Bettye LaVette's first single in 1963 was a major hit, but for the next 40 years, the R&B singer bounced between label deals and near-destitution as her peers such as Aretha Franklin, Marvin Gaye and Diana Ross became superstars. LaVette grew up in Detroit, the birthplace of Motown, but the label's founder Berry Gordy Jr. never brought her onto his roster.
But LaVette is having the last laugh. At age 74, she's now enjoyed five Grammy nominations and numerous lifetime achievement awards. LaVette's new studio album Blackbirds is the ninth record she's released since 2003, when she kicked off a late-career resurgence.
She brought The Who's Pete Townshend to tears when she performed Love Rain Over Me at the 2008 Kennedy Center Honors. It led to her performing at President Barack Obama's inauguration ceremony.
Her talent for finding new emotion in other people's songs is such that Justin Hayworth from the Moody Blues once told her that he'd written Nights in White Satin, but he never understood it until she sang it. Her voice, both on stage and in person, is what makes LaVette so extraordinary.
After all these years, she's in a lane of her own. Bettye LaVette is the last of the great women of R&B's golden era.
LaVette joined us for a conversation about her long career as the underdog of American blues.
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Data Lords is a new double-album by Grammy Award-winning composer and bandleader Maria Schneider. Inspired by conflicting relationships between the digital and natural worlds, the recording features Schneider's acclaimed orchestra of 18 world-class musicians.
Schneider says; "No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I'm not alone in struggling to find space – to keep connected with my inner world, the natural world, and just the simpler things in life," says Schneider. "Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two- album release reflecting these two polar extremes."
In the latest, 89.9WUCF: Orlando FL Magazine - Bob Kelley reviews the latest from keyboardist and arranger Antonio Adolfo - we celebrate the birth of tenor saxophonist Sonny Rollins - and Maria Schneider lets us in on her take of two polarized worlds with "Data Lords". LISTEN TO THE SEGMENT
"Beauty will save the world." Those are the words of cellist Camille Thomas, whose new album, Voice of Hope, speaks to this very idea. This album concept, at first glance, might have been at risk of feeling overly saccharine. It turns out, it'll take no more than nine seconds before the opening Kaddish by Ravel pulls you in and you know this is no lightweight endeavor from Thomas. This is not a sweet, innocent beauty, but one of visceral yearning, colored with mesmerizing, sometimes hauntingly beautiful soundscapes.
Thomas delivers this, her second release on the Deutsche Grammophon label, alongside musical colleagues very much on her home turf - the Brussels Philharmonic and their French music director Stéphane Denève.
Hear Camille Thomas and Stéphane Denève discuss the recording of Never Give Up on 90.1WRTI: Philadelphia
Canada's most successful songwriters, composers and music publishers are will be honoured in the 31st annual SOCAN Awards, held for the first time online, with Shawn Mendes solidifying his place in songwriting royalty earning two of the most prestigious prizes, becoming the most-awarded SOCAN member in a single year.
Follow @socanmusic on Facebook, Instagram and Twitter (#2020SOCANawards) to join in the celebration of more than 50 award winners announced today through September 25th via special virtual presentation. Celebrations include Drake, LIGHTS, bülow, Andrew Lockington, Daniel Caesar, Laila Biali and more.
Biali has some new music for fall/winter including the release of Anthem by Leonard Cohen.
Laila Biali released her cover of 'Anthem' by Leonard Cohen last Friday, Sept 18, for Leonard's birthday celebration TODAY Sept 21.
The 2019 JUNO-Award winner covers her fellow Canadian and music icon with his relevant song that delivers a salient message for the times we find ourselves in: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything, that's where the light gets in." Leonard would have turned 86 today.
This single releases on the heels of Laila's highly succsessful 2020 album release, Out of Dust, which came out on March 27 and features an expansive ensemble of instrumentalists and singers including GRAMMY Award winners and nominees Lisa Fischer, John Ellis, Larnell Lewis, and others.
CBC Radio 1 is premiering the track today along with the Quarantunes video. Watch the attached
In 1968, a 16-year-old jazz fan at Palo Alto High School in California decides to hold a concert in the school's auditorium to raise funds for its International Club-and convinces Thelonious Monk's manager that his client should be the headliner. (Not surprisingly, the student, Danny Scher, would soon become a major force in the live-music production world.) As concert day approaches, one of the school's janitors, an audio enthusiast, offers to tune the piano in exchange for recording the show, a deal that's quickly agreed to. On the afternoon of October 27, the Thelonious Monk Quartet gives its only known high-school performance. Afterward, the janitor (his name apparently lost to history, though researchers are no doubt still working on that) hands the young promoter a tape. It goes in a box, where it sits for the next 50 years. When its owner rediscovers it, he contacts Monk's son T.S., who-first tickled by the story, then impressed by the recording's quality-sanctions its release.
READ THE FULL JazzTimes ARTICLE
UK singer and producer Labrinth just scored his first-ever Emmy Award for Outstanding Original Music and Lyrics thanks to his Euphoria soundtrack standout, "All For Us." The song, which ended the emotional rollercoaster first season, was nominated alongside Pharrell and Chad Hugo's "Letter to My Godfather" from The Black Godfather, Thomas Mizer and Curtis Moore's "One Less Angel" from The Marvelous Mrs. Maisel, and Trent Reznor and Atticus Ross' "The Way It Used to Be" from Watchmen. Reznor and Ross won the Emmy for the dramatically-titled Outstanding Music Composition For A Limited Series, Movie Or Special award.
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In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
World-renowned singer-songwriter Melody Gardot announces her long-awaited new album along with the release of a highly anticipated single which sees her join forces with 17-time Grammy Award winning music icon Sting.
After 40 years, David Shifrin retires as director of Chamber Music Northwest / OREGON ARTSWATCH
Posted: August 13, 2020 12:00 AM
| By: Admin
A hearty encore for David Shifrin. After 40 years, the clarinetist supreme retires as director of Chamber Music Northwest. His colleagues give him a round of applause.
Even the most ardent classical-music enthusiasts may not know several details about celebrated clarinetist David Shifrin, who retired this summer after 40 years as artistic director of Portland's Chamber Music Northwest.
He uses synthetic - not cane - reeds.
His distant relative Lalo Schifrin (different spelling), who came to Hollywood from Argentina, persuaded David Shifrin's parents to buy him a clarinet when David was growing up in Queens, New York. Pianist Schifrin, now 88, composed the theme from Mission Impossible, and David Shifrin, 18 years his junior, decades later commissioned him to compose pieces for the clarinet that ended up on the Aleph Label in 2006, Shifrin Plays Schifrin. The compositions were played at CMNW.
Hearing Benny Goodman play Mozart's Clarinet Concerto and "lots and lots of swing" in the 1956 movie The Benny Goodman Story assured Shifrin that he had picked the right instrument. "I just fell in love with the clarinet," said Shifrin, who at 13 attended Interlochen Center for the Arts in Michigan. Surrounded by serious young players, including violinist sisters Ida and Ani Kavafian (who perform often at Chamber Music Northwest), he convinced himself that to be a musician, "I'd have to work very, very hard, practice and practice, and be the best I could be." That summer, he thought he'd give the career a shot. He's never recalibrated his aim.
He has 14-year-old triplets, two of them striving musicians and another a computer wiz. He also has a 26-year-old son who is a football coach. A couple of weeks into retirement from CMNW, he said he plans to spend more time with the triplets, continue to play his MoBA cocobolo-wood clarinet for various concerts – some at CMNW – and keep teaching at Yale University School of Music.
If these details have escaped you, you likely know that he is one of three wind players to win the Avery Fisher Prize, established in 1974 to recognize outstanding soloists, and that he was given an honorary membership in the International Clarinet Society in 2014 for lifetime achievement. As a young man he won the top prizes at the Munich and Geneva international competitions, which helped to launch his career.
His accolades are so manifold that there's not space to include them.
Besides, he's more interested in talking about the time during the 2019 festival when more than 100 clarinetists-pros, proteges and students from all over the world-played a raucous finale of Vivaldi, Edgar, Mahler and Sousa on Portland's Park Blocks to end a week of clarinet collaboration. "I'll never forget it," he said, playfully referring to the event as "Clarinet Geek Week."
Many CMNW concert-goers thought the clarinet festival, on his bucket list for years, celebrated Shifrin's retirement. Instead, this summer's virtual concerts, which sent him digging through archives, marked the end of his Chamber Music Northwest tenure. "It was quite a nostalgic journey if a great deal of work," he said, to organize the 2020 festival. "It was a shock to be in a position to replace something that we've done for almost 50 years (CMNW started in 1971 under Sergiu Luca), but everybody is doing that, adapting to the changes the virus has brought."
As it turned out, the 2020 online festival pulled in 50,000 people - the most ever to hear its music - for 18 live streaming concerts, said festival Executive Director Peter Bilotta, "and David led the charge."
David Shifrin, clarinet • Carol Rosenberger, piano • Hila Plitmann, soprano Fred Sherry, cello • Sabrina-Vivian Höpcker, violin Dominic Cheli, piano • Sarah Beck, English horn
This album sings and dances, with Mark Abel's "colorful blend of styles that serve the emotional nature of each work to bracing and poignant effect" (Gramophone) and further clarifies why Abel is "one of the most interesting figures in American contemporary music" (Pizzicato).
Abel's idiom eludes easy pigeon-holing-its contours extend from art song to larger forms with orchestra to a full length chamber opera, Home Is a Harbor.
The program begins with Intuition's Dance, a combination of frolic and dreamy ruminations featuring the incomparable clarinetist David Shifrin and pianist Carol Rosenberger. (Together again for the first time since their memorable albums for Delos, recorded in 1984!) Next comes the remarkable Hila Plitmann singing the powerfully moving Four Poems of Marina Tsvetaeva-the first-ever setting of Tsvetaeva's poetry in English translation. Plitmann is joined by Rosenberger and English hornist Sarah Beck.
The California-based composer Mark Abel, who "employs a colorful blend of styles that serve the emotional nature of each work to bracing and poignant effect" (Donald Rosenberg, Gramophone, August 2016) has released a new recording-his fourth in recent years-entitled Time and Distance on the Delos label. Drawing on a variegated lifetime of artistic, journalistic, political, and poetic endeavors, Mr. Abel has composed five art songs for voice and piano, three of which are based on his own texts, one on a poem by Kate Gale, and one composed to five poems by Joanne Regenhardt. Time and Distance features performances by Grammy Award-winning soprano Hila Plitman; mezzo-sorpano Janelle DeStefano, pianist Tali Tadmor, pianist Carol Rosenberger, Bruce Carver on percussion, and Mr. Abel at the organ.
Mark Abel's critically heralded previous release on Delos, the orchestral cycle The Dream Gallery, signaled a radical and culturally relevant new approach to the American art song. With TERRAIN OF THE HEART, Abel takes a fresh look at the idiom while working within the genre's more traditional framework: as a recital vehicle for solo voice and piano. Abel's lyrics leave a lasting impression. They burrow all the deeper into one's consciousness when amplified by his sophisticated musical fusion of classical and rock, aimed at broad-minded listeners – classically couth or not.
11 NEW 42 Total
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American composer Mark Abel's song cycle, The Dream Gallery: Seven California Portraits, will be released by Delos Music digitally March 6 and on CD March 27, 2012. With The Dream Gallery, Abel has written both music and lyrics to a 70-minute work that explores a character-driven psychogeography of modern California, a state that he has been continually fascinated by and sometimes frustrated with over three decades of living there. A former rock musician-producer on the cutting-edge New York scene of the late '70s, Abel shifted careers to become a top journalist in San Francisco. He has devoted himself to composition in recent years, releasing two previous albums featuring a wide array of his "postmodern art songs." For The Dream Gallery, the composer sought out some of California's most talented, sympathetic singers and players to bring his latest creation to vibrant life.
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