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Nadine Sierra

Made for Opera

Deutsche Grammophon
Release Date: March 4, 2022

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1 GIUSEPPE VERDI: La Traviata - ACT I: SCENA ED ARIA / È Strano! È Strano!  
2 Ah, Fors’è Lui  
3 Follie! Follie! Delirio Vano È Questo!  
4 Sempre Libera  
5 ACT III: SCENA ED ARIA / Teneste La Promessa  
6 Addio, Del Passato Bei Sogni Ridenti  
7 GAETANO DONIZETTI: Lucia Di Lammermoor - ACT I, NO. 3: SCENA E CAVATINA / Introduzione  
8 Ancor Non Giunse!  
9 Regnava Nel Silenzio  
10 Quando, Rapito In Estasi  
11 ACT III, NO. 14: SCENA ED ARIA / O Giusto Cielo! … Il Dolce Suono  
12 Ohimè! Sorge Il Tremendo Fantasma  
13 Ardon Gli Incensi  
14 Spargi D’amaro Pianto  
15 CHARLES GOUNOD: Roméo Et Juliette CG 9 - ACT I, NO. 3: ARIETTE / Ah ! Je Veux Vivre  
16 ACT IV, NO. 17: SCÈNE ET AIR / Dieu ! Quel Frisson Court Dans Mes Veines ?  
17 Amour, Ranime Mon Courage  
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Nadine Sierra’s childhood intuition – that she was born to sing opera – has proved correct in every way and is reflected in the title of her second solo album for Deutsche Grammophon, released today. The dramatic presence, searing passion and technical brilliance for which the American lyric soprano regularly scores rave reviews are captured in Made for Opera, which trains the spotlight on three of the most demanding roles in the repertoire – Verdi’s Violetta, Donizetti’s Lucia and Gounod’s Juliette. Recorded with the Orchestra Sinfonica Nazionale della Rai and Capella Cracoviensis under Riccardo Frizza, the album not only reflects Nadine Sierra’s command of bel canto technique and rich range of vocal colours, but also documents her insights into the psychology of the ill-starred heroines of La traviata, Lucia di Lammermoor and Roméo et Juliette.

Her new album opens with the Parisian courtesan Violetta Valéry considering whether she should choose love for the romantic Alfredo Germont over her cherished freedom. The role grows in drama and texture as the opera unfolds, and Sierra captures every nuance of Verdi’s vocal writing. Her chosen sequence of arias ends with the dying Violetta’s heart-breaking “Addio, del passato bei sogni ridenti”, in which she bids farewell to her past dreams and laments Alfredo’s absence.

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