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Philharmonia Baroque Orchestra

Rameau - Le Temple de la Gloire

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Rameau: Le Temple de la Gloire (The Making of a Modern Day Premiere)

Tour Dates

02/06/2019 - First United Methodist Church / Palo Alto, CA
02/08/2019 - Herbst Theatre / San Francisco, CA
02/09/2019 - First Congregational Church / Berkeley, CA
02/10/2019 - First Congregational Church / Berkeley, CA
03/06/2019 - Bing Concert Hall / Stanford, CA
03/08/2019 - Herbst Theatre / San Francisco, CA
03/09/2019 - First Congregational Church / Berkeley, CA
03/10/2019 - First Congregational Church / Berkeley, CA
04/06/2019 - First Congregational Church / Berkeley, CA
04/07/2019 - First Congregational Church / Berkeley, CA
04/12/2019 - Herbst Theatre / San Francisco, CA
04/13/2019 - First United Methodist Church / Palo Alto, CA
11/13/2019 - Bing Concert Hall / Stanford, CA
11/15/2019 - Herbst Theatre / San Francisco, CA
11/16/2019 - First Congregational Church / Berkeley, CA
11/17/2019 - First Congregational Church / Berkeley, CA
01/22/2020 - Diane Wilsey Center for Opera / San Francisco, CA
01/24/2020 - ODC Theater / San Francisco, CA
01/25/2020 - ODC Theater / San Francisco, CA
01/26/2020 - ODC Theater / San Francisco, CA
01/29/2020 - ODC Theater / San Francisco, CA
01/31/2020 - ODC Theater / San Francisco, CA
02/01/2020 - ODC Theater / San Francisco, CA
02/07/2020 - Herbst Theatre / San Francisco, CA
02/08/2020 - First Congregational Church / Berkeley, CA
02/09/2020 - First Congregational Church / Berkeley, CA
02/12/2020 - Bing Concert Hall / Palo Alto, CA
03/11/2020 - Bing Concert Hall / Palo Alto, CA
03/13/2020 - Herbst Theatre / San Francisco, CA
03/14/2020 - First Congregational Church / Berkeley, CA
03/15/2020 - First Congregational Church / Berkeley, CA
04/15/2020 - Herbst Theatre / San Francisco, CA
04/17/2020 - Herbst Theatre / San Francisco, CA
04/18/2020 - Herbst Theatre / San Francisco, CA
04/19/2020 - Herbst Theatre / San Francisco, CA
1 Rameau: Le Temple de la Gloire - Prologue: Ouverture  
2 Prologue: Monologue  
3 Prologue: Choeur avec coryphee  
4 Prologue: Air  
5 Prologue: Air pour les Demons et les Heros  
6 Prologue: Recitatif  
7 Prologue: Choeur  
8 Prologue: Recitatif, ariette  
9 Prologue: Air pour les Heros  
10 Prologue: Air pour les Muses  
11 Prologue: Air pour les Heros  
12 Prologue: Choeur  
13 Prologue: Entracte. Ouverture  
14 Acte Premier: Recitatif  
15 Acte Premier: Air  
16 Acte Premier: Musette en rondeau  
17 Acte Premier: Recitatif et choeur  
18 Acte Premier: Gavottes en musette  
19 Acte Premier: Air  
20 Acte Premier: Choeur  
21 Acte Premier: Petit choeur et recitatif  
22 Acte Premier: Recitatif et airs  
23 Acte Premier: Air  
24 Acte Premier: Petit choeur  
25 Acte Premier: Air pour les Bergers et Bergeres  
26 Acte Premier: Ariette  
27 Acte Premier: Gigue en rondeau  
28 Acte Premier: Recitatif, choeur, air et duo  
29 Acte Premier: Petit choeur accompagne  
30 Acte Premier: Tonnerre et air  
31 Acte Premier: Petit choeur et choeur  
32 Acte Premier: Trio et grand choeur  
33 Acte Second: Ritournelle  
34 Acte Second: Choeur avec coryphees  
35 Acte Second: Air  
36 Acte Second: Air pour les Heros et les Pretresses  
37 Acte Second: Entree des Suivans de Bacchus  
38 Acte Second: Air, ch?ur avec coryphee  
39 Acte Second: Air  
40 Acte Second: Symphonie, air  
41 Acte Second: Loure pour l'entree des Faunes  
42 Acte Second: Air pour les Suivans de Bacchus  
43 Acte Second: Airs  
44 Acte Second: Recitatif  
45 Acte Second: Air et choeur  
46 Acte Second: Recitatif  
47 Acte Second: Air  
48 Acte Second: Recitatif, air et recitatif  
49 Acte Second: Recitatif et air  
50 Acte Second: Recitatif, air et recitatif  
51 Acte Second: Ariette  
52 Acte Second: Duo  
53 Acte Second: Forlane pour les Suivans de Bacchus  
54 Acte Second: Gavotte en rondeau  
55 Acte Second: Ch?ur avec coryphee  
56 Acte Second: Entracte. Gavotte en rondeau (reprise)  
57 Troisieme Acte: Monologue  
58 Troisieme Acte: Recitatif  
59 Troisieme Acte: Recitatif, duo, recitatif  
60 Troisieme Acte: Duo, recitatif  
61 Troisieme Acte: Recitatif  
62 Troisieme Acte: Choeur  
63 Troisieme Acte: Air pour les Pretres et Pretresses  
64 Troisieme Acte: Recitatif  
65 Troisieme Acte: Premiere et deuxieme gavottes  
66 Troisieme Acte: Choeur, recitatif  
67 Troisieme Acte: Recitatif accompagne  
68 Troisieme Acte: Choeur avec coryphees  
69 Troisieme Acte: Recitatif  
70 Troisieme Acte: Descente de la Gloire. Recitatif et air  
71 Troisieme Acte: Entree des Suivants de la Gloire  
72 Troisieme Acte: Choeur avec coryphee  
73 Troisieme Acte: Gigue pour les Suivants de la Gloire  
74 Troisieme Acte: Recitatif, air, recitatif  
75 Troisieme Acte: Choeur  
76 Troisieme Acte: Entree des Seigneurs et des Dames - Passacaille  
77 Troisieme Acte: Choeur avec coryphee  
78 Troisieme Acte: Entree de Bergers et Bergeres  
79 Troisieme Acte: Ariette  
80 Troisieme Acte: Loure grae pour une entree brillante  
81 Troisieme Acte: Air pour les Romains et Romaines  
82 Troisieme Acte: Choeur avec coryphee  
83 Troisieme Acte: Entree de la jeunesse - Passepieds  
84 Troisieme Acte: Choeur  
85 Troisieme Acte: Recitatif et air  
86 Troisieme Acte: Suite de la Passacaille  
87 Troisieme Acte: Air pour les Romains et Romaines  
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In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost.  The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of conductor Nicholas McGegan.  For decades, maestro McGegan dreamed of reviving the original work-a dream realized in April 2017 through a partnership between Philharmonia Baroque Orchestra, Cal Performances at UC Berkeley, Centre de musique de Versailles in France and New York Baroque Dance Company.

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    In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost.  The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of Philharmonia Baroque conductor Nicholas McGeg...
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    In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost.  The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of Philharmonia Baroque conductor Nich...
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    In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost.  The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of conductor Nicholas McGegan.  For decades...
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  • Nicholas McGegan chats with Spokane Public Radio
    Posted At: May 6, 2019 12:00 AM

    p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d; min-height: 14.0px} In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was los...
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  • Nicholas McGegan & PBO in their element for Handel's 'Saul' / Los Angeles Times
    Posted At: April 11, 2019 12:00 AM

    The nation's petulant leader is consumed by self-destructive envy. He appears to listen to reason from his children, but then he goes and does what he likes anyway. He has it in for a war hero. He views the enemies of his enemies as his friends, even when they are clearly Philistines. He creates chaos in the Middle East. Before you draw any conclusions, it is the Israelite/Philistine conflict we're talki...
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