Show with Jimmy Fallon, gracing the cover of Downbeat and garnering the attention of NPR. His impressive 40-plus-year career has seen Scofield masterfully tackle multiple genres as well as several eclectic collaborations with everyone from Grateful Dead bassist Phil Lesh, to Government Mule and Medeski, Martin & Wood, not to mention his own groups.
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John Scofield updates his early-'90s quartet with drummer Bill Stewart and saxophonist Joe Lovano by recruiting bassist Larry Grenadier for his fetching, appropriately titled impulse! debut, Past Present. Between 1990 and 1992, the celebrated guitarist released three well-received discs – Meant to Be, Time on My Hands and What We Do – for the Blue Note label as the John Scofield Quartet. On those records, either Marc Johnson or Dennis Irwin played bass. Nevertheless, Grenadier also has history playing with Scofielld; he toured with Scofield in support of the 1996 disc, Quiet.
The nine exciting tunes Scofield penned on Past Present also reflects his philosophy on playing jazz music. He stresses the importance of being knowledgeable of the music's deep, complex roots while simultaneously being spontaneous and in the moment while performing it. For an artist with such a multifaceted discography as Scofield's, getting to the root of jazz means channeling the blues, as demonstrated on the disc's closing, titled-track.
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Guitarist John Scofield is comfortable in any setting – whether it be jazz, blues or rock – as he demonstrates on his latest recording, Überjam Deux, on Decca/Emarcy. Überjam Deux has been a decade in the works, following 2002's Grammy-nominated Überjam; not that Scofield has been inactive in the interim, far from it. There have been seven John Scofield albums in the intervening years, as well as five others on which he is a co-leader on the project. His last Decca/Emarcy release was A Moment's Peace (2011), a luxurious album of ballads – the polar opposite of Überjam Deux. His uncanny ability to drift between various styles of music with fluency, virtuosity and sincerity is rare.
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