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Susan Kagan: Bio

Pianist Susan Kagan was educated at the University of Chicago and Columbia University, where she received a B.S. cum laude in English literature. She later received a Master of Arts in Musicology from Hunter College, and earned a Ph.D in Music History at the Graduate Center of the City University of New York. Her dissertation was a life-and-works study of Archduke Rudolph of Austria, which was published in 1988 as Archduke Rudolph, Beethoven's Patron, Pupil, and Friend (Pendragon Press, Stuyvesant, NY). She is a contributor to The New Grove, and has regularly reviewed new CDs for Fanfare Magazine since its first issue in 1977.

In researching the Archduke's history in Vienna and Czechoslovakia (where Rudolph was Archbishop and Cardinal of Olmutz (now Olomouc), Kagan studied the Archduke's compositions, many of the manuscripts with annotations and corrections by Beethoven, who gave him lessons in composition over a period of two decades. Many of these works have been brought back to life in her recordings, and they reveal a composer of considerable talent whose passion for music was inspired and stimulated by the greatest composer of his time.

In 1989 Kagan and Josef Suk, the renowned Czech violinist, played the premiere performance of Archduke Rudolph's Violin Sonata in concert in Prague, and in 1992 they recorded the Sonata and a set of variations for Koch International Classics. A second Archduke Rudolph CD, of a Sonata and a Trio with clarinet, followed, performed by the Metropolitan Opera Orchestra's Principal Clarinet, Ricardo Morales, Kagan, and her husband Gerald, Assistant Principal Cellist of the Met.

In 1996 Kagan was invited to play as soloist with the Suk Chamber Orchestra of Prague, a 13 member string orchestra established in the 1970's in honor of the composer Josef Suk, son-in-law of Antonin Dvorak. She has continued to join the orchestra as soloist every June in their festival series
at Prague Castle.

A lifelong passion for Beethoven, intensified by her work with Archduke Rudolph's music, brought Kagan into contact with the newly established American Beethoven Society at San Jose State University in 1985, of which she became a member of the Advisory Board. In 1995 she established a New York Chapter of the ABS at Hunter College, which has presented numerous Beethoven events, including several symposiums and recitals by such noted artists as Claude Frank, Jacob Lateiner, Seymour Lipkin, Charles Rosen, and Josef Suk.

With the Suk Chamber Orchestra, she recorded two sets of Mozart piano concertos, which included all of Mozart's early concertos scored for an orchestral ensemble of strings, two oboes, and two horns. The first set, containing the concertos No.11 in F (K.411), No.12 in A (K.412) and No. 14 in E-flat (K.449), was issued on Vox Classics in 1995. The second set, containing concerto No. 8 in C (K.246), No.9 in E-Flat (K.271), and the Rondo in A (K.386) were released on Koch Discover International. All of these concertos were performed without conductor. Two other CDs featuring the partnership of Josef Suk and Susan Kagan were released by Koch International: the complete violin and piano sonatas of Edvard Grieg (1997) and the Mendelssohn Sonata in F, coupled with works by
Woldemar Bargiel, in 2000.

Most recently, Kagan recorded her first CD of solo piano music - a program that illustrates Beethoven's connection with his two important pupils, Archduke Rudolph and Ferdinand Ries. Recently released on Koch International Classics, the CD contains Beethoven's Eleven Bagatelles, Op.119, and two rare piano compositions by the Archduke and Ries: the Archduke's Forty Variations on a Theme by Beethoven (1819), and Ries's fantasy,
The Dream (1813).

In late 2005, Kagan recorded Ferdinand Ries: Two Piano Sonatas Opus 1 -- Dedicated to Beethoven (Raptus Records 305.05.03). A gifted pianist, Ries' importance to Beethoven scholars is significant beyond his relationship as a theory and composition student and prolific performer of Beethoven's music. Ries also collaborated with another early Bonn friend of Beethoven, Franz Wegeler, on a biographical memoir comprising letters, anecdotes, and important
biographical details.

Mozart: Piano Concertos K. 411, 412, 449. Susan Kagan, piano; Suk Chamber Orchestra (Vox Classics 7526).

Mozart: Piano Concertos K. 246, 271; Rondo, K. 386. Susan Kagan, piano; Suk Chamber Orchestra. (Koch Discover
DICD 920517)

Archduke Rudolph: Sonata for Violin and Piano in F Minor; Variations in F. Josef Suk, violin; Susan Kagan, piano. (Koch International KIC 7082).

Archduke Rudolph: Sonata for Clarinet and Piano in A; Trio in Eb for Clarinet, Cello, and Piano. (Koch International KIC 7339. Ricardo Morales, clarinet; Gerald Kagan, cello; Susan Kagan, piano.

Edvard Grieg: The Complete Sonatas for Violin and Piano: Josef Suk, violin; Susan Kagan, piano. (Koch International
KIC 7419).

Mendelssohn: Violin Sonata in F; Bargiel: Sonata in F Minor; Suite in D. Josef Suk, violin; Susan Kagan, piano (Koch International KIC 7492).

Beethoven: 11 Bagatelles, Op. 119. Ferdinand Ries: The Dream. Archduke Rudolph: Forty Variations on a Theme by Beethoven. Susan Kagan, piano. (Koch International KIC 7521).

Ferdinand Ries: Complete Piano Sonatas and Sonatina for Piano [5 CDs]. Vols. 1 (Naxos 8.570796) and 2 (Naxos 8.570743)

Susan Kagan

F. Ries / Piano Sonatas & Sonatinas Op. 114, 176


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1 Andantino cantabile  
2 Scherzo: Allegretto  
3 Allegro quasi presto  
4 Allegro non troppo  
5 Larghetto quasi andante  
6 Scherzo: Allegretto  
7 Finale: Allegro  
8 Largo molto et appassionato  
9 Adagio  
10 Allegro agitato  

No less an authority than Robert Schumann praised Beethoven's close friend and protege Ferdinand Ries for his remarkable originality. More recently, pianist Susan Kagan, intrigued by Ries's Op. 1 piano sonatas went on to record all 14 of his solo piano sonatas and sonatinas, gaining critical acclaim for her eloquent advocacy of these unfairly neglected yet often substantial works. Bridging the divide between the Classical style of Haydn and Mozart and the Romantic impulses of Schubert, Chopin and Mendelssohn, with a healthy dose of Beethoven often in evidence, Ries repays today's listener's attention with musical drama, fluent virtuosity and poignant lyrical charm.

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