Don Liuzzi, left, chief timpanist and percussion chair for the Philadelphia Symphony, teaches approaches to drum rolls on the snare drum to Bellefontaine Middle School percussionists Wednesday during a visit by the DePue Brothers Band throughout the day with Bellefontaine High School and Middle School orchestra members and BMS eighth-grade band members. The musical ensemble also performs for Benjamin Logan Elementary School students today and conducts a workshop with Benjamin Logan High School band members prior to A Magical Grassical Christmas concert at 7 p.m. tonight at the Holland Theatre, where tickets are still available for $25 to $40. The DePue Brothers are highly celebrated group of four brothers originally from Bowling Green who have pursued professional careers as violinists. The ensemble is now eight members deep and also represents the Indianapolis Symphony and some of the top touring bluegrass bands. The local school performances were made possible by the Bellefontaine Rotary Club, Logan County Electric Cooperative and the Flo Ann Easton Sours Grant. (CHRIS WESTHOFF PHOTO) SEE THE Bellefontaine Examiner PAGE

Not all movie scores have the potency to stick with viewers long after the credits rolled. But a great film score not only stands out in our minds, it can bring back the emotions we felt during a particular scene. We can relive the thrill of danger or adventure, tears can well up in our eyes over romantic or mournful notes. Without looking, some scores can even conjure up images from the movie, clear and crisp as when we first watched it, because the music pinned those moments to our memories. There have been hundreds of scores that have had this effect on us over the decade. Here are just a handful of some of our most unforgettable favorites: "Arrival," Jóhann Jóhannsson For a movie about communicating with other lifeforms from outer space, some of the most poignant moments of Denis Villeneuve's "Arrival" are actually more terrestrial. As Amy Adams' character struggles to complete her mission -- figure out why aliens have landed on earth and keep the world's most powerful armies from attacking them -- she must also deal with the memory of losing her young daughter. Jóhann Jóhannsson's compositions melded the sounds of the visiting extraterrestrials into his music, complementing their attempts to communicate with his ambient score. Max Richter's stirring composition "On the Nature of Daylight," a pre-existing work, elevated the characters' emotional journey through loss and uncertainty to hope. SEE THE WRAP '10 best film scores of the 2010s' PAGE

The  boys  who  make  up  the  choral  group  Libera  are  normal  South  London  kids  aged  7  to  16  years.  The  music  they  produce  is  truly  extraordinary.  Their  new album ‘Christmas Carols With Libera' through Invisible Hands Music, takes on both mellow and upbeat holiday songs in this collection including; ‘Ding Dong Merrily On High' which requires real precision, as well as purity. Many of the tracks were recorded during a group ‘retreat' to a rehearsal space in an old school, this allowed a true live feel to the process. The boy who took the lead vocal on ‘The Snowman' had just turned 9 years old, whilst the introductions to the French ‘Noël Nouvelet' and the Irish ‘Wexford Carol' are both handled by native French and Gaelic speakers, Libera is as polyglot as ever. 'Christmas Carols with Libera' goes #1 on billboard - Traditional Classical Albums. See cover image

Jenny Lewis and producer/songwriter Jonathan Wilson have teamed with Sanba Zao, Paul Beaubrun and Jackson Browne for a new song, "Lapé Lanmou (Peace and Love)." The track will appear on the upcoming benefit album, Let the Rhythm Lead: Haiti Song Summit, Vol. 1, out January 31st, 2020 from Artists for Peace and Justice via Arts Music. The bustling song, whose title means "Peace and Love" in Creole, arrived with an equally lively video in which the musicians perform the song in Haiti alongside a crowd of revelers, dancers and singers. The clip captures the mood of the song, which Beaubrun described as "a spiritual awakening." "Haitians along with many others across the globe have been saying [‘Lapé Lanmou'] for a long time," Beaubrun added. "It's about peace, love and unity amongst us all and how we will never collectively move forward as one without it." Artists for Peace and Justice (APJ) is a non-profit organization that encourages peace and social justice and addresses issues of poverty around the world. Our immediate goal is to serve the poorest communities in Haiti with programs in education, healthcare and dignity. We are committed to long-term, sustainable development in direct partnership with the Haitian people. Our model is simple: we believe in empowering local communities, fostering economic growth, and the power of education to change a nation. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d; min-height: 14.0px} READ THE FULL RollingStone ARTICLE & WATCH THE VIDEO

Comparing the year in jazz to that of 2018 is a little like comparing this year in metal to its predecessor-on the surface it seems hard to compete with 12 months of obvious ringers. After all, last year revealed the first set of unheard John Coltrane music in decades. I mean, this year also yielded a set of unheard Coltrane pieces, which was pretty cool as well, but they were still essentially alternate versions of pieces we'd already heard, and the novelty wasn't quite as strong. But if the strength of a jazz year can only be measured by the freshness of its rare Coltrane recordings, well, most years would be pretty disappointing. And honestly, to focus on 50-year-old outtakes when so much great new material is being recorded feels at best shortsighted and at worst intransigent. Jazz this year was dominated not by headline-grabbing archival music but by the sheer strength of new artists honing their craft. Some of them have made this list before (Yazz Ahmed, Shabaka Hutchings). Some of them are best known in other genres (Cochemea). And some arrived well out of left-field (Paisiel). But the one thing they have in common is that they all reveal something new about a 100-year-old style. Here are the best jazz albums of 2019. I've always been somewhat skeptical of anything described as "nu-jazz," as more often than not it's less jazz and more downtempo electronic music to pulse through the lobby of a trendy, high-end boutique hotel. The Comet Is Coming, however, are a proper jazz outfit who just so happen to sound like they're prepped to launch into hyperspace, thanks in large part to Danalogue's synth-heavy atmospheres. Yet saxophonist Shabaka Hutchings and drummer Betamax are what bring the project back down to earth with both an emotionally powerful presence and grooves that never relent. One need only give one spin to standout jam "Summon the Fire" to understand that this group is simply not fucking around-they're certainly headed for the cosmos, but they're getting asses shaking on the ascent. Trust In the Lifeforce of the Deep Mystery is the group's Impulse! debut, putting them in the league of giants like Charles Mingus and John Coltrane (and Hutchings' other group, Sons of Kemet), and while those might be big shoes to fill, it's to the iconic label's credit that groundbreaking talent like this-making something truly innovative from an electronic/jazz combo that's been stuck in M.O.R. range for too long-is carrying their its forward into the 21st century. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Helvetica Neue'; color: #4d4d4d; min-height: 14.0px} SEE THE Treble '10 Best Jazz Albums of 2019' PAGE

Chart-topping, international violin soloist Rachel Barton Pine, joined by multi-faceted conductor Teddy Abrams and the Royal Scottish National Orchestra, released Dvořák and Khachaturian Violin Concertos, on AVIE on November 1.  The album features Dvořák's Violin Concerto in A minor Op. 53 and Khachaturian's Violin Concerto in D minor, highlights each composer's prominent use of his own traditional ethnic music. The Dvořák and Khachaturian Violin Concertos marks Pine's 39th recording and fifth album on AVIE records (AV 2375).  In conjunction with the new release, RBP has made herself available for radio interviews on 2 consecutive days. Yesterday and today December 11 & 12. Watch for our tweeths throughout the day.

She has already achieved icon status from a fan-girl book, a bio-pic, a documentary, and many dissenting opinions, and now Supreme Court Justice Ruth Bader Ginsburg is being portrayed in music. "The Notorious Ruth Bader Ginsburg in Song" is a one-night-only event at 7 p.m. Thursday, Dec. 12, at Philadelphia's National Museum of American Jewish History, created, performed, and presented by those who know her well: soprano/composer Patrice Michaels (her daughter-in-law) and recording producer James Ginsburg (her son). The evening is based on a recording of the same name on the classical music label Cedille, with operatic music mostly written by Michaels. The Thursday event at the National Museum of American Jewish History will be followed by a question-and-answer session with Michaels and James Ginsburg.   PHOTO: JESSICA HILL / AP READ THE FULL Philadelphia Inquirer ARTICLE & LISTEN TO THE MUSIC