The meditative focus and rare stillness of Armenian-American pianist Sergei Babayan's keyboard artistry prompted the Hamburger Abendblatt to liken him to "one of those Japanese calligraphers who contemplate the white page before them in silence until, at the exact right moment, their brush makes its instinctive, perfect sweep across the paper". Babayan himself has observed that making music should be open to surprises and spontaneous insights, allowing unexpected emotions to emerge and subtle shadings to evolve naturally. His thoughtful musicianship has grown over decades of painstaking musical explorations, and during the course of his career he has built a broad and deep repertoire encompassing well over sixty concertos and other works by composers from Bach, Beethoven, Ligeti and Lutosławski to Prokofiev, Pärt, Rameau and Ryabov.
In November 2019 Sergei Babayan was Curating Artist at Konzerthaus Dortmund, where he presented a festival of performances with his closest musical partners and friends, including Martha Argerich, Daniil Trifonov, Mischa Maisky, Sergey Khachatryan, and Valery Gergiev and the Mariinsky Orchestra. Other highlights of Babayan's 2019-20 season include debut performances with the Bamberg Symphony Orchestra, the Leipzig Gewandhausorchester and the Toronto Symphony orchestra, piano duo concerts with Daniil Trifonov in the US, and recitals of works by J.S. Bach and Chopin.
His plans for the forthcoming season include appearances at the Tsinandali Festival in Georgia in September, Montreal's Bach Festival in November and the Verbier Festival in July 2021; the Grieg Piano Concerto in Brussels with the La Monnaie Symphony Orchestra and Alain Altinoglu; and performances of Bach's Goldberg Variations in Meiningen and Leipzig.
Babayan's first album for Deutsche Grammophon was released in March 2018. Prokofiev for Two, for which he formed a duo partnership with the legendary Martha Argerich, comprises Babayan's scintillating transcriptions for piano four hands of movements from Prokofiev's Romeo and Juliet and other works. It was hailed as "the CD one has waited for" by Montreal's Le Devoir, while critic Norman Lebrecht said it took "the piano duo to a new level," adding, "if all music was like this, there would be no sorrow in the world". His debut solo album for DG – a very personal selection of music by Rachmaninov, whose work has been central to Babayan's life since he discovered the Second Piano Concerto at the age of thirteen - is set for release in August 2020.
Born into a musical family in Armenia, Sergei Babayan received his first piano lessons at the age of six from Luiza Markaryan, then was taught by pianist Georgy Saradjev, a leading representative of the St Petersburg school and former student of the legendary Vladimir Sofronitsky. Babayan subsequently studied with Lev Naumov, Vera Gornostayeva and Mikhail Pletnev at the Moscow Conservatory. As the Soviet Union collapsed in the late 1980s, he became the first artist from the USSR to attend international competitions without state sponsorship.
Babayan made his breakthrough in 1989 with a consecutive series of competition victories, generating news headlines and attracting interest from fellow artists by winning the Robert Casadesus International Piano Competition (since renamed the Cleveland International Piano Competition), the Hamamatsu International Piano Competition in Japan and the Scottish International Piano Competition. Following his move to the United States, he joined the Cleveland Institute of Music in 1992 as artist-in-residence. In high demand ever since, he has performed at such prestigious venues as Carnegie Hall, Wigmore Hall, the Théâtre des Champs-Elyseés, Konzerthaus Berlin and Munich's Prinzregententheater, appeared at the Salzburg, Verbier and La Roque d'Anthéron festivals and worked with many of the world's leading conductors, among them Valery Gergiev, Neeme Järvi, Rafael Payare, David Robertson, Tugan Sokhiev, Gábor Takács-Nagy, Yuri Temirkanov, Joshua Weilerstein and Nikolaj Znaider.
Sergei Babayan is one of the leading pianists of our time, hailed for his emotional intensity, bold energy and remarkable levels of color. Following the 2018 release of Prokofiev for Two with Martha Argerich, Babayan's latest album features Rachmaninov's short-form gems, including selections from the Études-Tableaux, the Préludes and Six Moments Musicaux.
From Norman Lebrecht - Slippedisc.com......The arrival of an altogether astonishing album has made me break my solemn (and unrealistic) pledge to review only neglected composers during the COVID pandemic. Nobody could possibly call Rachmaninov neglected, although with the disruption of a regular supply of live music with a living, breathing audience this recital of solo pieces has the shock of the new - the more so when played by the Armenian artist Sergei Babayan, in his major-label debut.
Sergei Babayan, 59, is best known as the teacher of Daniil Trifonov and occasional four-hand partner of Martha Argerich. Based in New York, he is an unobtrusive presence on the star circuit. What makes his Rachmaninov so remarkable is its absence of obvious virtuosity. It has none of the usual ‘I can play this with one hand behind my back while eating a Jaffa orange', no winks to an imaginary fan club, no unnecessary flourishes.
This is Rachmaninov at his most conversational, a word in your ear, a little story to tell. I was gripped from the opening of the A-flat major prelude to the flutters of the Études-Tableaux, to the dark and shadowy prelude in B minor, a morose mood that not many pianists convey with the requisite authenticity. Rachmaninov, we know, was prone to depression. But he was also a social animal, a man who liked to be invited to Hollywood dinner parties, who could hold his own at banter, so long as the language was Russian and the beverage vodka.
That's what Babayan brings over in this utterly absorbing album, which he dedicates to the memory of his own teacher, Georgy Saradjev. The closing pages of the B-minor prelude constitute a masterclass in how to put the music first. The recital took place in Hamburg in December 2009: why did it take so long to release it?
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Sergei Babayan is one of the leading pianists of our time, hailed for his emotional intensity, bold energy, and remarkable levels of color. Le Figaro has praised his "unequaled touch, perfectly harmonious phrasing, gust and breathtaking virtuosity." Following the 2018 release of Prokofiev for Two with Martha Argerich, Babayan's latest album features Rachmaninoff's short-form gems, including selections from the Études-Tableaux, the Préludes and Six Moments Musicaux.
For August 26 2020, Sergei Babayan: Piano Music of Rachmaninoff is the WFMT: Chicago 'Featured New Release'