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Artist: Nadia Shpachenko

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Nadia Shpachenko:

Lewis Spratlan - Invasion

REFERENCE RECORDINGS—As she watched in horror her home city of Kharkiv (and the rest of Ukraine) being destroyed and civilians being murdered every day, Shpachenko tried to come up with ways to express her feelings of utter despair and anger, as well as hope and resilience, through her music making. In addition to performing fundraising concerts featuring music by Ukrainian composers, she decided to put together a new album to support Ukraine humanitarian aid. Reference Recordings is proud to release this album, with 100% of proceeds benefitting Ukrainian people affected by the war. Shpachenko commissioned Ukrainian artists to create paintings/artworks to use in the album booklet, online and inperson galleries, and the accompanying music videos, as their responses to the music. Also featured are artworks made by children in Kharkiv, as their responses to the war. The key piece on the album, titled INVASION (for piano, alto saxophone, horn, trombone, timpani, snare drum, and mandolin), is Shpachenko’s longtime collaborator Lewis Spratlan’s response to this tragic war. It was composed for Shpachenko during the period of February 24March 13, 2022. The rest of the album features World Premiere recordings of solo piano music also by Spratlan. These pieces reflect on the human experience, often finding solace and inspiration in nature and music of the past. WONDERER, a major piece that closes the album, connects in its character to the current experience of many Ukrainian people, especially those displaced by the war. The hero, searching through the unknown, overcoming pain, and reminiscing about things past, triumphs at the end.

Nadia Shpachenko:

The Poetry of Places

Nadia Shpachenko's latest Reference Recordings release The Poetry of Places features World Premiere recordings of works for solo piano, for two pianos, percussion, electronics, voice, and toy piano in a fascinating mélange inspired by great architecture and places. The eight compositions monumentalize places as wildly diverse as the Copland House in Cortlandt, NY, The American Visionary Art Museum in Baltimore, Louis Kahn's National Assembly Buildings in Bangladesh, Newgrange Ancient Temple in Ireland, and Frank Gehry's House in Santa Monica, CA. Included is a significant new work from Andrew Norman, Frank's House, for two pianos and percussion, and another large work from Nina C. Young, Kolokol, for two pianos and electronics (a ‘fantasy' inspired by Russian Orthodox Church Bells), recorded with Los Angeles Philharmonic pianist Joanne Pearce Martin and Los Angeles Percussion Quartet artists Nick Terry and Cory Hills. Additionally, six solo works were written specifically for this project by Amy Beth Kirsten, Hannah Lash, James Matheson, Harold Meltzer, Lewis Spratlan, and Jack Van Zandt. The composers use very different musical approaches and sonic techniques in response to their chosen spaces.