Piano legend Ludovico Einaudi has released a brand-new album of 12 tracks, which is now available on all major streaming platforms. The Italian recorded this new release at home on his own upright piano during the Covid-19 lockdown in Italy. Einaudi designed the artwork himself. During the lockdown, he was regularly hosting live online performances for his thousands of fans, and it was the experience of these self-broadcasts that inspired him to create this album.
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Singer and comedienne, Liza Pulman has teamed up with the legendary million-selling German artist, Max Raabe to duet on his song, Willst Du Bei Mir Bleiben (Will You Stay Beside Me).
The song, taken from his 2018 award-winning album Der Perfekte Moment, has been re-interpreted into an intimate and achingly beautiful duet; with two unique voices that marry together in perfect harmony. With shades of the smoky Parisienne feel of a Jacques Loussier arrangement.
The track also features both the internationally acclaimed classical pianist Simon Lepper and the highly sought-after jazz drummer, Ian Thomas and was produced at Real World Studios by the veteran producer Chris Porter. It is a song that will stay with you from the very first moment you hear it.
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Cinematic legend John Williams made his historic debut with the Vienna Philharmonic earlier this year, conducting the orchestra in his most iconic scores in the world-famous Golden Hall of Vienna's Musikverein. Joining him on stage was virtuoso Anne-Sophie Mutter, who played some of the violin arrangements he had written specially for her, including the magical ‘Hedwig's Theme'.
We also heard a spectacular rendition by the Vienna Phil of ‘Flight to Neverland' from Hook (watch here) and the formidable ‘Imperial March' (watch here ). Williams described leading one of the world's finest orchestras as "one of the greatest honours of my life", adding: "I treasure this moment." The magnificent show will be streamed online, thanks to DG Stage.
Here's how to watch John Williams and violinist Anne-Sophie Mutter's full concert of film favourites with the Vienna Philharmonic at the world-famous Golden Hall of Vienna's Musikverein tonight at 7pm BST (8pm CEST) here.
Classical radio is preserved in America on a small island in public broadcasting. So stations dedicated to classical have the responsibility, if not the mission, to continually refine and improve their music service. Success is in the details, and some straightforward tweaks might make your sound more appealing. It is not easy stepping back from your enterprise to apply original ideas or reconsider old ones. Enter a fresh set of ears.
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Aryeh Nussbaum Cohen, at 25, has already made a strong impression in the world of Baroque opera and beyond, with his powerful yet supple voice. The American countertenor, who has made several recordings (including contemporary music, such as by Kenneth Fuchs), specializes in 18th-century music when the male singer known as the Castrato reigned supreme. Nowadays a specially-developed voice technique, countertenors are prominent parts of productions such as in Handel's Saul, recorded recently by Philharmonia Baroque Orchestra under Nicholas McGegan. Mr. Cohen shares some great stories about his experiences singing onstage, the history of countertenors, and his almost-Portland debut in "Bazajet" before the pandemic brought that opportunity to a standstill.
All Classical Portland Host John Pitman shares his interview, along with selections featuring this prominent young singer. LISTEN
Acclaimed singer, songwriter and musician Mary Chapin Carpenter's new single, "Secret Keepers," is debuting today. The song is the latest unveiled from Carpenter's anticipated new album, The Dirt And The Stars, which will be released August 7 on Lambent Light Records via Thirty Tigers.
Of the single, Carpenter shares, "‘Secret Keepers' is about holding onto things that feel too dangerous to let go of, too perilous to share, too complex to shine a light upon. The deeper you think you've buried something, the more power it seems to have over your life. The scars may be invisible but that doesn't mean the pain that caused them has disappeared. It's a constant reminder to be kind out in the world, because you never really know what someone is carrying around…"
Produced by Ethan Johns (Ray LaMontagne, Paul McCartney, Kings of Leon) and recorded entirely live at Peter Gabriel's Real World Studios in Bath, in southwest England, the album finds the 5-time GRAMMY Award-winning singer-songwriter pondering life's intimate, personal moments and exploring its most universally challenging questions at an unprecedented time. Written at her rural Virginia farmhouse before stay-at-home orders became the "new normal," the songs celebrate invaluable experiences and irreplaceable wisdom, while also advocating exploration of the best in all of us. In advance of the release, the album's title track, "Between The Dirt And The Stars," premiered last month. Listen/share HERE.
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Canadian songwriter and children's entertainer Raffi is marking the 40th anniversary of his perennially popular "Baby Beluga" with a new version of the bouncy song about a little white whale. He has enlisted cellist Yo-Yo Ma to accompany him in a virtual performance. Pay special attention to the way Ma imitates whale song during the transition to Raffi's newly coined verse, written especially for adults - he calls them "beluga grads" - who remember the song from their youth.
'Beluga grads' bringing their kids to his shows, and Raffi couldn't be more pleased
"Grown-up beluga, sing a song of peace," he enjoins them. "Sing a song of diversity, child-honouring, social justice, climate action. We need to hear you."
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Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
The Well-Tempered Clavier, or in German Das wohltemperierte Klavier, is a book of preludes and fugues in all 24 major and minor keys. Composed in 1722, Bach indicated on the manuscript that the compositions were "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study." Twenty years later Bach would write a second book of preludes and fugues.
Jarrett's reading is without embellishment and although I found Angela Hewitt's take satisfying, Jarrett's shadings come entirely from the subtleties of his keyboard. Technically perfect, but unlike Gould, Jarrett's reading is straight-up Bach with no frills. Jarrett has said often of his interpretations-the composer's music speaks for itself. Jarrett's approach is much like Andras Schiff's interpretation, also released on ECM in 2012. Like Schiff, Jarrett's reading is meditative and his playing is clear and in control of the tempos. Bach's Well Tempered Clavier may be the most hauntingly beautiful music ever written-I'm not sure how anyone can live a life without hearing this. You can't go wrong with Jarrett's recording and I would strongly recommend purchasing this CD knowing that when you leave this earthly plane your spirit will be filled with this magnificent music.
In February 1987, Keith Jarrett recorded, on piano, the first book of The Well-Tempered Clavier by Johann Sebastian Bach. It was the first in a series of lauded Bach discs that Jarrett would make for ECM. On March 7, 1987, prior to the release of the studio set, he performed the complete WTC Book I for an audience in upstate New York at the Troy Savings Bank Music Hall, a venue renowned for its beautiful acoustics. With this release, ECM is presenting an archival live recording of this concert for the first time. When his studio album of the WTC Book I was released, Jarrett's manner in these iconic preludes and fugues surprised many listeners with its poetic restraint, given his renown as a jazz improvisor. But the pianist was deeply attuned to what he called "the process of thought" in Bach; by not imposing his personality unduly on the music, Jarrett allowed the score to shine via the natural lyricism of the contrapuntal melodic lines, the dance-like pulse of the rhythmic flow. These qualities are strikingly apparent in the live recording, with its added electricity of a concert performance.
Keith Jarrett plays Samuel Barber's Piano Concerto op. 38 and Béla Bartók's Piano Concerto no. 3. These recordings, made in 1984 and 1985 in Saarbrücken and Tokyo, make a significant addition to the pianist's discography as an interpreter of notated music. Jarrett's recordings of classical repertoire for ECM have focused primarily on Bach and Mozart, though there are also exemplary albums of Handel's keyboard music, and Shostakovich's Bach-inspired Preludes and Fugues as well as a crucially important contribution to Arvo Pärt's Tabula Rasa. Playing Fratres alongside Gidon Kremer, Jarrett's participation would help to bring a then little-known Estonian composer to world attention. It was a richly creative period. Jarrett had just launched the jazz group with Gary Peacock and Jack DeJohnette that would become known as the Standards Trio and in parallel was giving classical recitals, and continuing with his solo piano improvisations. Splitting his time between jazz standards, the vast literature of classical music and free playing, Jarrett was juggling three different musical disciplines.
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