York Daily Record - Mike Argento writes......Robin Spielberg was looking forward to a good 2020. The pianist and composer was working on her 19th record and had a tour scheduled with legendary songwriter Jimmy Webb, who penned such iconic songs as "By the Time I Get to Pheonix," "Galveston," "Wichita Lineman," "Up, Up and Away" and countless other timeless tunes.
She had toured with Webb before – her husband, producer and talent agent Larry Kosson represents Webb, among other artists – and it was always a great time. "I'm Jimmy's driver, shoe-shiner, everything," Spielberg said. "I always joke with him in the car, telling him, ‘You're an icon." And he would say, ‘Say that one more time and I'll slap you in the face.' So then, I'd have to say it over and over again."
She was also eager to get back on the road to promote her new record, "Love Story," released Feb. 7, her 19th record and first to be pressed on vinyl - bright red vinyl at that.
They played one date of the 20-city tour and were scheduled to play in her adopted home, York County, on March 28. Then the pandemic began. And everything changed.
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The Korea Times - Kwon Mee-yoo writes.....Pianist Cho Seong-jin will premiere an unheard piece by Mozart in Salzburg on the occasion of the classical composer's 265th birthday. Cho will play Mozart's "Allegro in D K626b/16" at the Great Hall of the Salzburg Mozarteum Foundation, Wednesday, which mark's the Austrian composer's birthday as well as the opening date of the first-ever virtual edition of Mozartwoche, or Mozart Week, festival. "It is a great honor to be invited to give the premiere of a formerly unknown work by Mozart in the city of Salzburg, where the composer was born," Cho wrote on his Twitter, Friday.
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Multi Grammy & Emmy nominated recording artist, TV star and activist Jon Batiste announces a new single "I Need You" from his forthcoming ‘black pop' album WE ARE. The album is set for worldwide release on March 19 (Verve Records). On "I Need You" Batiste showcases his vocal range, accompanied by his once-in-a-generation musicianship. Produced and written in collaboration with songwriter Autumn Rowe and producer Kizzo, the song is communal and deceptively sophisticated. It fuses the sound of early 20th century black social music, with modern pop production and a hint of hip-hop storytelling. He expertly alternates between belting high notes in full voice, to singing harmony with himself on the choruses, to delivering the verses in a ‘farm rap' style. Batiste then dives into two killer instrumental breaks on both piano and saxophone - all in less than 3 minutes. Says Batiste, "This song is a vibe cleanse. After 2020, this is like a warm hug," says Batiste. "Let's bring the vibes back!"
Watch Batiste Lindy Hop his way through new single on the attached video. About the video, boingboing's GARETH BRANWYN writes.... "Jon Batiste everybody." One of the upsides of COVID-19 isolation has been getting to know Stephen Colbert and his musical director, Jon Batiste, a lot better. During the Trump Virus shit-show, Jon has been a little nightly dose of heartfelt music and unwavering positivity. In this video, the single to his forthcoming record, We Are, a group of Lindy Hoppers in a gallery photograph come to life and dance with him and another female patron. Sadly, upon seeing this, my first thought was: Where are their masks?
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textura writes.....A Quiet Madness is somewhat of a curious title for William Susman's latest release. The composer's music is seldom hushed, and neither is it deranged-not that there's any suggestion the title should be taken literally anyway.
The influence of classical minimalism on Susman's melodious music is undeniable, but he uses it as a foundation upon which to construct his own distinctive edifice. These settings enchant as they wend their way through different instrumental groupings, from the violin-and-piano serenity of the opening Aria on through the wholly transporting Seven Scenes for Four Flutes and beyond. Though its material was written between 2006 and 2013 and recorded on two continents, a cohesive impression forms due to the through-line of the composer's voice and the smart sequencing. By distributing three parts of the solo piano work Quiet Rhythms in amongst the other pieces, the album conveys a unified character capable of accommodating dramatic contrasts between the earthy and the ethereal.
For now, the forty-eight minutes of A Quiet Madness offer more than their fair share of listening rewards as a representative sampling of his artistry.
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Iconic NYC jazz club rallies to stay open amid pandemic.
WPIX11's Magee Hickey writes....Like so many jazz clubs and music venues across the city, 'Birdland' has been shuttered on West 44th Street since the pandemic began last March, except for a brief reopening last month. What better way to open the Save Birdland fundraiser than hearing the legendary Catherine Russell sing its anthem: the lullaby of Birdland. Birdland, the jazz corner of the world, has been around for longer than most of us can remember. It first opened in 1949 on 52nd Street with big names, including Count Basie, Dizzy Gillespie, Thelonious Monk, Miles Davis and Billie Holiday. They performed regularly with Billy Taylor as the house pianist.
Owner Gianni Valenti feared would have to close permanently until producer Tom D'Angora held a successful fundraising telethon to save the West Bank Café on Christmas Day. "After a very successful West Bank Café campaign, some of my friends said 'can you do the same for Birdland,'" D'Angira told PIX11 News. "Birdland can't close. We can't have a New York without Birdland. That's impossible."
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For Icelandic pianist Víkingur Ólafsson's debut album on Deutsche Grammophon, he is performing selections of Philip Glass's Piano Etudes. Ólafsson's fascination with reinterpreting the Piano Etudes grew as he toured and performed the works with Glass himself. Released for the composer's 80th birthday, the pianist says; "On the surface, they seem to be filled with repetitions. But the more one plays and thinks about them, the more their narratives seem to travel along in a spiral," he explains. "My approach to each of the etudes is to enable the listener to create his or her own personal space of reflection."
The Guardian's Killian Fox writes.....We got this as a Christmas present from my father-in-law, who's a pianist and musicologist, and I think it's one of his favourite records. Ólafsson is an Icelandic pianist and here he's playing works by Philip Glass, for whom repetition is a big thing. The album has a simplicity that for me becomes almost majestic in the end. It's so precise and so clear – it feels almost mathematical but also very soulful. You listen to it for a little while and new details keep emerging. I've been playing it all the time since we got it. Photograph: Antonio Olmos
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The Daily Freeman's Diane Pineiro-Zucker writes......The Ashokan Center has always focused on hands-on outdoor education and the environment, so when the COVID-19 pandemic struck in early March, 2020, it immediately became clear that things were about to change drastically, said Jay Ungar, the center's president and chief executive officer.
The Ashokan Center, at 477 Beaverkill Road in Olivebridge, has served about 5,000 schoolchildren annually during academic years since 1967 and has offered on-site dance camps for adults and families each spring and summer since 1980. But it saw enrollment drop and then disappear as the coronavirus pandemic and social distancing made it difficult if not impossible to continue business as usual.
"We leapt into the world of what's now called virtual programming," Ungar said. "I rebel against that word because virtual reality is not real, but online programming is real. It's the real thing, only it's online."
COVID "has been devastating to many non-profits and commercial businesses and small businesses. It's rewriting the world as we know it," Ungar said. "Who knows what the world will be like when we reach whatever the next step is? But for this particular organization, the Ashokan Center, while it's been a struggle and it's been difficult, it has opened possibilities that we never thought of before.
"So, our world is going to continue to include some of this virtual programming in the future and we never would have embarked on it if we hadn't essentially been forced."
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An ensemble that attracts rave reviews and sell-out crowds at prestigious venues everywhere from Vienna to New York, the sensational SIGNUM saxophone quartet are now set to present their first Deutsche Grammophon album.
The title work, Affinity: Concerto for Guitar & Orchestra by Chris Brubeck, was premiered by Isbin in April 2015 with the Maryland Symphony/Elizabeth Schulze. The recording marks Strathmore Concert Hall's first commercial release. Isbin and Brubeck both wanted a work that had a global approach to the guitar and was not confined to one style. Inspired by Sharon's fascination with science, Brubeck entitled the work Affinity based on the scientific definition as "An attraction or force between particles that causes them to combine." Her live performances of the work have been praised in reviews for "Isbin delivering rapid-fire virtuosity and a tender jazz-based tribute to Chris' father Dave Brubeck."
On this historic ZOHO release, legendary guitarist Sharon Isbin performs multi-faceted and virtuosic new works for guitar, written for her by four leading composers. From the Africa-influenced El Decameron Negro by iconic Cuban guitarist/composer Leo Brouwer, through the Chinese and Spanish-inspired Seven Desires for Guitar by Tan Dun, to Richard Danielpour's sensual song cycle Of Love and Longing (with multiple Grammy winner Isabel Leonard) and the jazz and world music-influenced Affinity: Concerto for Guitar & Orchestra by Chris Brubeck with the Maryland Symphony Orchestra/Elizabeth Schulze, Sharon Isbin gives her inimitable imprint to, and vastly enriches major new repertoire for guitar. The four world premieres also include a two-guitar arrangement for her by Colin Davin of Antonio Lauro's Waltz #3 Natalia. The recording will be available May 22, 2020 on the ZOHO label (ZM 202005).
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Grammy Award-winning guitarist Sharon Isbin's new recording, Strings for Peace, with sarod master, Amjad Ali Khan, and his virtuoso sons Amaan and Ayaan Ali Bangash, is a groundbreaking release steeped in the tradition of ragas and talas of North Indian classical music. Available May 22, 2020 on the ZOHO label (ZM 202004), it was recorded in New York following a successful joint 2019 tour in India. Strings for Peace features four Khan compositions based on popular ragas specifically written and arranged for Sharon Isbin: By the Moon - Raga Behag, Love Avalanche - Raga Mishra Bhairav, Romancing Earth - Raga Pilu and Sacred Evening - Raga Yaman. The four artists are joined on the tabla by Amit Kavthekar, a disciple of Indian drumming giants, Alla Rakha and his son Zakir Hussain. They will tour across the US in 20/21 beginning in Tanglewood and Caramoor festivals this July.
All Press Secured By Genevieve Spielberg & Jazz Promo Services
Bach for Guitar is now available at retailers nationwide – including Amazon, Arkiv Music, Barnes & Noble – on the Erato/Warner Classics label (cat. #2564617518). Ms. Isbin calls the Suites "among the most challenging and musically rewarding works in the classical guitar repertoire." The first classical guitarist to perform and record Bach on guitar with baroque performance practice techniques, Isbin collaborated with noted Bach scholar and keyboard artist Rosalyn Tureck on the editions performed on the disc. The CD includes all four lute suites by Johann Sebastian Bach, including Suite in E Major, BWV 1006a, Suite in G Minor, BWV 995, Suite in E Minor, BWV 996, and Suite in C Minor, BWV 997.
14 NEW 135 TOTAL
SYND: Classical 24, CBC, TRH, Sunday Baroque Direct: SiriusXM, Music Choice, MOOD, Stingray, AccuRadio Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Cleveland, Detroit, Cincinnati, St. Louis, Seattle, Portland, Minneapolis, Denver, Baltimore, New Orleans, Pittsburgh, Indianapolis, Sacramento, Albuquerque, Columbus OH, Madison WI, Honolulu Online: Taintradio, The Washington Post, pancakesandwhiskey.com, IDOLATER, Consequence Of Sound, Stereogum, Billboard
Sharon Isbin - Troubadour is a one-hour documentary portrait of the world's premier classical guitarist, shows us a trailblazing performer and teacher who over the course of her career has broken through numerous barriers to rise to the top of a traditionally male-dominated field. The film, produced by Susan Dangel, explores what it takes to nurture a dream against all odds to become a world class musician. It will be presented by American Public Television for broadcast on nearly 200 public television stations throughout the US this November-December 2014, and released on DVD/Blu-ray by Video Artists International.
In coordination with the documentary broadcasts, Warner Classics will release five of Isbin's most popular albums in a single box. The set brings together cornerstones of the guitar concerto repertoire by Rodrigo and Villa-Lobos, arrangements of perennial Baroque favorites, concertos by Christopher Rouse and Tan Dun that were written for Isbin herself (and featured in the documentary) and two imaginatively-programmed recital discs including the GrammyTM Award-winning Dreams of a World.
20 NEW - 93 Total
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Recognized as "the pre-eminent guitarist of our time" The Boston Globe and "the Monet of the classical guitar" Atlanta Journal Constitution, Grammy Award-winning guitarist Sharon Isbin makes her Sony Masterworks debut with Journey to the New World. The extraordinary recording follows a musical progression from 16th century England, Ireland, and Scotland to the shores of America, with the music of the New World represented by Joan Baez, Isbin's first music hero, and violin virtuoso and composer Mark O'Connor.
13 New ON this week: 124 Total
Synd: NPR/ATC, APM/PT, PRI/Classical 24, Sunday Baroque, Sixty Second CD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Cleveland, Atlanta, Denver, Detroit, Houston, Cincinnati, Baltimore, Pittsburgh, Portland, New Orleans, Milwaukee, Long Is. NY, Indianapolis, Berkeley CA, Orlando Online: Taintradio, Folk Image, Guru, RadioIO/Classical Favorites, io4business/Piano Guitar, MusicGuru
Renowned classical guitarist Sharon Isbin, whom critics have acclaimed as "the pre-eminent guitarist of our time" (Boston Magazine) and "the Monet of the classical guitar,"(Atlanta Journal) is following her Grammy-winning 2009 Sony Masterworks debut album Journey To The New World with another extraordinary musical exploration, Sharon Isbin & Friends: Guitar Passions. Available August 30, the new album has a definite Latin American flavor, but the journey this time is focused more on her musical mentors. "I'm paying tribute to my guitar heroes," Isbin says. "These are artists whom I admire greatly, who are also heroes in their own realms." The artists include fellow guitar greats who are also great friends with whom she has collaborated. "Steve Vai has been a dear friend and duo partner for years," Isbin says, singling out the rock guitarist/composer, who improvises with her on La Catedral by famed Paraguayan composer Agustin Barrios Mangore. "Stanley Jordan is another hero and great friend," she adds, and the innovative jazz guitarist joins her in his stunning arrangement of Sonidos de aquel dia, by the Argentinean guitarist/composer Quique Sinesi.
4 New 'ON' this week 118
Synd: PRI/Classical 24 & Jazz After Hours Direct: SiriusXM Markets include: New York, Chicago, San Francisco, Boston, Philadelphia, Dallas, Minneapolis, Seattle, St. Louis, Baltimore, Detroit, Denver, Cincinnati, New Orleans, Memphis, Tampa, Albuquerque, San Antonio, Canada Online: KING FM Evergreen, Taintradio