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Leonidas Kavakos

Sei Solo

Sony Classical
Release Date: March 4, 2022

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The Violinist Leonidas Kavakos
1 Bach, J S: Partita for solo violin No. 3 in E major, BWV1006 / I. Preludio  
2 II. Loure  
3 III. Gavotte en Rondeau  
4 IV. Menuet I - Menuet II  
5 V. Bourrée  
6 VI. Gigue  
7 Bach, J S: Sonata for solo violin No. 3 in C major, BWV1005 / I. Adagio  
8 II. Fuga  
9 III. Largo  
10 IV. Allegro assai  
11 Bach, J S: Sonata for solo violin No. 2 in A minor, BWV1003 / I. Grave  
12 II. Fuga  
13 III. Andante  
14 IV. Allegro  
15 Bach, J S: Sonata for solo violin No. 1 in G minor, BWV1001 / I. Adagio  
16 II. Fuga  
17 III. Siciliana  
18 IV. Presto  
19 Bach, J S: Partita for solo violin No. 1 in B minor, BWV1002 / I. Allemanda  
20 II. Double  
21 III. Corrente  
22 Bach, J S: Partita for solo violin No. 1 in B minor, BWV1002 / I. Allemanda  
23 II. Double  
24 III. Corrente  
25 IV. Double  
26 V. Sarabande  
27 VI. Double  
28 VII. Tempo di Borea  
29 VIII. Double  
30 Bach, J S: Partita for solo violin No. 2 in D minor, BWV1004 / I. Allemanda  
31 II. Corrente  
32 III. Sarabanda  
33 IV. Giga  
34 V. Ciaccona  
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Kavakos is a laureate of the great violin competitions and a visitor to the great orchestras of the world – as both violinist and conductor. In 2017 he joined the likes of Shostakovich, Rostropovich and Rubinstein as a laureate of the Sonning Music Prize.
?An exclusive Sony Classical artist since 2018, Kavakos now stands ready to release his most significant recording yet – his first account of Bach’s Sonatas and Partitas for Solo Violin. The set also includes the famous Chaconne in D minor from the Partita No. 2, for many, Bach’s single greatest span of music. Like many of his coevals, Bach was capable of creating great structures in sound, making use of the full panoply of choir, orchestra and soloists. He was unique, however, in his ability to conjure similar architectural marvels out of a single instrument. Bach titled his set Sei Solo – both a description of the work itself (‘six solos’) and a reminder of the challenge to the player: ‘you are alone.’

Leonidas Kavakos tackles that challenges and “keeps a firm grip on the rhythm, but one never gets the feeling that he is merely metronomic. Indeed, in the Double of the Courante, he wrestles the flood of notes into long, well-formed phrases, establishing a structure of impressive breadth and integrity (…) every line seems sharply etched, and Kavakos takes unusual care to balance the voices” – Gramophone Magazine.

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