"Hey everybody, prepare yourself," is how Stephen Colbert welcomed Kinky Boots and Pose star (and "fashion icon") Billy Porter to Wednesday's Late Show. And while that might smack of old-school timidity in the face of one of the most gloriously outrageous and talented performers out there, Colbert was more than game to let Porter both give him a quick accessory makeover, and speak feelingly about how the ball culture depicted in FX's Pose was and remains a powerful, necessary "chosen family" for many gay people. "Sometimes our biological families are not equipped to love us unconditionally in the ways that are necessary for us to thrive when we are LGBTQ people," explained Porter. "It's a culture that came, that emerged out of these people being thrown out of their houses just because of who they are."
READ THE FULL AV CLUB ARTICLE & WATCH THE Late Show VIDEO
Though she had her share of setbacks-one of which was very early on when she contracted polio as a child-Joni Mitchell is one of the biggest names in the music industry. Not only known for her catchy, touching, original, and enduring music, Ms. Mitchell's lyrics have been celebrated for their deep emotional meaning and poetic verses. Even if you have never listened to her original versions, you have definitely heard one of her songs before.
I was first introduced to the songbook of Joni Mitchell by my mother when I was starting high school. She kept all the CDs in two black cases stored by the stereo. I used to pick albums randomly, mostly classical, but I would always pass over the grouping of Joni Mitchell and Laura Nyro. One day, I decided to actually try one of these CDs. I don't remember exactly which one, but there's a good chance that it was Ladies of the Canyon (1970) or Blue (1972). At the time I didn't really like them that much. However, when I played Court and Spark (1974), my whole mindset was changed. That's the beauty of Joni Mitchell's music, from folk to pop to jazz and everything in between, she's done far too much to be summarized with just a single album.
And as such, TREBLE's Konstantin Rega compiled a guide to getting started with the Canadian troubadour's large and rewarding catalog. READ THE FULL ARTICLE
Back in 2017, Springsteen revealed that the album was "influenced by the Southern California pop music of the '70s… Glen Campbell, Jimmy Webb, Burt Bacharach, those kinds of records. I don't know if people will hear those influences, but that was what I had in my mind. It gave me something to hook an album around;
When Uncut spoke to Jimmy Webb, the legendary songwriter admits he didn't expect to ever be cited by Springsteen: "I had heard these rumours and thought, ‘Is it possible that this is true? This guy needs us like a migraine!' I think it's a very bold and admirable step, and it certainly shows that he's connected with the ground. He's planted down here with all of us. It shows there's no snobbery in him."
READ THE FULL UNCUT ARTICLE
In the episode n ° 870 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , airing TUESDAY 18 June at 20.30, on PUNTORADIO, also in streaming on www.puntoradio.fm is 'Malibu' from Richard Ford's latest recording; 'Basso Profondissimo.'
The musical world of Basso Profondissimo springs from the imagination of English bassist and producer Richard Ford. The collection was conceived and played on bass, creating a unique and surprising melding of sounds and adding some rough edges to the genres of jazz, ambient, bossa nova and neoclassical.
Sharing some of the same musical landscape as Sigur Rós, Lyle Mays, Bebel Gilberto, ECM Records, and Bill Frisell, Basso Profondissimo employs a cinematic language, often minimal and evocative. There are surprising moments, as when softer passages burst into something rougher and edgier. In the neoclassical-leaning pieces, unexpected elements surface, like ﬂoating transparencies revealed from somewhere back in the scenery. Elsewhere, bubbling rhythms emerge, cracking pieces open into exotic meters. This is not a work concerned with virtuosity (though references to seminal bassists like Jaco Pastorius can be heard in places). This collection is about evoking moods and character, not about ﬂash.
PUNTORADIO: animajazz is in collaboration with the PISA ACADEMY OF ART. SEE THE PROGRAM PAGE
This new release features works for solo piano by female composers from the 19th to the 21st centuries, performed by Anna Shelest. Opening with the sonata by Fanny Mendelssohn, the album includes works by Amy Beach, Clara Schumann, Cécile Chaminade, Lili Boulanger, and Chia-Yu Hsu. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Shelest is an award-winning pianist who has thrilled audiences throughout the world.
For Friday June 14, 2019, Anna Shelest - Donna Voce is the WFMT: Chicago 'Featured New Release'
At the emotional heart of the album is Bach's Chaconne in D minor, whose serenity Samuelsen has chosen to counter with the nervous agitation of "Knee Play 2" from Philip Glass's "Einstein on the Beach." The rest of the program grew organically from the seeds of Bach and Glass, tracing themes of change and renewal, from the increasingly complex variations of the Chaconne to the expansive melodic development of Clark's "Mammal Step Sequence." The album also contains Vladimir Martynov's "The Beatitudes," Peter Gregson's "Sequence (Four)," arrangements of Jóhann Jóhannsson's "Heptapod B" and Brian Eno's "song By this River," and Peteris Vasks' "Vientulais Engelis (Lonely Angel)". The mix also includes four works by Max Richter, with whom she collaborates on a regular basis, including "Vocal," for solo violin, and "November." "The need to go into a room and just listen to sound – almost like sound therapy – is bigger than ever," Mari said. "People are hungry for it, and I wanted to use my creativity to collaborate and experiment with some of the great people living today. Slowing down, and people leaving their busy lives behind, is only going to become more important, so there will be more room for this type of collaboration, and this type of music, in the years to come."
SEE THE Violinist.com PAGE
Raul Midón first met Lionel Loueke when the Benin-born guitarist/vocalist was a member of trumpeter Terence Blanchard's band, which was working on the score of Spike Lee's 2004 film "She Hate Me." Midón was a rapidly rising star hired to write and perform the movie's theme song, "Adam n' Eve n' Eve," a piece that captured Lee's tangle of sexual politics.
Midón, a singular vocalist and guitarist, recognized a kindred spirit in Loueke, and that initial encounter planted a seed that got further nourishment the next year when Midón joined Herbie Hancock in the studio to record Stevie Wonder's "I Just Called to Say I Love You" for the pianist's album "Possibilities" (Vector/Hear Music).
By that point, Loueke had joined Hancock's band, and he's been touring and recording with the trailblazing pianist, keyboardist and composer ever since. But he's taking the down time from Hancock's band to launch a new collaboration with Midón, a freshly minted duo that performs Monday at Santa Cruz's Kuumbwa Jazz Center and Wednesday at Berkeley's Freight & Salvage (they also give a master class at the California Jazz Conservatory on Tuesday evening).
READ THE FULL Mercury News ARTICLE
After sending shockwaves through the socialsphere following her electrifying performance alongside Cardi B at the 2019 Grammy Awards, high-energy performance pianist Chloe Flower releases her first-ever original single on Sony Music Masterworks.
On April 19, Angélique Kidjo will release Celia (Verve/Universal Music France), an album that honors Celia Cruz, widely known as "the Queen of Salsa" and the most popular Latin artist of the 20thcentury.
From the filmmaking team behind the highly-acclaimed documentary The Beatles: Eight Days A Week - The Touring Years, PAVAROTTI is a riveting film that lifts the curtain on the icon who brought opera to the people.
Khatia Buniatishvili to perform in Music Worcester debut at Tuckerman Hall / the telegram
Posted: April 14, 2019 12:00 AM
| By: Admin
World-renowned pianist Khatia Buniatishvili will perform a program of Schubert and LisztApril 19 at Tuckerman Hall.The concert marks Buniatishvili's first time in the city, and is one of only two American performances on her 2019 tour. "I'm always excited to go for the first time somewhere, to discover the new culture, to share my emotions and physical experience with people that I've never met before," Buniatishvili said. "I want to share my music with the Worcester public."
The 31-year-old Buniatishvili has recorded a new album, "Schubert" (containing Sonata D 960 and Four Impromptus D 899), which she will highlight in the recital. "There's more art of patience in Schubert's music," Buniatishvili said. "You have to learn how to appreciate and understand and master the art of patience."
Having blazed her way into public consciousness with her fearlessness on stage as well as on record, Georgian-born pianist Khatia Buniatishvili has become known for her distinctive artistic approach and bold interpretive flair, which combine to make her playing and performances both unmistakable and unmissable.
Celebrated by media around the world, she has been described by The Observer as "one of today's most exciting and technically gifted young pianists", while Madame Figaro has called her "the popstar of the classical music world", adding that "with Khatia Buniatishvili, only the repertoire is classical. As for the rest, there's no limit."
Sony Classical releases pianist Khatia Buniatishvili's new album Kaleidoscope. The recording includes Mussorgsky's "Pictures at an Exhibition," a genius musical translation inspired by a collection of art, and Ravel's "La Valse." Plus, three movements from Stravinsky's ballet "Petrushka," works that all exist in two versions for piano and orchestra, choreographed as a ballet. The consciously ambiguous title of the album comes from Khatia's idea that "the richness of color in this music reminds me of a kaleidoscope. It is one person's gaze at excerpts from reality at a very specific moment." With these words, she is hinting that a work like "Pictures at an Exhibition" is not mere material for virtuosity, but rather a "highly personal work."
8 Total 54 Total
SYND: C24, Classical Music Indy, CBC Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Dallas, Atlanta, Houston, Seattle, Cleveland, Minneapolis, Pittsburgh, Austin, New Orleans, Canada Online: AccuRadio, Taintradio, Passion Musique et Culture
For her third recording on CD, Motherland, Khatia Buniatishvili reveals a new, highly personal side to herself. Under the title MOTHERland this album combines works from Bach to Pärt and from Brahms to Kancheli in which longing for home, the merriment of a folk dance or the eternal cycle of growth and decay in nature can be heard. These are quiet, dreamy pieces, most of them not written for the concert hall but expressing a personal quest – for peace, a protected place, childlike freedom from care.
32 New 'ON' 37 TOTAL
SYND: PRI/Classical 24
Direct: SiriusXM, Music Choice, MOOD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, Cleveland, St. Louis, Minneapolis, Portland, Pittsburgh, Cincinnati, New Orleans, Detroit, Austin, Madison WI Online: MusiClassical, WGOE
Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand." At only 24 years old, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable. For her second album on Sony Classical, Khatia now releases Chopin, and the album encompasses five works superbly showcasing the breadth of her skills as a pianist. Chopin's Sonata No. 2, op. 35, in formal and pianistic terms, is one of the most consummate works of the post-Beethoven period and above all known for its fascinatingly, strangely scurrying finale, which Robert Schumann compared to the mocking smile of a sphinx. The unprecedentedly lavish Ballade No. 4, op. 54 is extremely demanding, both technically and artistically. Waltz No. 2, op. 64, is suffused with Slavic heavyheartedness, while Mazurka No. 4, op. 17 concludes enigmatically, as if with an open question. This Polish folk dance is also the basis for the finale of Chopin's Piano Concerto No. 2.
94 New 'ON' this week: 94 Total
SYND: Classical 24 Direct:SiriusXM, Music Choice Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Dallas, Atlanta, Seattle, St. Louis, Minneapolis, Baltimore, Cleveland, Cincinnati, Houston, Pittsburgh, Detroit, Portland, Austin, Denver, New Orleans, Louisville KY, San Antonio Online: RadioIO, Taintradio
The extremely gifted young Georgian pianist Khatia Buniatishvili is devoting her debut album on Sony Classical to Franz Liszt in celebration of the composer's 200th birthday this fall. Although Buniatishvili sees herself as belonging truly to the 21st century, like the Romantics she looks for greatness in small things and for the universal in the individual. In the music of Liszt, she seeks and finds her idea of musical completeness and pianistic perfection, saying that "only he would enable me to present as a unity the many aspects of my soul."
19 New 'ON' this week: 61
Synd: PRI: Classical 24, The Romantic Hours Direct: Music Choice, In-Flight Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Dallas, Houston, Atlanta, Minneapolis, Baltimore, New Orleans, San Antonio