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Khatia Buniatishvili: Bio

Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the
sisters' favourite activities.

Khatia's extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her "favourite pianist", Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as "wholly a person of the 20th century", Khatia does not identify so much with pianists of today.

Khatia's warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. "The piano is the blackest instrument," she says, a "symbol of musical solitude", which even a pianist must become accustomed to. "I have to be psychologically strong and forget the hall if I want to share it with the audience."

During her studies at Tbilisi's State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya.

At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna's University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London's Wigmore Hall, Amsterdam's Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin's Second
Piano Concerto.

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna's Musikverein and Konzerthaus as a Rising Star for the 2011/2012 season.

In 2011 Khatia Buniatishvili made her recording debut with a Liszt recital on Sony Classical, following now with her first recording accompanied with orchestra
for a Chopin album.

Highlights of the 2012/13 season include a tour with the Frankfurt Radio Symphony Orchestra under Paavo Järvi, a tour of Japan and Europe with the Kremerata Baltica, a tour with the Basel Chamber Orchestra under Krystian Järvi and a tour of the United States, including a series of concerts with the San Francisco Symphony Orchestra under Vladimir Jurowski. She also can be seen at her appearances with the Philharmonia under Paavo Järvi, the Vienna Symphony Orchestra and the Orchestra della Scala, Milan,under Gianandrea Noseda, the Orchestre de Paris under Andrey Boreyko to name only the most important. Furthermore recitals will also take her to Singapore, Tokyo, Barcelona, Paris, London,
Baden-Baden among others.

Khatia Buniatishvili speaks five languages fluently and lives in Paris.

1 Waltz in C-sharp minor, op. 64/2: 1. Tempo giusto  
2 Sonata No. 2 in B-flat minor, op. 35: Grave  
3 Sonata No. 2 in B-flat minor, op. 35: Scherzo  
4 Sonata No. 2 in B-flat minor, op. 35: March  
5 Sonata No. 2 in B-flat minor, op. 35: Finale  
6 Ballade No.4 in F minor, op.52: Andante con moto  
7 Piano Concerto No. 2 in F minor, op. 21: Maestoso  
8 Piano Concerto No. 2 in F minor, op. 21: Larghetto  
9 Piano Concerto No. 2 in F minor, op. 21: Allegro  
10 Mazurka in A minor, op.17/4: Lento ma non troppo  
Khatia Buniatishvili - Chopin Ballade No. 4 In F Minor, Op. 52
Khatia Buniatishvili - Verbier Festival 2013 - Interview
interview with Khatia Buniatishvili in paris with subtitles

Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand." At only 24 years old, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable. For her second album on Sony Classical, Khatia now releases Chopin, and the album encompasses five works superbly showcasing the breadth of her skills as a pianist. Chopin's Sonata No. 2, op. 35, in formal and pianistic terms, is one of the most consummate works of the post-Beethoven period and above all known for its fascinatingly, strangely scurrying finale, which Robert Schumann compared to the mocking smile of a sphinx. The unprecedentedly lavish Ballade No. 4, op. 54 is extremely demanding, both technically and artistically. Waltz No. 2, op. 64, is suffused with Slavic heavyheartedness, while Mazurka No. 4, op. 17 concludes enigmatically, as if with an open question. This Polish folk dance is also the basis for the finale of Chopin's Piano Concerto No. 2.

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