Five for Five, or five quintets with five different solo instruments: bassoon, English horn, clarinet, oboe and transverse flute accompanied by and dialoguing with a string quartet was written by Michael Fine. Before being a composer, Michael Fine was a clarinetist, label director, artistic orchestra manager, conductor and a popular producer.
We find there what makes the quintessence of the music of the American composer where each work has almost its universe as descendant of an aesthetic line specific to the instrument. For the one for bassoon, we will think of the music written for this instrument by Devienne (for the relationship between the soloist and the strings), Jean Françaix or Roger Boutry. The one for clarinet between lyricism and swing recalls Copland. There is almost a kind of neo-classicism in that for oboe but sometimes with a touch of jazz. The one for flute and the Elegy for English horn have an almost impressionist side.
The work and the writing of Michael Fine will not transcend the music of our time but this disc, by being interested in rather original formations deserves to be listened to.
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I'm on a musical voyage again, and I am now wondering if this is the most exciting sojourn through tone and sound I have taken this year, as Michael Whalen is back with Scared Spaces a breath taking new offering from the artist, and a completely new direction from all that I have heard before.
Michael known recently for his lush and moving piano work on Cupid Blindfolded, has delivered a truly refreshing new offering of electronic ambient and new age styles for us to enjoy.
This is powerfully illustrated by the opening piece entitled A Metaphysical Morning, a wonderfully upbeat and literally sparkling new composition that sets the scene musically for us, with one of the most empowering performances on keyboards that I think I have ever heard; this is true music to raise the rhythms.
The title track Sacred Spaces is up next, the combination of synths and keyboards here transports us to a whole new musical realm entirely; this is an extremely smooth performance by Whalen, one that has to be both admired and deeply enjoyed; the mix here is sublime, it's a track that if listened to carefully, moves you from one space to another with such a crafted sense of movement employed in the presentation.
READ THE FULL Steve Sheppard Music Review
Lyrics in medieval Hebrew, Arabic and Spanish from Andalusia, 900-1400 C.E. The Golden Age of Spain that created the tradition of Western song, from Schubert and Verdi to Hank Williams and the Beatles
Zajal, renowned Downtown composer and instrumentalist Dave Soldier explores the beginning of popular song and locates it 1000 years ago at the intersection of Muslim, Jewish, and Christian cultures in southern Spain. Zajal, along with muwashaha, were the lyrics of medieval Andalusia. While many are still sung today (notably in Lebanon), their offspring are everywhere. On a trip to Spain in 2004, Soldier read about the Andalusian caliphate, when the Muslim, Christian and Jewish com- munities not only coexisted, but co-created much of the world we inhabit today. Together, they produced the novel, cowboy culture, the guitar, the dance suite, the Kabbalah, Maimonides and ibn Arabi and the discovery of the New World. And modern song: the zajal and muwashaha introduced the verse and chorus that are the backbone of popular music. Imitation of Andalusia's singing oud players begat the troubadours and the figure of the wandering poet and singer in its myriad incarnations, from Villon to Joni Mitchell.
Zajal With Dave Soldier And Pedro Cortes - The Spanish Tradition Is Our Culture
CLICK HERE TO LISTEN TO THE PODCAST
Zajal features Maurice Chedid, a celebrated singer and oudist from Lebanon who drives a livery cab in New York; Triana Bautista and Ismael Fernandez, scions of famous Gypsy flamenco families; flamenco and Latin music singers David Castellano and Barbara Martinez; and Israeli-Moroccan-Persian vocalist Ana Nimouz. Players include composer Dave Soldier on guitar and keyboards: classical and klezmer violinist Rebecca Cherry; Alan Kushan, the foremost virtuoso of the Iranian sentur: trombonist Chris Washburne (Eddie Palmieri and Willie Colon): klezmer trombonist Dan Blacksberg: jazz bassist Ratzo Harris (Mose Allison, Betty Carter): timbalero Robby Ameen (Eddie Palmieri, Dizzy Gillespie): Greek clarinetest Lefteris Bournias: flamenco dancer and percussionist Jose Moreno: and palmas (handclaps) by the dancers Nelida (Neli) Tirado and Sonia Olla (Madonna and Ricky Martin). Dave learned flamenco guitar from Pedro Cortes, the foremost American exponent of Gypsy flamenco, who produced the record.
The lyrics are by the major Arabic and Hebrew poets of medieval Spain, plus one by their Persian contemporary Rumi in Farsi; a lyric by Dave Soldier in English that uses the sevillianas, a flamenco form; and a modern muwashaha from the great Lebanese singer Fairouz. The music uses contemporary Andalusian forms (buleria, fandango, petenera, rumba, tango) as translated through Soldier's vision of the contemporary cultures of New York City.
Musicians: Dave Soldier, guitar, keyboards, musical compositions (except #2), arrangements; Ana Nimouz, Triana Bautista, David Castellano, Barbara Martinez, Ismael Fernandez, Anais Tekarian vocals; Maurice Chedid, oud, vocals; Chris Washburne, Dan Blacksberg, trombones;
Philip Payton, Rebecca Cherry (solos), violins; Alan Kushan, sentur; Lefteris Bournias, clarinet; Mahmoud Hamadani, recitation; Ratzo Harris, bass; Jose Moreno, hand percussion, trap set, vocals; Robby Ameen, timbales; Ismael Fernandez and Sonia Olla, palmas and jaleo; Neli Tirado, palmasn.
Produced by Max Horowitz - Crossover Media, This content, as well as the related podcast, are licensed under Creative Commons Attribution 4.0 International (CC BY 4.0) for redistribution and adaptation.
JUNO Award Winning singer-songwriter Laila Biali deeply personal new album, 'Out of Dust' releases today, March 27. Co-produced by Biali and her husband, Ben Wittman, the album is a celebration of life; warm and uplifting even as it confronts her recent challenges (and the current political climate!) head-on. "These new songs took shape as I processed my own feelings of doubt and loss," Biali reveals. "I believe that nothing is wasted, that even life's greatest challenges can produce something meaningful, even if only to make us more aware of and empathetic to the struggles of those around us."
In addition to contributions from Biali's husband and son, Out of Dust features multiple GRAMMY nominees and winners including Lisa Fisher, Alan Ferber, John Ellis, and Larnell Lewis.
In conjunction with today's release date, 'Out of Dust' has been selected as a play>mpe top 10 stream
Recognized among the finest trumpet virtuosos of his generation, Paul Merkelo releases The Enlightened Trumpet, his first recording for Sony Classical. Hailed as "a spectacular soloist ... a most impressive master of his instrument" (Montreal Gazette) who "knows no limits" (Der Spiegel) and with "unusual lyrical gifts" (Gramophone), Merkelo has been Principal trumpet with the Orchestre symphonique de Montréal since 1995, and has appeared as soloist with prestigious orchestras around the globe, from Melbourne to Shanghai. In The Enlightened Trumpet, Merkelo is joined by the Oxford Philharmonic Orchestra and its founder and conductor Marios Papadopoulos for four spectacular concertos by Haydn, Leopold Mozart, Telemann, and Hummel.
Merkelo spoke with Montana Public Radio host Tom Halverson about the new recording. Listen to the attached interview
Joey Alexander, the Grammy-nominated jazz pianist, composer and bandleader has released his major label debut album, WARNA on Verve Records. The album is primarily a collection of reflective, moving new and original music by an experienced and confident musician. Translating as "color" from Alexander's native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics' and readers' poll victories in DownBeat and JazzTimes. Joining Alexander on the new album are bassist Larry Grenadier and drummer Kendrick Scott, who comprise the core piano trio. On select tracks, Venezuelan-born percussion Luisito Quintero, and flautist Anne Drummond, join on to stunning aural effect.
LISTEN TO THE Jazz Hall Radio INTERVIEW
Ten years in the making, Sacred Spaces is an epic electronic album by Michael Whalen, an award-winning composer who has released 33 solo and soundtrack albums since his 1984 debut. In addition to his work as a sound designer, Whalen has composed more than 800 TV and film scores as well as thousands of commercials, TV themes and video games. Aside from the stunning sound quality and the beauty of the music, Sacred Spaces is very different from 2019's Cupid Blindfolded, Whalen's first solo piano album in twenty years. Obviously not content to find a groove that works and then stay there, Whalen's drive to keep venturing into new musical territory is part of what keeps his music so fresh and creative. In short, Sacred Spaces is one amazing album that will undoubtedly put Michael Whalen back on the top of the charts and earn him a slew of new awards.
READ THE FULL MainlyPiano REVIEW
‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
What we have here is an extremely rare example of a "complete" musician among the violinists of the present day: one of the most sought-after soloists in today's world of music, he regularly performs with leading international orchestras under the most high-profile conductors.
Milan Records today announces the February 28 release of WENDY (ORIGINAL MOTION PICTURE SOUNDTRACK) with music by award-winning composer, songwriter and producer DAN ROMER and the film's award-winning director BENH ZEITLIN.
Wolfgang Muthspiel, whom The New Yorker has called "a shining light" among today's jazz guitarists, returns to the trio format with Angular Blues, the Austrian's fourth ECM album as a leader, following two acclaimed quintet releases and his trio debut.
Debussy has been with me as far back as I can remember, but my first encounter with the keyboard music of Rameau was Emil Gilels' 1951 recording of "Le rappel des oiseaux", which I came across during my student days in New York.
The Bad Plus confirm their 2020 spring tour / NYSMusic
Posted: February 19, 2020 12:00 AM
| By: Admin
The American jazz trio The Bad Plus confirmed their 2020 spring tour following the release of their second album, ACTIVATE INFINITY, which was released in October of 2019. The spring tour will include a multi-show residency at Village Vanguard in New York City for six consecutive days.
The tour will begin on March 19th in Kenosha, WI at the Bedford Concert Hall and will wrap up on April 12th in Washington, DC at the Blues Alley. The tour will include multi- show residencies not only in New York City but also in Oakland, CA and Washington, D.C. as well. The New York City residency is taking place at the Village Vanguard on March 24th through the 29th. The Oakland, CA residency will take place at Yoshi's on April 3rd and 4th. Washington's residency will take place at the Blues Alley on April 10th through the 12th.
The Bad Plus is made up of bassist Reid Anderson, drummer Dave King, and pianist Orrin Evans, hailing from Minneapolis, MN. Their newest album ACTIVATE INFINITY was produced by The Bad Plus themselves and engineered and mixed by Andy Taub at NYC's Brooklyn Recording back in May of 2019.
OKeh Records/Sony Music Masterworks has announced the release of the eagerly awaited new album by The Bad Plus. IT'S HARD arrives in stores and at all leading digital retailers on August 26th. The Bad Plus' eleventh studio recording IT'S HARD sees the leaderless trio – bassist Reid Anderson, pianist Ethan Iverson, and drummer David King – returning to the distinctive deconstruction of pop forms that drew their first international attention almost two decades ago. Recorded this past April at NYC's Brooklyn Recording with longtime engineer Pete Rende (Joshua Redman, Bill McHenry), the album spans both era and inspiration as The Bad Plus offer new perspectives on classic songs from the 1970s to the 2010s.
12 NEW 205 TOTAL
SYND: NPR/First Listen, PRI/Jazz After Hours, Jazz Happening NOW, Modern Jazz Today, CBC Direct: Stingray Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Miami, Atlanta, Houston, Seattle, Cleveland, Denver, Detroit, Minneapolis, St. Louis, Detroit, New Orleans, Portland, Milwaukee, San Diego, Austin, Albuquerque, Tampa, Berkeley CA, San Antonio, Las Vegas, Raleigh NC, Hartford CT, Omaha, Santa Fe, Madison WI, Omaha, Ft. Wayne IN, Honolulu, Montreal, Toronto, Vancouver INTER: Canada, UK, Italy Online: Pollstar, WSJ, Jazz Weekly, Soulandjazz.com, Jazz From Gallery 41, popMATTERS, MOJA, JazzTrail, LondonJazz, The Times, One Man's Jazz, anime jazz, Sun Music, Roots Report, The Jazz Intersection, GreenArrow, relix
The Bad Plus - bassist Reid Anderson, pianist EthanIverson, and drummer David King - release their tenth studio recording, Inevitable Western, is comprised entirely of originals and continues the band's committed belief in what Nate Chinen of The New York Times dubbed ‘avant-garde populism' - the idea that serious music can be as engaging and accessible as it is forward-thinking and provocative. Inevitable Western sees the group exploring the same set of aesthetic principles that fired their inception: an exploration of myriad musical forms born of jazz and advanced using any sonic source that forwards music that is uniquely The Bad Plus. The spark continues on tracks like Anderson's lyrical "Do It Again" and the post-rock twists and turns of King's "Gold Prisms Incorporated." This is an album where pop, blues and folk meld with classic melodies and rhythmic innovation into that rarest of hybrids: intelligent music for themasses.
19 New 'ON' 108 Total
SYND: 60 Second CD Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Wash DC, Miami, Atlanta, Baltimore, Seattle, Cleveland, Houston, Portland, Denver, New Orleans, Albuquerque, Boulder CO, Berkeley CA, Las Vegas, San Antonio, El Paso, Honolulu, Canada, UK Online: Taintradio, MOJA, GreenArrow, WGOE, SoulandJazz.com, Jazz From Gallery 41, Good Music Speaks, Jazz Man, Willamette Week
Sony Music Masterworks releases Igor Stravinsky's The Rite of Spring, arranged and performed by The Bad Plus. The long anticipated recording FEATURING bassist Reid Anderson, pianist Ethan Iverson, and drummer David King takes on one of the most influential works of the 20th century, a complex score fraught with revolutionary experiments in rhythm and metre, tonality and dissonance. The Bad Plus have a well-earned reputation for pushing the limits on what is expected of a piano-bass-drums trio, and for the past 14 years have seen the genre-smashing band creating a distinctive repertoire of inventive original music, along with a series of iconoclastic covers of such divergent artists as Nirvana and Neil Young, Aphex Twin and Ornette Coleman, among others.
10 NEW 139 Total
SYND: PRI/Jazz After Hours & Here and Now, Sixty Second CD Markets include: New York, Los Angeles, San Francisco, Boston, Philadelphia, Atlanta, Cleveland, Minneapolis, Seattle, Portland, Houston, Austin, Kansas City, Milwaukee, Albuquerque, El Paso, Madison WI Online: Taintradio, MOJA, Audiophile Audition, Off the Tracks, Antigravity, PopMatters, The Jazz Groove, Live 365, Jazz Weekly
The Bad Plus's new album, "Made Possible," eOne Music. Recorded in upstate New York, it is (bassist Reid Anderson, pianist Ethan Iverson, drummer David King) eighth studio effort and ninth release overall. Eight originals plus a loving nod to the late Paul Motian ("Victoria") - showcase everything this groundbreaking group is capable of: pulse-pounding anthems, bright-eyed melancholia, bold juxtapositions, tunefully mathy contortions and a masterful sense of song. As ever, the sum effect is a welcome demolition of what listeners might expect from an instrumental trio.
39 New 'ON' this week: 238 Total SYND: Voice Of America, 60 Second CD Direct: SiriusXM, DMX Markets include: New York, Los Angeles, Chicago, Boston, San Francisco, Philadelphia, Boston, Wash DC, Miami, Atlanta, Baltimore, Seattle, Cleveland, Houston, St. Louis, Kansas City, Austin, Portland, Denver, New Orleans, Las Vegas, Albuquerque, Boulder CO, Berkeley CA, Madison WI, Canada Online: RadioIO, Taintradio, MOJA, Jazzweekly, The Jazz Intersection, GreenArrow, WGOE, SoulandJazz.com
Entertainment One Music is excited to announce the release of The Bad Plus's new album, NEVER STOP, on September 14, 2010. It is the band's first album of all originals, and it's eighth release overall. Recorded in Minnesota, NEVER STOP does just what the title says. It's a rapid-fire succession of engaging performances by three musical explorers operating as highly skilled individuals -- bassist Reid Anderson, pianist Ethan Iverson and drummer David King -- and as a seamless unit at the same time. NEVER STOP is a strictly instrumental affair and, as a result, is a 180ý departure from the group's previous release, For All I Care, which featured alt-rock vocalist Wendy Lewis on covers of rock classics, along with re-imaginings of 20th Century classical compositions by Stravinsky, Ligeti and Babbitt.
17 New 'ON' this week: 200 Total
Synd: NPR/First Listen, PRI/Here & Now Markets include: New York, Los Angeles, Chicago, Boston, Philadelphia, Wash DC, Seattle, Minneapolis, Houston, Atlanta, Miami, Cleveland, Portland, St. Louis, Denver, Baltimore, Pittsburgh, Detroit, Kansas City, New Orleans, San Diego, Las Vegas, Austin, Orlando, Memphis, Berkeley, Milwaulee, Tucson, San Antonio, Albuquerque, Canada Online: MOJA, Taintradio, RadioIO, WGOE, KUIW.org