York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes.
She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again."
She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that.
They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began. And everything changed.
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The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday.
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Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!"
Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks?
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textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway.
The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal.
For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry.
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Iconic NYC jazz club rallies to stay open amid pandemic.
WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist.
Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible."
READ THE FULL PIX11 ARTICLE
For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection."
The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it. Photograph: Antonio Olmos
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The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer.
The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual.
"We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online."
COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before.
"So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced."
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An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
Rachel Barton Pine and Elliott Forrest to donate lessons in support of battered women and children / The Violin Channel
Posted: November 24, 2020 12:00 AM
| By: Admin
The American violinist; Rachel Barton Pine is joined by WQXR: NYC broadcaster; Elliott Forrest to give lessons in support of battered women and children. The pair's Zoom classes will be auctioned off online from November 20th-28th as part of a larger fundraiser held by the Los Angeles House of Ruth, a shelter for the abused.
"We have found over 40 years that our clients who are victims of domestic violence and those who are homeless have one thing in common: They do not have family or friends to help them," Executive Director of the Los Angeles House of Ruth, Jennifer Gaeta, said.
"So, we become their family: getting them back on their feet by providing counseling, tutoring, parenting and anger management classes, referrals and so much more prior to transitioning them into section 8 housing for which we have a remarkable 90% success rate."
Chart-topping, international violin soloist Rachel Barton Pine, joined by multi-faceted conductor Teddy Abrams and the Royal Scottish National Orchestra, releases Dvořák and Khachaturian Violin Concertos, on AVIE on November 1. The album, featuring Dvořák's Violin Concerto in A minor Op. 53 and Khachaturian's Violin Concerto in D minor, highlights each composer's prominent use of his own traditional ethnic music.
Dvořák and Khachaturian Violin Concertos marks Pine's 39th recording and fifth album on AVIE records (AV 2375). Pine's previous four AVIE albums, Mozart: Complete Violin Concertos with The Academy of St Martin in the Fields, conducted by Sir Neville Marriner; Bel Canto Paganini: 24 Caprices and other works for solo violin; Testament: Complete Sonatas and Partitas for Solo Violinby Johann Sebastian Bach, and Elgar & Bruch Violin Concertos with the BBC Symphony Orchestra conducted by Andrew Litton all debuted on the classical charts.
Violinist Rachel Barton Pine, Cedille Records' best-selling artist and longtime advocate for music by Black composers, performs a program of blues-influenced classical works for solo violin and violin and piano by Black composers of the 20th and 21st centuries on Blues Dialogues: Music by Black Composers, her newest Cedille Records album. Pianist Matthew Hagle, Pine's longtime recital partner, joins her on their third album together on Cedille and Pine's 21st for the Chicago-based label.
'Blues Dialogues' features several world-premiere recordings: Noel Da Costa's A Set of Dance Tunes for Solo Violin, Dolores White's expanded, four-movement version of her Blues Dialogues for solo violin, and Billy Childs's Incident on Larpenteur Avenue, a single-movement violin sonata exploring the events and impact of the 2016 killing of Philando Castile by a Minnesota police officer.
Billboard chart-topping violinist Rachel Barton Pine debuts Elgar & Bruch Violin Concertos, recorded with Maestro Andrew Litton and the BBC Symphony Orchestra. The album marks her 36th recording and fourth album on Avie records (AV 2375). Pine's previous three Avie albums, Mozart: Complete Violin Concertos with The Academy of St Martin in the Fields, conducted by Sir Neville Marriner; Bel Canto Paganini: 24 Caprices and other works for solo violin; andTestament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach, all debuted at the top of the Billboard Classical charts (positions 3, 3, and 1, respectively).
Rachel Barton Pine has released - Bel Canto Paganini: 24 Caprices and other Works for Solo Violin. A musical tightrope that samples virtually all of the most challenging techniques possible on the violin, this, Pine's 35th album will mark her third release on Avie records and makes her the first American-born female violinist to record this repertoire. In tribute to Paganini's legendary cultivation of his devilish reputation, the album was released in stores in May, the same month as his death
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RACHEL BARTON PINE RELEASES TESTAMENT:
COMPLETE SONATAS AND PARTITAS FOR SOLO VIOLIN BY JOHANN SEBASTIAN BACH
ON AVIE RECORDS
Pine Is The Only American Gold Medalist of the J.S. Bach International Violin Competition in Leipzig, Germany
Album Release Coincides with Bach's March 21 Birthday
In celebration of Johann Sebastian Bach's March 21 birthday, Billboard chart-topping violinist Rachel Barton Pine releases her recording Testament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach.
The album – her second on Avie Records – is available for sale on April 1.
Johann Sebastian Bach's contributions to classical music are universally acknowledged and celebrated as among the most significant and profound. His contrapuntal writing continues to set the standard by which any musical composition is judged. Among the greatest examples of his mastery of counterpoint, the Six Sonatas and Partitas for unaccompanied violin are a cornerstone of every violinist's study and repertoire.
In connection with Mozart's birthday on January 27, Billboard chart-topping violinist Rachel Barton Pine debuts on AVIE records performing the five Mozart Violin Concertos and the Sinfonia Concertante K364 with Sir Neville Marriner conducting the Academy of St Martin in the Fields. The two-album set will be released January 13 and also features the recording debut of violist Matthew Lipman.
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Billboard chart-topping violinist Rachel Barton Pine performs early Romantic concertos by Felix Mendelssohn and Robert Schumann with Christoph-Mathias Mueller conducting Germany's Göttinger Symphonie Orchestera on the new album Mendelssohn & Schumann Violin Concertos (Cedille Records CDR 90000 144). Following critically praised and commercially successful recordings of the violin concertos of Brahms and Beethoven, the internationally acclaimed musician interprets two more major works of the violin literature.
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