What are our musicians listening to during lockdown? GRAMOPHONE asked them each to nominate one recording that speaks to them at this particular time …
Soprano Sarah Traubel is the grand-niece of Helen Traubel, the famous Metropolitan Opera (and Hollywood) star soprano of the 1940s and 1950s. She holds a master's degree from the Manhattan School of Music. Her latest release is 'Arias for Josepha - Mozart's First Queen of the Night', is now available digitally from Sony Classical.
Sarah Traubel's pick is Wagner Die Meistersinger von Nürnberg Soloists; Bavarian State Opera Chorus and Orchestra / Wolfgang Sawallisch (Warner Classics)
she writes.....Wagner has always been with me, and not just because of my great-aunt and leading Wagnerian, Helen Traubel. My opera for these times of isolation would be his Meistersinger, his funniest and most humane work. If I had only one role to sing for the rest of my days, it would be Eva. The closing quintet offers some of the most beautiful yet devilishly difficult music ever written for the human voice. In this recording by Wolfgang Sawallisch, the conductor leads a legendary cast which includes Bernd Weikl as a Sachs of warmth and wisdom and Siegfried Lorenz as a Beckmesser, who for once is not a contorted fool but a real singer. Most importantly, Cheryl Studer's Eva with her amazing 'O Sachs! Mein Freund!' totally gets me every single time.
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Actor Jeff Goldblum is a distinctive presence in every role he plays, from his early portrayals in The Fly, Jurassic Park and The Big Chill, to recent turns in Law and Order: Criminal Intent and The Grand Budapest Hotel. Now Jeff brings his unique character, curiosity and enthusiasm to his newest adventure, as a jazz pianist and singer, releasing his second CD, I Shouldn't Be Telling You This.
After his live set being hailed as one of Glastonbury 2019's most iconic moments this summer, at which he announced from the stage that a brand new record was in the works, Jeff Goldblum released; 'I Shouldn't Be Telling You This' on Decca Records with his long-time band The Mildred Snitzer Orchestra, the enticingly-titled albumand features an impressive array of surprising duet guests.
LISTEN TO THE Judy Carmichael's Jazz Inspired SEGMENT
JUNO Award winner Laila Biali's deeply personal new album, Out of Dust features not only contributions from the singer/pianist's husband; Ben Wittman and son, but also multiple GRAMMY nominees and winners including Lisa Fisher, Alan Ferber, John Ellis, and Larnell Lewis. "There's a line from a song by the indie gospel group, Gungor, that has become like an anthem to me," Biali says. "‘He makes beautiful things out of dust.' That's where the title for the album comes from, and as a songwriter and musician, my ultimate intention and hope is to spread a little more love."
Laila Biali - Take Me to the Alley' makes KCRW: Los Angeles 'Rhythm Planet - Spring Mix' SEE THE ARTICLE & PLAYLIST
Violins of Hope is an artistic and educational project that utilizes instruments once owned by Jewish musicians, many of which were played in concentration camps and ghettos. Israeli luthiers Amnon and Avshalom Weinstein have collected many of these instruments, refurbishing them to concert quality, and in this singularly engaging album, violinist Niv Ashkenazi and pianist Matthew Graybil bring to life music by many Jewish composers both dead and alive, including Serenade by Robert Dauber, Nigun by Ernest Bloch, the theme from "Schindler's List" by John Williams, The Chassid by Julius Chajes, Bestemming: Triumph by Sharon Farber, Trois pièces de concert by Szymon Laks, Dance of the Rebbitzen by George Perlman, both Berceuse Sfaradite and Three Songs Without Words by Paul Ben-Haim, and Kaddisch by Maurice Ravel.
Throughout the CD the immensely gifted Niv Ashkenazi and Matthew Graybil, his superb collaborative pianist both play soulfully imbuing the music with appropriate emotional depth though never falling prey to sentimentality. Altogether a worthy project, Violins of Hope provided this listener with a lovely listening experience.
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This is the latest in a series of recordings by Lyn Stanley focussing on the songs made famous by Julie London, along with two songs she feels Julie would have recorded if she had been around. A lot of play is being made of that fact that this is a direct to disc recording, and in that respect, it is quite an incredible effort, as they were recording without a safety net. It also meant that there were only a few seconds to reset their minds before going straight onto the next. This meant the recordings had to be completed one complete side at a time for the original vinyl release, no opportunity to overdub or fix problems. From there it was just the case of choosing which set to go with, and ‘Favourite Takes – London With A Twist – Live At Bernie's' was done.
I am sure the pure audiophiles will state the sound quality produced by this is incredible, and if I were listening to this on a high-quality record player/amplified/speakers I am sure I would agree. As it is I am using Bluetooth headphones connected to an iPhone, so while I can say it does sound well produced I can't comment any more than that given the sound I am listening to has been both compressed and cut up. For me this sounds like a studio recording, and therein lies the problem for me, in that Lyn does make mistakes and there are times when she is flat and times when she isn't really singing but going for emotional emphasis. In a live environment, or on a live recording then that can all be forgiven, but this sounds like a studio effort. Many jazz bands record live, but flubs and flaws are often fixed, and that isn't the case here. It is interesting, but even with a take of Springsteen's "Pink Cadillac" on offer I can't see me returning to it again.
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On Tuesday, April 7 at 12:00 PM Pacific Time, Composer/performer Terry Riley joins Music on Main with his son, guitarist Gyan Riley at their A Month of Tuesdays concert (filmed live Tuesday, February 18, 2020).
On Saturday, April 11 at 7:00 PM Eastern Time, Violinist Jennifer Koh's Alone Together is an online commissioning project that brings composers together in support of the many freelancers among them. Twenty-one composers have each agreed to donate a new, 30-second micro-work for solo violin while also recommending a fellow composer to write their own 30-second solo violin work on paid commission from the artist-driven nonprofit ARCO Collaborative. Koh will premiere a selection of these donated and commissioned works each Saturday at 7:00 p.m Eastern Time . Photo by Juergen Frank
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With her debut album »Arias for Josepha« the young German, soprano Sarah Traubel pays musical tribute to the 18th century coloratura world star Josepha Hofer (1758-1819). On her first CD, Sarah Traubel compiled and recorded 14 arias, most of which have been written for and sung by the legend of the high notes, including numerous world premiere recordings. The CD will be released by SONY Classical and will be available available from 6 March 2020 on digital platforms like Spotify, Apple Music and amazon.
Traubel follows in the footsteps of Josepha Hofer - a sister-in-law and the first Queen of the Night by Mozart and talks to mdr - KLASSIK's Bettina Volksdorf about her musical discoveries.
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today announces the February 28 release of WENDY (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by award-winning composer, songwriter and producer DAN ROMER and the film's award-winning director BENH ZEITLIN.
Wolfgang Muthspiel, whom The New Yorker has called "a shining light" among today's jazz guitarists, returns to the trio format with Angular Blues, the Austrian's fourth ECM album as a leader, following two acclaimed quintet releases and his trio debut.
World-renowned guitar hero Al Di Meola welcomes a new decade with an ambitious follow-up to his 2013 studio recording All Your Life: A Tribute to the Beatles with a sophomore homage to the Beatles, entitled Across The Universe, due out on earMUSIC on March 13, 2020.
Sharon Fendrich - Red Sky Prairie carries with it a message of the calm after the storm / New Age Music Review
Posted: November 7, 2019 12:00 AM
| By: Admin
Red Sky Prairie is the debut album of Sharon Fendrich. It is a mixture of gorgeous new-age inspired neo-classical instrumentals and influences of the opera that the artist witnessed growing up at live presentations. She has been a student of music since the age of 3. There are not too many people in this world that can say that. The strong influence of family brought Sharon to this point in life to bring listeners her first recording.
Red Sky Prairie carries with it a message of the calm after the storm. The picture you see on the cover is an example of the beauty of transformation and strength of mother nature. And how the nature of our human spirit grows, learns, and rises above the storms of life and comes out the other side stronger and ready to face whatever comes our way. Hopefully, this process is a learning experience for every listener.
American neo-classical composer Sharon Fendrich presents her self-produced first album, Red Sky Prairie. With 11 tracks full of emotive melodies that captivate the heart, the disc offers the listener a soundtrack to their own dreams and memories, featuring Fendrich on piano, along with four Dutch soloists: violinist Wilfred Sassen, cellist Joep Willems, flautists Helen Hendriks and Ies Muller, and Russian vocalist Anna Emelyanova. Mixing both instrumentals and lyrical pieces, Fendrich writes her songs in five languages including Esperanto, and together with a captivating orchestral sound design, the 59-minute album creates an inviting and magical sonic world.