Pianist Keith Jarrett, one of the most important figures in jazz of the last 50 years, has been curiously invisible since his last performance in February 2017 at New York's Carnegie Hall. He has now revealed the reason for his silence in a New York Times interview with Nate Chinen: Jarrett suffered two strokes in 2018 that have likely permanently derailed his ability to perform in public.
Jarrett, 75, told Chinen that since being afflicted by the strokes in February and May of 2018, he is partially paralyzed on his left side. The second stroke resulted in a 10-month stay in a nursing facility. Jarrett has since relearned to walk with a cane but has only occasionally attempted to play the piano; in a recent attempt, he discovered that he had forgotten some staple tunes of the bebop repertoire.
"I can only play with my right hand, and it's not convincing me anymore," Jarrett told Chinen. "I don't know what my future is supposed to be, [but] I don't feel right now like I'm a pianist."
Chinen also conducted the most recent JazzTimes interview with Jarrett, in 2017. At that time, the pianist discussed a late-1990s struggle with chronic fatigue syndrome that had nearly destroyed his career. "I just found myself too tired to do anything I normally do. I thought I was dying," he said. "I didn't know if I'd play again." In that case, Jarrett recovered sufficiently to launch a renaissance in 1999.
Jarrett's newest release, the forthcoming Budapest Concert, documents a solo performance from his 2016 European tour. It will be released October 30 on ECM Records. Keith Jarrett (photo: Woong Chul An)
READ THE FULL JazzTimes ARTICLE
With the abundance of jazz and blues that slides into my mailbox every week, it's sometimes easy to forget the bustling and beautiful American piano that much of our musical heritage comes from. Don't let words like "heritage" discourage you from diving deep into her boundless piano energy… her performance of Harry Thacker Burleigh's 5:07 "Troubled Water" (based on "Wade In The Water") is full-bodied and moving… this is one of the tunes I believe will be getting some HUGE amounts of airplay on all types of stations around the globe!
I'll tell you right now, you've never heard a more invigorating performance of "Down By the Riverside" than Jeni gives you… she presents some very unique stylings with her keyboard, too.
Of the eighteen enchanting songs presented, I found the 6:40 opener, "Deep River", to be my choice for personal favorite… Jeni's piano covers all the bases… jazz, blues and even Tchaikovsky in one stunning performance of Margaret Bonds beautiful song!
I give Jeni a MOST HIGHLY RECOMMENDED rating, with an "EQ" (energy quotient) score of 4.98. Get more information on the Zoho Music page for the release. Rotcod Zzaj
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As we near the election, with hope of setting the country on a better path, tensions are high. We are worried that if things go wrong, as they did in 2016, that the country might never recover, that this horror show might become our permanent identity. And meanwhile, most of the things we would turn to in times of crisis – family gatherings, concerts, baseball games, theatre – are not available to us, making everything even more difficult and dire. But fortunately musicians continue to release albums that speak to the better parts of us, to what humanity remains inside, uniting us in a real way. Here are some brief notes on a few new jazz releases you might be interested in.
Accomplished classical pianist Jeni Slotchiver presents the work of several American composers on her new release, American Heritage, an album of solo piano pieces. The music includes spirituals, blues, and folk, all performed with passion and heart. This is a beautiful and moving album, and in a time of division and hatred in our country, it provides a welcome look back at some of the diverse composers who have added to the great musical culture of our nation, and might help to restore some pride in our history. Composers whose work is featured here include Samuel Coleridge-Taylor, Margaret Bonds, Harry Thacker Burleigh, Louis Moreau Gottschalk, Florence B. Price, Robert Nathaniel Dett, William Grant Still and Frederic Rzewski. A lot of the music chosen for this release will be familiar to you, and Jeni Slotchiver gives it a fresh life. This album was released on October 9, 2020.
SEE Michael Doherty's Music Log PAGE
JUNO and SOCAN Music Award winner Laila Biali celebrates Canadian icon Joni Mitchell's birthday with an intimate cover of Mitchell's beloved song, "Both Sides Now". Biali's stripped down approach illuminates poignant lyrics that speak to the heart. Multi-award winning singer-songwriter and pianist Laila Biali has performed on prestigious stages from New York City's Carnegie Hall to Beijing's National Centre for the Performing Arts. Known for her signature sound that "masterfully mixes jazz and pop" (Washington Post), Biali has received top honors including a 2020 SOCAN Music Songwriting Award plus the 2019 JUNO (Canada's GRAMMY) for Vocal Jazz Album. She has also toured with pop icon, Sting, and hosts a national radio show on CBC Music. Be sure to check out Laila's Quarantunes Series, and head to Both Sides Now to pre-save your copy now!
Biali is KBOG'S favorite songstress. SEE THE KBOG: Bandon OR PAGE
For her latest studio album, pianist Hélène Grimaud travels to Salzburg where she creates a fascinating juxtaposition between the eternal Mozart and the Ukrainian composer Valentin Silvestrov (b. 1937). Hélène has long had a passion for Silvestrov's music, which some call post-modernist or even neoclassical. The composer's own words hint at why this is for her so intriguing: "I do not write new music. My music is a response to and an echo of what already exists."
In selecting the music for this album, Hélène has carefully chosen music by Mozart that fits into an overall dramaturgy: from Mozart's famous unfinished D minor Fantasy, Helene transitions seamlessly into the great D minor concerto K. 466 - one of the most popular amongst Mozart's 27 concertos (and one of only two in a minor key). The C minor Fantasy here signals "the end of Mozart" and a new beginning: The Messenger starts with a theme reminiscent of Mozart, and like a messenger, creates a connection between the present and the world that existed before. Melancholy and hope, sadness and exuberance can be felt emanating from both Mozart's and Silvestrov's works. The Messenger, one of Silvestrov's most performed works, is dedicated to his wife Larissa Bondarenko, who had recently passed away. The Two Dialogues with Postscript that serve here as an epilogue, leave the outcome open, leading the way to Schubert, Wagner and beyond.
"When I first heard it, I was mesmerized," is how Grimaud describes the first time she heard Valentin Silvestrov's music. ECM Records founder Manfred Eichner gave her a CD of Silvestrov as a birthday present, and she was hooked. Grimaud talks about her newest album (of over 20!) with 90.5WUOL: Louisville KY - Daniel Gilliam. LISTEN
t amazes me how many films today have a soundtrack that isn't informed by the movie itself. This interchangeable claptrap has made it almost impossible to review. But composer William Susman flavors the setting of Sarah Sifer's Fate of the Lhapa beautifully. Interestingly enough, I saw this documentary many, many years ago, and it truly affected me, but I never knew the soundtrack was available until it was sent to me to review 13 years after its original release. Go figure.
While there are certainly traditional forms of Western instrumentation such as harp, Susman has incorporated sounds we would associate with Nepal: There is no list, but I believe we are hearing drums - such as the dhimay, madal, and khin - a bansuri (a bamboo flute), a plucked string (perhaps the tunga), tingsha cymbals, a sringa (a large "C"- or "S"-shaped horn which is also a political symbol), and more. Along the way is minimalism that is so transporting it would make Philip Glass proud, as it helps achieve a sense of bittersweet spirituality so prevalent in the film. (Glass is also a fierce proponent for Nepal's freedom and Buddhist principles - the latter evidenced in his opera, Satyagraha.)
At first, part of the fun for me was parsing out the instruments (wait - is this sound that conch shell that has both ritual and religious importance in Hinduism?), but magically by the seventh of eleven tracks, they merge into a higher plane of trance-inducing balminess that lovingly elucidates the subject matter. While it's accurate to say that the music of Susman (who also performs) blends that mysterious, uncanny long-established Asian music with those soul-moving Western strings evokes what the press notes call an "ancient healing tradition in danger of extinction," this is music that stands alone from the film - in fact, this journey requires you to listen with headphones on and your eyes closed. The mixing by Stephen Hart at Berkeley's Fantasy Studios makes everything sound crystal clear.
READ THE FULL STAGE & CINEMA REVIEW
James Whale's film classic Frankenstein (1931), starring Boris Karloff, was released without a musical score, as were many films in those early days of the talkie. A number of critics, including Leonard Maltin, have remarked that Frankenstein is badly in need of music. Michael Shapiro's 70-minute score is written to be played simultaneously with the screening of the film. For modern-day concert- and moviegoers, his haunting music adds significantly to the emotional impact of the film.
Harmonious World Podcast's Hilary Robertson interviews composer and conductor Michael Shapiro.There's a good chance that I'll be jumping on a plane as soon as such things are possible again - this time to see the operatic version of Michael's film score to the original film of...
LISTEN TO THE PODCAST
WaterTower Music is pleased to announce today's release of the 62-track Lovecraft Country (Soundtrack from the HBO® Original Series), featuring music from the first season of Lovecraft Country, which airs on HBO/ HBO Max, and is Based on Matt Ruff 's novel of the same name.
Inspired by the ground-breaking mission of NASA's Juno space probe and its ongoing exploration of Jupiter, Juno to Jupiter is a multi-dimensional musical journey through electronic, progressive, ambient, techno, orchestral, and vocal music.
Milan Records today announces the release of Luca Guadagnino's WE ARE WHO WE ARE (ORIGINAL SERIES SCORE) featuring music by producer, multi-instrumentalist, composer, songwriter and vocalist DEVONTÉ HYNES.
Sharon Isbin releases a pair of albums, one with her in the lead and the other in a unique quartet setting / Jazz Weekly
Posted: July 30, 2020 12:00 AM
| By: Admin
Guitarist Sharon Isbin first caught my eye when I saw her in a trio setting where she held her own with Stanley Jordan and Romero Lubambo at a concert at CSUN. Here, she releases a pair of albums, one with her in the lead and the other in a unique quartet setting.
The first, Affinity, has her in solo, duet and concert settings all to rich rewards. The feature piece is Chris Brubeck's "Affinity: Concerto for Guitar & Orchestra" which includes intricate and romantic fingerwork with modern Iberian tones and sweeping strings. Leo Brouwer's "El Decameron Negro" is darker and filled with shadows, while her duet with guitarist Colin Davin on "Waltz No. 3 Natalia" is a joyful conversation. On her own, she displays a strong touch, crisp and affirmative on ""Balada de laDoncella Enamorada" and with mezzo soprano Isabel Leonard gets folksy and minstrel'd for "Listen…" and "This Night of Love…". A wide stringed palate.
Quite eclectic is the four piece team of Amjad Ali Khan, Amaan Ali Bangash, Ayaan Ali Bangash and Iben for a handful of premiers for guitar and sarod, which is essentially a mini-sitar. Kavthekar plays tablas on all tracks with isben, while the three sarod players take turns teaming up. Kavthekar guides the team on the concise "Love Avalanche" with mysterious strings in abundance, while rapid fingers race and dance to a rich climax to "By The Moon". The strings bend to almost exhaustion on "Sacred Evening" and while they gallup to the finish lne on the bluesy "Romancing Earth". Southern Asia tones and harmonies meld with Western musings like a rich sauce.
On this historic ZOHO release, legendary guitarist Sharon Isbin performs multi-faceted and virtuosic new works for guitar, written for her by four leading composers. From the Africa-influenced El Decameron Negro by iconic Cuban guitarist/composer Leo Brouwer, through the Chinese and Spanish-inspired Seven Desires for Guitar by Tan Dun, to Richard Danielpour's sensual song cycle Of Love and Longing (with multiple Grammy winner Isabel Leonard) and the jazz and world music-influenced Affinity: Concerto for Guitar & Orchestra by Chris Brubeck with the Maryland Symphony Orchestra/Elizabeth Schulze, Sharon Isbin gives her inimitable imprint to, and vastly enriches major new repertoire for guitar. The four world premieres also include a two-guitar arrangement for her by Colin Davin of Antonio Lauro's Waltz #3 Natalia. The recording will be available May 22, 2020 on the ZOHO label (ZM 202005).
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Grammy Award-winning guitarist Sharon Isbin's new recording, Strings for Peace, with sarod master, Amjad Ali Khan, and his virtuoso sons Amaan and Ayaan Ali Bangash, is a groundbreaking release steeped in the tradition of ragas and talas of North Indian classical music. Available May 22, 2020 on the ZOHO label (ZM 202004), it was recorded in New York following a successful joint 2019 tour in India. Strings for Peace features four Khan compositions based on popular ragas specifically written and arranged for Sharon Isbin: By the Moon - Raga Behag, Love Avalanche - Raga Mishra Bhairav, Romancing Earth - Raga Pilu and Sacred Evening - Raga Yaman. The four artists are joined on the tabla by Amit Kavthekar, a disciple of Indian drumming giants, Alla Rakha and his son Zakir Hussain. They will tour across the US in 20/21 beginning in Tanglewood and Caramoor festivals this July.
All Press Secured By Genevieve Spielberg & Jazz Promo Services
Bach for Guitar is now available at retailers nationwide – including Amazon, Arkiv Music, Barnes & Noble – on the Erato/Warner Classics label (cat. #2564617518). Ms. Isbin calls the Suites "among the most challenging and musically rewarding works in the classical guitar repertoire." The first classical guitarist to perform and record Bach on guitar with baroque performance practice techniques, Isbin collaborated with noted Bach scholar and keyboard artist Rosalyn Tureck on the editions performed on the disc. The CD includes all four lute suites by Johann Sebastian Bach, including Suite in E Major, BWV 1006a, Suite in G Minor, BWV 995, Suite in E Minor, BWV 996, and Suite in C Minor, BWV 997.
14 NEW 135 TOTAL
SYND: Classical 24, CBC, TRH, Sunday Baroque Direct: SiriusXM, Music Choice, MOOD, Stingray, AccuRadio Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Cleveland, Detroit, Cincinnati, St. Louis, Seattle, Portland, Minneapolis, Denver, Baltimore, New Orleans, Pittsburgh, Indianapolis, Sacramento, Albuquerque, Columbus OH, Madison WI, Honolulu Online: Taintradio, The Washington Post, pancakesandwhiskey.com, IDOLATER, Consequence Of Sound, Stereogum, Billboard
Sharon Isbin - Troubadour is a one-hour documentary portrait of the world's premier classical guitarist, shows us a trailblazing performer and teacher who over the course of her career has broken through numerous barriers to rise to the top of a traditionally male-dominated field. The film, produced by Susan Dangel, explores what it takes to nurture a dream against all odds to become a world class musician. It will be presented by American Public Television for broadcast on nearly 200 public television stations throughout the US this November-December 2014, and released on DVD/Blu-ray by Video Artists International.
In coordination with the documentary broadcasts, Warner Classics will release five of Isbin's most popular albums in a single box. The set brings together cornerstones of the guitar concerto repertoire by Rodrigo and Villa-Lobos, arrangements of perennial Baroque favorites, concertos by Christopher Rouse and Tan Dun that were written for Isbin herself (and featured in the documentary) and two imaginatively-programmed recital discs including the GrammyTM Award-winning Dreams of a World.
20 NEW - 93 Total
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Recognized as "the pre-eminent guitarist of our time" The Boston Globe and "the Monet of the classical guitar" Atlanta Journal Constitution, Grammy Award-winning guitarist Sharon Isbin makes her Sony Masterworks debut with Journey to the New World. The extraordinary recording follows a musical progression from 16th century England, Ireland, and Scotland to the shores of America, with the music of the New World represented by Joan Baez, Isbin's first music hero, and violin virtuoso and composer Mark O'Connor.
13 New ON this week: 124 Total
Synd: NPR/ATC, APM/PT, PRI/Classical 24, Sunday Baroque, Sixty Second CD Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Wash DC, Philadelphia, Seattle, Minneapolis, Cleveland, Atlanta, Denver, Detroit, Houston, Cincinnati, Baltimore, Pittsburgh, Portland, New Orleans, Milwaukee, Long Is. NY, Indianapolis, Berkeley CA, Orlando Online: Taintradio, Folk Image, Guru, RadioIO/Classical Favorites, io4business/Piano Guitar, MusicGuru
Renowned classical guitarist Sharon Isbin, whom critics have acclaimed as "the pre-eminent guitarist of our time" (Boston Magazine) and "the Monet of the classical guitar,"(Atlanta Journal) is following her Grammy-winning 2009 Sony Masterworks debut album Journey To The New World with another extraordinary musical exploration, Sharon Isbin & Friends: Guitar Passions. Available August 30, the new album has a definite Latin American flavor, but the journey this time is focused more on her musical mentors. "I'm paying tribute to my guitar heroes," Isbin says. "These are artists whom I admire greatly, who are also heroes in their own realms." The artists include fellow guitar greats who are also great friends with whom she has collaborated. "Steve Vai has been a dear friend and duo partner for years," Isbin says, singling out the rock guitarist/composer, who improvises with her on La Catedral by famed Paraguayan composer Agustin Barrios Mangore. "Stanley Jordan is another hero and great friend," she adds, and the innovative jazz guitarist joins her in his stunning arrangement of Sonidos de aquel dia, by the Argentinean guitarist/composer Quique Sinesi.
4 New 'ON' this week 118
Synd: PRI/Classical 24 & Jazz After Hours Direct: SiriusXM Markets include: New York, Chicago, San Francisco, Boston, Philadelphia, Dallas, Minneapolis, Seattle, St. Louis, Baltimore, Detroit, Denver, Cincinnati, New Orleans, Memphis, Tampa, Albuquerque, San Antonio, Canada Online: KING FM Evergreen, Taintradio