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Seong-Jin Cho

The Handel Project

Deutsche Grammophon
Release Date: February 3, 2023

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Handel: Menuetto in G minor
Seong-jin Cho- Interview in 2010 (with English Subtitles)
Seong-Jin Cho / 2018 0104 V LIVE, Press Conference
Seong-Jin Cho | TEDxKoreaTechU
Seong-Jin Cho / 2018 1205 JTBC Newsroom
Piano Concerto in E minor, Op. 11 (final stage of the Chopin Competition 2015
1 Adagio 02:36  
2 Allegro 02:18  
3 Adagio 01:37  
4 Allegro 02:10  
5 Prélude 02:16  
6 Allegro 02:29  
7 Allemande 03:05  
8 Courante 01:41  
9 Gigue 02:01  
10 Prélude 02:09  
11 Allemande 04:34  
12 Courante 01:43  
13 Air & 5 Variations "The Harmonious Blacksmith" 03:35  
14 Aria 00:49  
15 Var. 1 00:47  
16 Var. 2 (Animato) 00:42  
17 Var. 3 (Dolce) 00:44  
18 Var. 4 (Risoluto) 00:49  
19 Var. 5 (Espressivo) 00:57  
20 Var. 6 00:56  
21 Var. 7 (Con vivacitá) 00:38  
22 Var. 8 00:36  
23 Var. 9 (Poco sostenuto) 01:17  
24 Var. 10 (Energico) 00:35  
25 Var. 11 (Dolce) 00:48  
26 Var. 12 (Soave) 00:49  
27 Var. 13 (Largamente, ma non più) 01:25  
28 Var. 14 (Sciolto) 00:38  
29 Var. 15 00:44  
30 Var. 16 (Piano ma marcato) 00:31  
31 Var. 17 (Più mosso) 00:29  
32 Var. 18 (Grazioso) 00:51  
33 Var. 19 (Leggiero e vivace) 01:06  
34 Var. 20 (Legato) 01:23  
35 Var. 21 (Dolce) 00:51  
36 Var. 22 01:05  
37 Var. 23 (Vivace e staccato) 00:33  
38 Var. 24 00:33  
39 Var. 25 00:38  
40 Fugue 05:08  
41 Sarabande 02:36  
42 Minuet (Arr. Kempff for Piano) 04:17  
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Handel’s keyboard suites have remained strangers to most concert pianists. Seong-Jin Cho hopes that his latest album for Deutsche Grammophon will shed new light on some of the most heartfelt of all Baroque music. Set for release today, The Handel Project contains three of the 28-year-old South Korean pianist’s favourite suites from Handel’s first collection of Suites de pièces pour le clavecin. These are coupled with Brahms’s virtuosic Variations and Fugue on a Theme by Handel, which Cho believes to be “the best variations that have ever been written”.

The artist was drawn to Handel’s keyboard suites after years of immersion in music from later periods. Having fallen in love with their wealth of musical ideas and wide-ranging melodic invention, Cho listened to recordings of the works on harpsichord, the instrument for which they were conceived, and refined his finger technique in order to give different tone colours and weight to Handel’s contrapuntal lines. He has avoided the sustaining pedal as much as possible, but modified some of the dynamic markings in order to exploit the potential of a modern piano.

“Of course, Bach is the most popular Baroque com­poser,” notes Cho. “But I discovered Handel’s suites a few years ago and realised that they contain so many great pieces, which are not so often played by pianists on a modern piano. I don’t remember when I first heard Handel’s music, but I have been interested in works by Baroque composers – Handel, Rameau, Couperin – since I was a teenager. I really wanted to explore this kind of music and was very happy to record this Handel album. For me, Handel’s music comes directly from the heart, so people can easily follow it.”

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