Voice of Hope is Camille Thomas's second album for Deutsche Grammophon. The Franco-Belgian cellist's program pays tribute to people's ability to triumph over adversity, create harmony in place of chaos, and overcome hatred with love. The album presents the world-premiere recording of Fazil Say's concerto Never Give Up, a response to terrorist attacks in Paris and Istanbul written for and premiered by Thomas, and also includes an exquisite selection of songs, prayers, and laments, Bruch's Kol Nidrei and Ravel's Kaddisch among them.
For June 30, Camille Thomas - Voice of Hope is the WFMT: Chicago 'Featured New Release'
Recently French composer and pianist Lucas Debargue breathed new life into the harpsichord sonatas of Domenico Scarlatti and presents works outside the standard piano repertoire. The Parisian pianist has already climbed the pinnacle of piano artistry with Beethoven, Liszt and Ravel and unleashed full-blown romantic thunderstorms with Schubert's A-minor Piano Sonata no. 14 and the madcap finale of Ravel's Gaspard de la nuit.
On the album, Debargue devotes himself completely to Domenico Scarlatti. He already played four of this Italian master's sonatas on his highly acclaimed début album. Germany's Der Spiegel waxed ecstatic: "Debargue's Scarlatti recalls his mighty predecessors. He displays the subtle touch and feeling once bestowed on these miniatures by Vladimir Horowitz and imparts new sound to Scarlatti's keyboard music. … Debargue touches the outer limits of expression between joylessness and rapture: one may find it overwrought, but it's never less than gripping. And then there's the gentle Glenn Gould touch."
Debargue joins us for this mini-episode of REMOTE with a couple words on some of his pandemic-projects, reading list, and the importance of emphasizing our similarities rather than differences. READ THE Q&A
Max Richter's trailblazing 2015 composition Sleep is now available to download with the launch of a new app. The app enables listeners to reimagine the 8-hour Deutsche Grammophon recording in custom-made musical sessions to help with focus, meditation and sleep which many people will need in the midst of the pandemic lockdown. It brings to a wider audience some of the experience shared by those lucky enough to attend Richter's extraordinary eight-hour overnight performances of Sleep – complete with beds – including LTW's own Tim Cooper who wrote about it here when it came to London in 2017.
READ THE FULL Louder Than War ARTICLE
In episode 925 of "ANIMAJAZZ", conceived and conducted by BRUNO POLLACCI , broadcast TUESDAY June 30 at 20.30, on PUNTORADIO, also streaming on www.puntoradio.fm and in an immediate podcast on http: // animajazz. eu will be the protagonists CARLA BLEY - ANDY SHEPPARD - STEVE SWALLOW - CD "Life Goes On" - "Life Goes On_ III. And On "(ECM).
The third volume of a sequence of albums begun with Trios in 2013 and continued with Andando El Tiempo (2016), Life Goes On – once more recorded in Lugano and produced by Manfred Eicher - features striking new music from American pianist/composer Carla Bley, whose trio with saxophonist Andy Sheppard and bassist Swallow has a long history. (Their first recording in trio format was Songs with Legs, recorded for the ECM-distributed WATT label in 1994.) Bley has composed for ensembles of every size but, over time, the trio has established itself as an ideal unit for expressing the essence of her work. Throughout Life Goes On, Carla's terse, distinctive piano, shaping phrases irreducible as Monk or Satie, is beautifully framed by Swallow's eloquent, elegant bass guitar and Sheppard's yearning saxes. This trio has a unique collective sound, reflecting – as The Telegraph recently noted – "musical mastery of a rare order".
We remind you that "ANIMAJAZZ" can be heard on TUESDAY at 20.30 in immediate podcast on http://animajazz.eu and the "DOWNLOAD" of the episode can be made, free of charge, from the podcasts area. Happy listening.
SEE THE PLAYLIST
The 2020 Juno Awards have wrapped, announcing a list of winners that has been on hold since the COVID-19 pandemic shuttered the in-person Saskatoon weekend of events in March. But tonight, June 29, the Canadian Academy of Recording Arts and Sciences (CARAS) and CBC combined the usual two-night series of events into an hour-and-a-half-long pre-recorded special, delivering a night that Canadian music fans have been waiting for.
Winner for 'Classical album of the year: large ensemble' is Orchestre symphonique de Montréal, conducted by Kent Nagano, The John Adams Album.
Released to coincide with Nagano's final season with the Montréal Symphony, The John Adams Album contains his key orchestral works conducted by one of his greatest, lifelong champions "Like all great pieces, each time one returns to them and restudies them, I'm able to find something more - new dimensions that I haven't seen before, other reflections of innovation and genius." - Kent Nagano on John Adams
SEE ALL WINNERS ON CBC PAGE
Is there a classical performer more keenly attuned to the moment than the cellist and musical ambassador Yo-Yo Ma? When the coronavirus pandemic broke out in March, Ma launched a participatory social media project (#SongsOf Comfort) that's tapped a deep need for music as a unifying force in these isolating times. The performer's ongoing performances of Bach's Cello Suites around the world have seemed similarly soulful, global, and essential.
Never content to stay in any narrow lane, Ma has been crossing borders for decades. As a driving force in The Silk Road Project (now Silkroad), he brought together musicians from widely diverse ethnic regions and traditions. He's collaborated with scores of artists, from Astor Piazzolla to James Taylor, in other ways.
Now, in a reprise of the 2011 Goat Rodeo album, Ma has reunited with fiddle player Stuart Duncan, mandolinist Chris Thile, and bass player Edgar Meyer on the drolly titled and winningly big-hearted Not Our First Goat Rodeo. The Sony disc features the gently infectious singer Aoife O'Donovan on three of the album's 10 tracks.
The vitality kicks in right away with "Your Coffee Is a Disaster," all jittery, jangly plucks and shivers set off by wails of protest from the cello and fiddle, smoothed out later on by some creamy harmonies. The number feels both cunningly designed and loosely improvisatory, a well-made brew that's allowed to go awry a bit.
Lovely and light-fingered as it often is, this second Goat Rodeo also takes some daredevil rides into the unknown. As Ma has often demonstrated, music that takes risks can pay handsome rewards. PHOTO: Josh Goleman
READ THE FULL San Francisco Classical Voice ARTICLE
Host John Pitman chats with the great Swedish mezzo-soprano, Anne Sofie Von Otter about her performance of a new work by American composer, Caroline Shaw. Title "Is a Rose", the three-movement song cycle is sung by Von Otter with San Francisco's Philharmonia Baroque Orchestra, as Shaw has written the work with Baroque ensembles – and Ms. Von Otter – in mind. Next, John talks with the composer herself, touching on the song cycle and her first oratorio, The Listeners, which was inspired by the gold record created for the Voyager spacecraft. Music from Shaw's new works are interwoven with the conversation.
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Oded Tzur - Here Be Dragons. Introspective stance and immensely melodious structure / Gina Loves Jazz
Posted: March 25, 2020 12:00 AM
| By: Admin
Israeli tenor saxophonist and composer Oded Tzur has released his first album on the prestigious ECM label. Oded, who is working in or from New York since 2011 (where else?), debuted in 2015 with "Like A Great River" which was followed in 2017 with "Translator's Note".
It seems as if his new-found home at ECM has somehow earthed him, grounded him, since this release is much more connected and quintessential than its predecessors. We have lived with the album for a month now and the beauty of its content has not vanished. From the opening notes of the title track, its introspective stance, immensely melodious structure, almost hushed playing by the leader, this album sometimes comes across as Americana meets the Eastern world. Pianist Nitai Hershkovits is the perfect, reflecting partner during the opening piece, and Jonathan Blake‘s drum work is deeply balanced. Greek bassist Petros Klampanis rounds out the team on this beautiful piece of work.
Here Be Dragons is the ECM debut of New York based, Tel Aviv born tenor saxophonist Oded Tzur, one of the most strikingly original musicians to have emerged from Israeli's creative jazz scene in recent years, and the leader of an outstanding group.
Oded Tzur has found a new and personal sound for the tenor saxophone. Inspired by his extensive studies from 2007 onward with bansuri master Hariprasad Chaurasia, he has mastered the graceful slides of Indian classical music and brought raga's sense of pitch fluidity and microtonal shading into a jazz context. His pieces elegantly explore and unfold their melodic and atmospheric implications in a context of subtle group interaction. Structurally, each of Tzur's compositions on Here Be Dragons sets out to develop a "miniature raga" over a moving bass, juxtaposing two musical concepts. Oded: "The dialogue between these dimensions takes us wherever it takes us." The ragas deployed in the pieces "Here Be Dragons", "20 Years" and "The Dream" are of Oded's creation, while "To Hold Your Hand" uses an Indian scale called Charukesi and operates on similar principles. He stresses, however, that "raga is, for me, a universal concept. I hear its connection to synagogue prayers, or to the blues – a marvellous creation – and to music all around the world." Ancient and modern traditions are referenced in Oded's work, including traditions of storytelling. "If music has the ability to tell stories," suggested All About Jazz, "saxophonist Oded Tzur proves himself one of the jazz world's premier storytellers." Tzur's concept is also broad enough to embrace some unexpected song choices, and the album concludes with a tender interpretation of "Can't Help Falling In Love", made famous by Elvis Presley.