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Karin Kei Nagano

Bach - Inventions & Sinfonias, BWV 772-801

Analekta

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Interview with Karin Kei Nagano
1 Invention no 1 en do majeur, BWV 772  
2 Invention no 4 en re mineur, BWV 775  
3 Invention no 7 en mi mineur, BWV 778  
4 Invention no 8 en fa majeur, BWV 779  
5 Invention no 10 en sol majeur, BWV 781  
6 Invention no 13 en la mineur, BWV 784  
7 Invention no 15 en si mineur, BWV 786  
8 Invention no 14 en si bemol majeur, BWV 785  
9 Invention no 12 en la majeur, BWV 783  
10 Invention no 11 en sol mineur, BWV 782  
11 Invention no 9 en fa mineur, BWV 780  
12 Invention no 6 en mi majeur, BWV 777  
13 Invention no 5 en mi bemol majeur, BWV 776  
14 Invention no 3 en re majeur, BWV 774  
15 Invention no 2 en do mineur, BWV 773  
16 Sinfonie no 1 en do majeur, BWV 787  
17 Sinfonie no 4 en re mineur, BWV 790  
18 Sinfonie no 7 en mi mineur, BWV 793  
19 Sinfonie no 8 en fa majeur, BWV 794  
20 Sinfonie no 10 en sol majeur, BWV 796  
21 Sinfonie no 13 en la mineur, BWV 799  
22 Sinfonie no 15 en si mineur, BWV 801  
23 Sinfonie no 14 en si bemol majeur, BWV 800  
24 Sinfonie no 12 en la majeur, BWV 798  
25 Sinfonie no 11 en sol mineur, BWV 797  
26 Sinfonie no 9 en fa mineur, BWV 795  
27 Sinfonie no 6 en mi majeur, BWV 792  
28 Sinfonie no 5 en mi bemol majeur, BWV 791  
29 Sinfonie no 3 en re majeur, BWV 789  
30 Sinfonie no 2 en do mineur, BWV 788  
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Analekta is extremely proud to announce the release of the second album by young pianist Karin Kei Nagano, devoted to the Inventions and Sinfonias of Johann Sebastian Bach. This cycle of 30 short studies, composed as musical exercises for Bach's eldest son, went on to become an invaluable reference tool among students and a true source of inspiration for numerous musicians. The daughter of Maestro Kent Nagano and pianist Mari Kodama, Karin Kei Nagano looked, for this album, at the original version of the work, entitled Klavierbüchlein. That version – which starts with the key containing the fewest sharps and flats and whose complexity increases with each key change, creating as such a symmetric cycle of keys – seemed more fluid in the eyes of the musician.

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