Game of Tones:
Microtonal Guitarist John Schneider plays the 30th iteration of PITT's Beyond 2020 Microtonal Music Festival.
Despite its modernist ring, microtonal music is not a recent phenomenon. The term was first coined over a century ago, and the concept - music using altered pitches and tuning systems to play notes not found in the standard Western twelve-tone system - has been utilized as far back as history books go. But thanks to the internet, the ease of self-education through YouTube tutorials, and the advancement of musical technology, microtonal music has evolved into an (almost) mainstream field of study and expression.
Founder of MicroFest, John Schneider is a guitarist and arranger who also writes for harp and percussion. A professor of music at Los Angeles Pierce College, Schneider also hosts the KPFK Los Angeles weekly radio program "Global Village."
From Fri., Feb. 28 to Sun., March 1, a slate of local and international groups will explore microtonality from a variety of approaches through a mix of electronic and acoustic instruments, light shows, video projections, and dance, as well as lectures from experts in the field. Performers include Del Sol String Quartet (San Francisco), MikroEnsemble (Finland), Brightwork Ensemble (Los Angeles), and Pittsburgh musicians Aaron Myers-Brooks, Nuiko Wadden, and Lindsey Goodman, and many more.
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Joey Alexander, the Grammy-nominated jazz pianist, composer and bandleader recently unveiled 'Warna' (Verve Records). The album is primarily a collection of reflective, moving new and original music by an experienced and confident musician. Translating as "color" from Alexander's native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics' and readers' poll victories in DownBeat and JazzTimes. Joining Alexander on the new album are Larry Grenadier and Kendrick Scott, who comprise the core piano trio. On several tracks, Venezuelan-born percussion Luisito Quintero, and flautist Anne Drummond, join the burgeoning jazz pianist.
Joey sits down with 91.3KXCI: Tucson to discuss the recording. Listen to the attached file
The two Piano Concertos by Frederic Chopin recorded here have been an integral part of British pianist Benjamin Grosvenor's repertoire ever since his early teens. And this level of familiarity definitely manifests itself in his playing. There's a constant fluid limpidity and clarity to his phrasing, and an overall forward momentum shaped by delicate contours. Nothing ever sounds forced or affected, but rather seemingly moves along naturally. The slow passages are contemplative whilst the fast passages quite simply dance off the keyboard. And when a certain degree of darkness creeps into the music, his playing takes on an appropriately different mien, and the same can be said when the music takes on a highly Polonaise style.
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Celebrating Harry Belafonte's 93rd birthday. A celebration of his life and work with special guests: Common, Maxwell, Sheila E., Talib Kweli, Aloe Blacc, Alice Smith, John Forté, Gael Faye, Resistance Revival Chorus, and many more special guests!
American singer, actor, producer, and activist; Harry Belafonte started as key figure in the folk music scene of the 1950s, especially known for popularizing the Caribbean folk songs known as calypsos. He was also involved in various social causes, notably the civil rights movement. Harry became a folk singer, learning songs at the Library of Congress's American folk song archives. He sang Caribbean folk songs as well, in nightclubs and theatres; his handsome appearance added to his appeal as a frequent performer on television variety programs. With hit recordings such as "Day-O (Banana Boat Song)" and "Jamaica Farewell," he initiated a fad for calypso music and became known as the King of Calypso. In the mid-1950s his Harry Belafonte and Mark Twain and Other Folk Favorites were the first of his series of hit folk song albums. During this time he made his Broadway debut, appearing in the musical John Murray Anderson's Almanac (1953–54); for his performance, he won a Tony Award for supporting actor. Later in the decade he starred on the stage in 3 for Tonight and Belafonte at the Palace.
Throughout his career, Belafonte was involved in various causes. He was a supporter of the civil rights movement and a close friend of Martin Luther King, Jr. Belafonte was active in African humanitarian efforts, notably appearing on the charity song "We Are the World" (1985). In 1987 he became a UNICEF goodwill ambassador. He received the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2014.
100% of the net profit to benefit The Popular Democracy Movement Center and the Harry Belafonte 115th St. NY Library.
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Following his critically acclaimed and multi-award winning recording Johann Sebastian Bach, Icelandic pianist Víkingur Ólafsson will release his new album, Debussy • Rameau, on 27 March 2020. The innovative recording juxtaposes pieces by two giants of French music, Claude Debussy and Jean-Philippe Rameau, exploring the contrasts and common ground between them.
Ólafsson explained, "This album is set up as a dialogue between two of my favourite composers, Jean-Philippe Rameau and Claude Debussy. I see them as musical brothers and soulmates, even though one was 180 years older than the other. They were musicians of the future, who loved to stir things up. They were two uniquely gifted keyboard composers, two progressive and fiercely original musical thinkers who could capture incredibly evocative images through sound. I want to show Rameau as a futurist and I want to emphasise Debussy's deep roots in the French baroque – and in Rameau's music in particular. The idea is that the listener almost forgets who is who, while listening to the album."
Watch Víkingur Ólafsson perform Debussy's ‘La Fille Aux Cheveux De Lin' from his new album Debussy • Rameau.
The Santa Ynez Valley Concert Series will present Grammy Award-winning violinist and producer Johnny Gandelsman in A Violinist Explores Bach's Cello Suites, 7 p.m. Friday, March 20, at St. Mark's-in-the-Valley, 2901 Nojoqui Ave., Los Olivos. Gandelsman will perform as part of the 40th annual Santa Ynez Valley Concert Series.
Since its inception by founder Rose Knoles in 1981, the concert series has brought widely acclaimed classical artists to perform in intimate spaces in the Santa Ynez Valley. Noted for its acoustics and serene ambiance, St. Mark's-in-the-Valley Episcopal Church has been the home of the series since 2007. "We are very much looking forward to hearing Johnny Gandelsman's interpretations of Bach's timeless and transcendent music," said Robert Cassidy, artistic director. "A magical sonic environment will be experienced with the sound of the solo violin resonating off the long-grain fir, high-ceiling interior of the church."
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The Met Opera's Live in HD series for the 2019-20 season continues this Saturday, Feb. 29, 2020 with a transmission of "Agrippina," which was composed by Handel to a libretto by Grimani.
The broadcast, which kicks off 12:55 p.m. Eastern time, will feature Joyce DiDonato in the title role with Brenda Rae as Poppea, Iestyn Davies as Ottone, Matthew Rose as Claudio, Kate Lindsey as Nerone, Dunan Rock as Pallante, and Nicholas Tamagna as Narciso. Harry Bicket directs the production by Sir David McVicar. Find out which theaters in your local area are transmitting the simulcast by clicking here. PHOTO (Credit: Marty Sohl / Metropolitan Opera)
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‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
I am intrigued immediately by Robin McKelle's 'Alterations' / MusicalMemoir's
Posted: February 6, 2020 12:00 AM
| By: Admin
Robin McKelle has picked an eclectic group of celebrated ladies-of-song to tribute on this album, starting with the Amy Winehouse hit record, "Back to Black." I am intrigued immediately, not only by McKelle's unique tone and quality of voice, but equally by the creative arrangements of Shedrick Mitchell. When Robin McKelle sings Adele's platinum record, "Rolling In The Deep," her group adds their own special uniqueness. I am captivated by McKelle's way of emotionally rendering these poignant lyrics. Nir Felder's guitar solo is beautiful. The third track on this stunning album of music was composed by Robin McKelle. She is as talented a songwriter as she is a vocalist. This tune is straight-ahead jazz and intoxicating. Robin McKelle tributes the strength of women with these lyrics and celebrates the power of song and singers. Tenor saxophonist Keith Loftis makes a magnificent solo appearance and her rhythm section swings hard and steady. She is a vocalist that displays style, power and strength. Her delivery is believable. Shedrick Mitchell's piano line introduces "Don't Explain" in a fresh way. I think Billie Holiday would have loved and appreciated his arrangement. McKelle adds the traditional folk song, Hush Little Baby into her unusual but lovely delivery of this old jazz standard.
the band.....Robin McKelle, vocals; Shedrick Mitchell, piano/Rhodes/organ/arranger; Richie Goods, acoustic & electric bass; Charles Haynes, drums/percussion; Nir Felder, guitar; Keith Loftis, tenor saxophone; Marquis Hill, trumpet.
Robin McKelle is pleased to announce the February 14th, 2020 release of her new album Alterations. Vocalist Robin McKelle delves into the catalogue of some of the most celebrated women of song, interpreting these masterworks through the lens of the jazz idiom. On Alterations, McKelle follows in a long tradition of female song interpreters, lending her sultry vocal stylings to classics by a diverse list of female innovators including Dolly Parton, Sade, Amy Winehouse, Adele, Janis Joplin, Carol King, Billie Holiday, Joni Mitchell, and Lana Del Ray. McKelle is joined on this release by a group of consummate musicians including co-producer, pianist and arranger Shedrick Mitchell, acoustic and electric bassist Richie Goods, drummer Charles Haynes, guitarist Nir Felder. In addition, esteemed saxophonist Keith Loftis is featured on McKelle's sole original composition on this release, "Head High"; and renowned trumpeter Marquis Hill is featured on Lana Del Rey's "Born to Die". The first single from Alterations, McKelle's rendition of Sade's "No Ordinary Love", will be released in late January. Alterations will be released on Doxie Records and distributed and marketed by the Orchard.
An Enigmatic Sound, a Storyteller's Narrative and a Live Performance Style Imbued with Rat Pack Moxie Singer and Writer Robin McKelle is a Genre-Blurring Musical Alchemist, Taking Listeners on a Sonic Trip to the Old South, Sprinkling in Hints of the Motown Era or Even a Sade Album, and Mixing it Together to Create Her Inspiring Melodic Canvas' of Soul, Jazz, Gospel and More. On her new album - Melodic Canvas, McKelle is empowered by not trying to fit into a box, and the music is deeply textured, rich, and authentic. Melodic Canvas is also a timely social commentary, from the struggling teen in ‘Lyla' to the immigrant tale of ‘Simple Man'; the moments of social awareness, in ‘Yes We Can Can' (an Allen Toussaint cover featuring Chris Potter) and ‘It Won't End Up', are wise and inspiring without feeling heavy-handed; on first single ‘Do You Believe', McKelle questions religion, hate, misogyny.
Robin McKelle might have called this album The Real McKelle. "It's the record I've always dreamed of making. Not that there was anything stopping me in the past, it's simply that things panned out differently." The singer herself wrote most of the songs on this new production, a contemporary blend of soul and rhythm 'n' blues that avoids today's retro tendencies. "I love that music so much that I couldn't see myself doing something ‘in the style of…". I grew up listening to Nina Simone and Gladys Knight. I sang their classics and what I enjoy most today is building my own repertoire in that same soulful vein." Soul Flower mainly consists of original tracks along with a few covers, including an upbeat Walk On By.
21 NEW 78 Total Stations/Shows
SYND: CBC Music Direct: MOOD Markets include: New York, Los Angeles, Atlanta, Seattle, Cleveland, Portland, Austin, New Orleans, Long Is. NY, El Paso, Rochester NY, Madison WI, Hartford CT, Canada Online: RadioIO, The Jazz Intersection, Green Arrow Radio, Hot Time Radio Show, otticFM, Taintradio, Live 365, Paul Leslie Hour, Blues and Beyond, Jazzweekly, GURU
Robin McKelle comes out swinging on her second disc of big band jazz, Modern Antique. The bassist plucks some fat, rich chords, the pianist skitters over the keys, and McKelle herself confidently scats over the melody while the horn section eggs her on. The mood is playfully flirtatious, just this side of naughty. The entire combo is having so much fun and so are you that the tune is almost over before you realize it's an ingenious re-arrangement of Steve Miller's seventies classic, "Abracadabra."
2 New 'ON' this week: 140 Total
Peak: #19 Jazzweek SYND: WFMT: Jazz w/Bob Parlocha, PRI: Jazz After Hours, Jazz Variations, Music of Your Life, Sixty Second CD, The Bill Miller Show Networks: CBC, GPB, KPR Direct: XM: Real Jazz, Bloomberg Radio Markets include: Los Angeles, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Atlanta, Houston, Pittsburgh, Cleveland, Baltimore, Detroit, Las Vegas, San Diego, Long Island NY, Indianapolis, Salt Lake City, Orlando, Raleigh NC, Tucson AZ, Sacramento, Wichita, Omaha, CANADA
On her newest release: Mess Around, Robin McKelle's warm contralto surrounds a first class rhythm 'n' blues record. After two albums devoted to big-band jazz and swing - Introducing Robin McKelle (2006) and Modern Antique (2008), Mess Around is a departure drawing from artists and groups such as The Bee Gees, Leonard Cohen, Doc Pomus, Willie Dixon and The Beatles. The aesthetic choices lend a wealth of meaning and consistency to the session, led by McKelle.
4 New ON this week: 163 Total Synd: Jazz Inspired, PRI/Jazz After Hours, WFMT/Jazz with Bob Parlocha, Sixty Second CD Direct: SiriusXM: Real Jazz & NPR Now(Jazz Inspired) Markets include: New York, Los Angeles, Boston, San Francisco, Wash DC, Philadelphia, Seattle, Minneapolis, Houston, Atlanta, Miami, Cleveland, Denver, Portland, Baltimore, San Diego, Detroit, Las Vegas, San Diego, New Orleans, Memphis, Sacramento & Berekeley CA, Salt Lake, Austin TX, Orlando, Canada Online: The Jazzintersecion.com, RadioIO, Taintradio, Live 365, RadioIO
Having worked with Herbie Hancock, Terence Blanchard, Michael McDonald, Wayne Shorter, Jon Secada & others, Robin McKelle now releases her debut album that broadens the boundaries of retro-swing. Introducing Robin McKelle evokes the spirit of 1940's America, while retaining an edge that speaks of a new time. With its balance of swing and balladry, the album heralds the arrival of a peerless interpretive artist.
1 New "ON" this week: 148 Total
SYND: NPR: Morning Edition, Bob Parlocha's Jazz Sat Network, The Bill Miller Show, Anything Goes Markets include: Los Angeles, Boston, Wash DC, Seattle(ADI), Houston, Pittsburgh, Minneapolis, Atlanta, Miami, Detroit, Cleveland, Denver, St. Louis, Baltimore, San Diego, Portland(ADI), Long Island(NYC:ADI), Las Vegas, Salt Lake, Louisville, Buffalo, Rochester, Raleigh NC, Australia, The Netherlands