Bettye LaVette's first single in 1963 was a major hit, but for the next 40 years, the R&B singer bounced between label deals and near-destitution as her peers such as Aretha Franklin, Marvin Gaye and Diana Ross became superstars. LaVette grew up in Detroit, the birthplace of Motown, but the label's founder Berry Gordy Jr. never brought her onto his roster.
But LaVette is having the last laugh. At age 74, she's now enjoyed five Grammy nominations and numerous lifetime achievement awards. LaVette's new studio album Blackbirds is the ninth record she's released since 2003, when she kicked off a late-career resurgence.
She brought The Who's Pete Townshend to tears when she performed Love Rain Over Me at the 2008 Kennedy Center Honors. It led to her performing at President Barack Obama's inauguration ceremony.
Her talent for finding new emotion in other people's songs is such that Justin Hayworth from the Moody Blues once told her that he'd written Nights in White Satin, but he never understood it until she sang it. Her voice, both on stage and in person, is what makes LaVette so extraordinary.
After all these years, she's in a lane of her own. Bettye LaVette is the last of the great women of R&B's golden era.
LaVette joined us for a conversation about her long career as the underdog of American blues.
LISTEN TO THE JazzFM91 - Toront CAN SEGMENT
Data Lords is a new double-album by Grammy Award-winning composer and bandleader Maria Schneider. Inspired by conflicting relationships between the digital and natural worlds, the recording features Schneider's acclaimed orchestra of 18 world-class musicians.
Schneider says; "No one can deny the great impact that the data-hungry digital world has had on our lives. As big data companies clamor for our attention, I know that I'm not alone in struggling to find space – to keep connected with my inner world, the natural world, and just the simpler things in life," says Schneider. "Just as I feel myself ping ponging between a digital world and the real world, the same dichotomy is showing up in my music. In order to truly represent my creative output from the last few years, it felt natural to make a two- album release reflecting these two polar extremes."
In the latest, 89.9WUCF: Orlando FL Magazine - Bob Kelley reviews the latest from keyboardist and arranger Antonio Adolfo - we celebrate the birth of tenor saxophonist Sonny Rollins - and Maria Schneider lets us in on her take of two polarized worlds with "Data Lords". LISTEN TO THE SEGMENT
"Beauty will save the world." Those are the words of cellist Camille Thomas, whose new album, Voice of Hope, speaks to this very idea. This album concept, at first glance, might have been at risk of feeling overly saccharine. It turns out, it'll take no more than nine seconds before the opening Kaddish by Ravel pulls you in and you know this is no lightweight endeavor from Thomas. This is not a sweet, innocent beauty, but one of visceral yearning, colored with mesmerizing, sometimes hauntingly beautiful soundscapes.
Thomas delivers this, her second release on the Deutsche Grammophon label, alongside musical colleagues very much on her home turf - the Brussels Philharmonic and their French music director Stéphane Denève.
Hear Camille Thomas and Stéphane Denève discuss the recording of Never Give Up on 90.1WRTI: Philadelphia
Canada's most successful songwriters, composers and music publishers are will be honoured in the 31st annual SOCAN Awards, held for the first time online, with Shawn Mendes solidifying his place in songwriting royalty earning two of the most prestigious prizes, becoming the most-awarded SOCAN member in a single year.
Follow @socanmusic on Facebook, Instagram and Twitter (#2020SOCANawards) to join in the celebration of more than 50 award winners announced today through September 25th via special virtual presentation. Celebrations include Drake, LIGHTS, bülow, Andrew Lockington, Daniel Caesar, Laila Biali and more.
Biali has some new music for fall/winter including the release of Anthem by Leonard Cohen.
Laila Biali released her cover of 'Anthem' by Leonard Cohen last Friday, Sept 18, for Leonard's birthday celebration TODAY Sept 21.
The 2019 JUNO-Award winner covers her fellow Canadian and music icon with his relevant song that delivers a salient message for the times we find ourselves in: "Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything, that's where the light gets in." Leonard would have turned 86 today.
This single releases on the heels of Laila's highly succsessful 2020 album release, Out of Dust, which came out on March 27 and features an expansive ensemble of instrumentalists and singers including GRAMMY Award winners and nominees Lisa Fischer, John Ellis, Larnell Lewis, and others.
CBC Radio 1 is premiering the track today along with the Quarantunes video. Watch the attached
In 1968, a 16-year-old jazz fan at Palo Alto High School in California decides to hold a concert in the school's auditorium to raise funds for its International Club-and convinces Thelonious Monk's manager that his client should be the headliner. (Not surprisingly, the student, Danny Scher, would soon become a major force in the live-music production world.) As concert day approaches, one of the school's janitors, an audio enthusiast, offers to tune the piano in exchange for recording the show, a deal that's quickly agreed to. On the afternoon of October 27, the Thelonious Monk Quartet gives its only known high-school performance. Afterward, the janitor (his name apparently lost to history, though researchers are no doubt still working on that) hands the young promoter a tape. It goes in a box, where it sits for the next 50 years. When its owner rediscovers it, he contacts Monk's son T.S., who-first tickled by the story, then impressed by the recording's quality-sanctions its release.
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UK singer and producer Labrinth just scored his first-ever Emmy Award for Outstanding Original Music and Lyrics thanks to his Euphoria soundtrack standout, "All For Us." The song, which ended the emotional rollercoaster first season, was nominated alongside Pharrell and Chad Hugo's "Letter to My Godfather" from The Black Godfather, Thomas Mizer and Curtis Moore's "One Less Angel" from The Marvelous Mrs. Maisel, and Trent Reznor and Atticus Ross' "The Way It Used to Be" from Watchmen. Reznor and Ross won the Emmy for the dramatically-titled Outstanding Music Composition For A Limited Series, Movie Or Special award.
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In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Violinist Daniel Hope spent his period of social distancing by performing chamber concerts online from his living room in Berlin with specially invited guests including Christoph Israel, Till Brönner, Matthias Goerne and more.
World-renowned singer-songwriter Melody Gardot announces her long-awaited new album along with the release of a highly anticipated single which sees her join forces with 17-time Grammy Award winning music icon Sting.
Caroline Shaw's 'And So,' performed by PBO with ASVO makes CapRadio - Ear To Ear
Posted: August 5, 2020 12:00 AM
| By: Admin
No doubt, you've heard some new music in rotation lately on KXPR - music that seemingly stands a bit outside of what you are used to hearing on the classical station. There's no question that the standard European repertory that we've come to associate with classical music is important. The music is beautiful, powerful, and well, classic. But there's a whole world of amazing and unique classical music either rarely presented or being created right now across the globe. On KXPR, we want to bring you examples of the diverse face of classical music today. Among our few examples of the broad classical music reach we're spinning, from Manhattan (New York OR Kansas) to Mumbai is....
She utilizes the rest of the orchestra very carefully as they pluck their way through the second verse, all the while momentum builds in the stunning mezzo-soprano voice of opera star Anne Sophie von Otter. Caroline Shaw is an expert at writing gorgeous melodies that weave through unique textures in the ensemble. "And So" is part of a larger song cycle called "Is A Rose" that juxtaposes 18th and 21st-century poetry and music.
As part of the organization's ongoing efforts to bring recorded music to audiences the world over, and especially during the COVID-19 crisis, Philharmonia Baroque Productions unexpectedly releases the live audio recording of Handel's Saul, the award-winning performances from April 2019, led by Handelian expert and outgoing PBO Music Director Nicholas McGegan. With an all-star cast featuring rising star countertenor Aryeh Nussbaum Cohen as David, alongside the Orchestra & Chorale, this June 5 digital-only release marks the 14th on Philharmonia's recording label, and Nicholas McGegan's final recording with the ensemble he has led for 35 years.
Philharmonia Baroque Productions to release pioneering recording of commissions by Pulitzer Prize winner Caroline Shaw. The collection features song cycle with Anne Sofie von Otter and a major work for chorus and orchestra with Avery Amereau & Dashon Burton
This April, Philharmonia Baroque Orchestra & Chorale (PBO) breaks new ground as a pioneer in bridging new music with old instruments-as PBO announces a collection of commissioned works composed by GRAMMY- and Pulitzer Prize-winning composer Caroline Shaw. "PBO& Caroline Shaw", the 12th release on the Philharmonia Baroque Productions label, coincides with the launch of the "PBO&" imprimatur, created to record and showcase vital contemporary composers who are committed to composing for the unique sounds of period instruments. The recording will be released on April 3 and reflects the range and versatility of Philharmonia's programming with music spanning the 18th to the 21st centuries.
Handel's late-career oratorio Joseph and his Brethren, though popular during Handel's day, eventually became one of the composer's most neglected large-scale works. As such, Joseph had only been recorded once before Philharmonia Baroque Orchestra & Chorale decided to take it on for its latest recording project, the 11th on the Philharmonia Baroque Productions label. With a cast of early music specialists led by noted Handelian Nicholas McGegan, PBO makes a strong case for Joseph to regain its place among Handel's most often-performed oratorios such as Samson, Judas Maccabaeus, and Israel in Egypt.
The formidable cast includes the award-winning Philharmonia Chorale led by Bruce Lamott; mezzo-soprano Diana Moore as Joseph; tenor and GRAMMY nominee Nicholas Phan as Simeon and Judah, two of Joseph's brothers; soprano Sherezade Panthaki as Asenath, daughter of the high priest; and baritone Philip Cutlip as Pharaoh and Reuben, Joseph's eldest brother. Phan, who will sing the title role in Handel's Judas Maccabaeus during PBO's 2019/20 season, gives dramatic depth to the character of Simeon, who undergoes remarkable development, from fierce and tortured to pious and sympathetic, worthy of Joseph's tears. The character of Asenath, originally portrayed by French soprano Élisabeth Duparc, for whom the title role in Semele was created, has several dazzling arias, particularly "Prophetic raptures swell my breast" in Part III. They are executed with show-stopping gusto by Panthaki.
In order to appease the somewhat provincial tastes of King Louis XV, composer Jean-Philippe Rameau and his librettist Voltaire altered the original version of Le Temple de la Gloire, and for centuries it was lost. The manuscript was discovered-at the University of California, Berkeley's Jean Hargrove Music Library and was brought to the attention of conductor Nicholas McGegan. For decades, maestro McGegan dreamed of reviving the original work-a dream realized in April 2017 through a partnership between Philharmonia Baroque Orchestra, Cal Performances at UC Berkeley, Centre de musique de Versailles in France and New York Baroque Dance Company.