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Olafur Arnalds and Loreen:

Sages

Award-winning Icelandic composer and producer Ólafur Arnalds and Swedish singer songwriter and producer Loreen — the only woman to have won the Eurovision Song Contest twice — announce their genre-defying collaborative project SAGES with a double single release, ‘In The Sound Of Breathing / Opening.'

The first track ‘In The Sound Of Breathing’ was born in just half a day at Arnalds' Reykjavik studio. The delicate synth landscape grows in intensity, beautifully complementing Loreen’s haunting lyrics: “I’m on the edge, stop breathing… Chasing my head, chasing my feelings”. On second single ‘Opening’, there’s a palpable sense of cathartic creativity; based on the skeleton of an instrumental track Arnalds had written years ago, it found its home when he met Loreen. The track features a stunning electronic crescendo; “There’s a bit where you feel like you’ve reached the roof,” Loreen says. “I remember the chills in my body. It’s like chaos and harmony together.”

SAGES, a 3-track EP out March 21st - is a bold exploration of artistic kinship that bridges the worlds of euphoric, minimalist electronic composition and emotive pop. Ólafur and Loreen had long admired each other’s work from afar and instantly connected on social media shortly after her “Tattoo” performance in 2023. Speaking about the release, Loreen says: “I’m so excited to finally share ‘In The Sound of Breathing’ / ‘Opening’ with everyone—this project has been such a beautiful, transformative journey. Working with Ólafur has felt like discovering a musical kindred spirit; from the very first session, everything flowed so naturally, like we were completing each other’s sentences through sound. Every detail, every frequency, every moment in this music has been crafted with deep intention. I hope that when people listen, they allow themselves to fully immerse in it, to feel the energy in the soundscapes, and to take whatever they need from it.” 

Various:

World Sleep Day

Decca Records US released its World Sleep Day 2025 compilation album. Decca Records US is the official music partner of World Sleep Day and each year, joins forces with the World Sleep Society, numerous partner labels, and Decca Records US’ vast artist roster to help advocate for sleep health on a global scale. Spanning over 3 hours, the World Sleep Day 2025 compilation album includes musical contributions from over 28 different artists across various genres, such as ambient, instrumental, and solo piano.

World Sleep Day is a global call to action to celebrate healthy sleep. Since 2008, the World Sleep Society has used World Sleep Day to encourage its delegates and sleep health advocates to take action in their local communities, clinics, and countries to raise awareness for sleep health.

“The fundamental mission of the World Sleep Society is to advance sleep health worldwide. World Sleep Society will fulfill this mission by promoting and encouraging education, research and patient care throughout the World, particularly in those parts of the world where the practice of sleep medicine is less developed. World Sleep Society will act as a bridge between different sleep societies and cultures, supporting and encouraging worldwide exchange of clinical information and scientific studies related to sleep medicine. World Sleep Society will seek to encourage development and exchange of information for world-wide and regional standards of practice for sleep medicine.” - World Sleep Society

Howard Shore:

Anthology - The Paris Concerts

The dawn of the 21st century brought a seismic change for the composer when New Zealander Peter Jackson invited him to write the music for The Lord of the Rings trilogy, followed a decade later by The Hobbit. The blockbuster films introduced the wonders of Shore’s writing – here applied to storytelling on an epic scale – to audiences worldwide. “I honestly believe I managed to connect with Tolkien’s work and his love of nature, which I also share,” says Shore. “I wrote that music with my heart."

Another musical triptych was created in the spring of 2023 at the Maison de Radio France in Paris: a Howard Shore weekend presented three concerts aimed at defining the mysterious contours of the composer’s multifaceted output. Two concerts featuring the Orchestre Philharmonique de Radio France (one conducted by Ludwig Wicki, the other by Bastien Stil) bookended a third for reduced forces which focused more on experimental compositions. Pieces for 216 performers rubbed shoulders, for instance, with Catania (for solo piano), revealing the extent of Shore’s chameleon-like ability to switch between the most varied of genres and scales. The biggest thrill of the weekend was the chance it offered to rediscover scores of different styles and from different eras juxtaposed in the same program and given a coherent thread by being played by the same team of musicians.

Laura Teller:

More Light

Sometimes expediency works out for the best. I always thought More Light was supposed to
have words, but despite many attempts and iterations, the lyrics were never quite there. In the
studio, I unexpectedly had time to do one more song than I’d planned for, and More Light was
the only other lead sheet I had with me. So, we did a couple of takes (the session musicians
were friggin’ amazing) and I laid down a scat just for reference. Lo and behold, I ended up liking
the scat more than any of the lyrics I’d written—so that’s how it ended up.

Nicolas Masson:

Renaissance

Nicolas Masson’s acquaintance with his fellow quartet travelers Colin Vallon, Patrice Moret and Lionel Friedli goes back roughly two decades – in this time the players have developed an intimate musical bond, expressed purely and beautifully on Renaissance, the group’s second recording for ECM after 2018’s Travelers. Comprised exclusively of originals by the Swiss saxophonist and one collective improvisation, the album’s spotlight shifts between contrasting moods and shapes, capturing the venturesome leader stretching his compositional muscle in evocative interplay with his colleagues.

“It’s a special album for me,” notes the Swiss saxophonist, “the tenth as a leader or co-leader. Renaissance is its title for several reasons – one of them being that it also feels like the beginning of something new in my artistic endeavor – a personal renaissance, if you will. And fortunately the music turned out exactly the way I had it in mind to begin with.”

Jonathan Tetelman:

Puccini - Tosca

The 2024-25 season-opening concert version of Tosca given by the Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia is to be issued as an audio album by Deutsche Grammophon. Commemorating both the 125th anniversary of the opera’s premiere at Rome’s Teatro Costanzi on 14 January 1900 and the 100th anniversary of Puccini’s death, the release also marks a number of significant firsts. The performance is conducted by the new Santa Cecilia Music Director, Daniel Harding, while the exceptional cast is headed by Italian soprano Eleonora Buratto as Tosca, Chilean-American tenor and DG artist Jonathan Tetelman as Cavaradossi, and French baritone Ludovic Tézier as Scarpia. 

Two excerpts were released late last year for streaming/download – Cavaradossi and Tosca’s third-act duet, “O dolci mani … Amaro sol per te m’era il morire”, and “Il bacio di Tosca”, the instrumental epilogue to Act Two. Both were issued on 29 November 2024, exactly 100 years after Puccini’s death. The filmed version of the full concert performance can be viewed now on STAGE+. Set for release digitally and on 2 CDs on today, the album is the first fruit of an exciting new partnership between DG and the Accademia Nazionale di Santa Cecilia.

The October 2024 concert staging of Tosca was the first live performance ever given of the opera by the Santa Cecilia orchestra and chorus, although there are no fewer than three 20th-century recordings by earlier incarnations of the ensembles. It was not only Daniel Harding’s debut in his new role as Music Director, but his first time conducting Tosca. The work was, however, the perfect choice for these musicians when it came to commemorating the Puccini centenary, given that it is, in Harding’s words, “the Roman opera par excellence”. Set entirely in Napoleonic-era Rome, the opera was also premiered at the city’s Teatro Costanzi, in January 1900.

The firsts continue – this was Eleonora Buratto’s second Tosca, but her Italian debut – her interpretation led to her being hailed as “the Tosca of our dreams” (Giornale della musica). It was also Jonathan Tetelman’s debut with the orchestra and his first time working with Harding, in what has become a signature role. “All I ever wanted to do was sing Cavaradossi, here in Rome, with this wonderful orchestra,” says the tenor, whose critically acclaimed second DG album, The Great Puccini, presents extracts from nine operas, including “E lucevan le stelle” from Tosca (“His Cavaradossi is as languid and heroic as you could wish for” – BBC Music Magazine). “Santa Cecilia is in very capable hands with Daniel Harding,” adds Tetelman. “He’s very collaborative and it’s nice to have a conductor who’s interested in learning alongside the singers.” Buratto and Tetelman were joined by the pre-eminent Scarpia of our time, Ludovic Tézier (“His Scarpia is still a bully, but there’s sinister charm and ironic humour here too” – Bachtrack).
 

Mariko Senju:

Mendelssohn & Tchaikovsky - Vio Con. w/JPO,Iwamura

The Start of Her 50th Debut Anniversary! Mariko Senju Mendelssohn & Tchaikovsky: Violin Concertos

The Violin Concertos by Mendelssohn and Tchaikovsky were also included in her debut album, released 35 years ago. The present recording is a session recording made in June 2024 in Japan with conductor Chikara Iwamura and Japan Philharmonic Orchestra. She has owned her own Stradivarius "Duranti" since 2002, and this is the first recording of these violin concertos played on it.

Regarding the release of this new album, she shared the following comments to her fans in Japan:
"The 50th-anniversary commemorative album will finally be released. In the album, the pieces to be recorded are two violin concertos. These are the same concertos that made my recording debut about 35 years ago, and I have been planning to re-record them for many years. If you have recordings as a CD or a cassette from 35 years ago, please compare them and enjoy the differences!"

Takacs Quartet - Marc-Andre Hamelin:

Dvorak & Price Piano Quartets

The 22nd album from the Takács Quartet – out today on Hyperion Records – once again features pianist Marc-André Hamelin. This album of Piano Quintets features two piano quintets linked by American heritage; one by Florence Price, the first African American woman to have a composition played by a major orchestra, and the other by Antonín Dvorák, whose residency in America during the 1890s made a profound impact in a country whose classical music life was developing rapidly. Dvorák’s piano quintet is acknowledged as the Bohemian composer’s most popular chamber work.

While the Dvorák has long been a staple of the chamber music repertoire, Price’s is a recent find, one of the composer’s manuscripts discovered as recently as 2009, some 70 years or so after it was written and more than 50 years after her death.  Florence Price struggled for recognition even after her award-winning Symphony in E minor of 1932. In fact, this very Piano Quintet was only discovered 50 years after her death, part of a major cache of unpublished manuscripts discovered in an Illinois attic. This has led to a major re-evaluation of her contribution across many genres of instrumental music.

Jan Lisiecki:

preludes

The New York Times, reviewing Lisiecki’s Preludes programme at his Carnegie Hall recital debut in March 2024
Can a recital be composed entirely of preludes, by definition and tradition introductory works, and still be profound? This was the question pianist Jan Lisiecki pondered while conceiving his current recital programme, which forms the basis for his latest Deutsche Grammophon recording. In his capable hands, the answer, clearly, is yes, as listeners will discover from an album that compares and contrasts Chopin’s exceptional Op. 28 cycle with preludes by Bach, Rachmaninoff, Messiaen and Górecki. Jan Lisiecki: preludes comes out in all formats today. 

As Lisiecki notes, it was Chopin who transformed the prelude into a genre in its own right, “embracing its ability to establish a mood and be taken out of context, so to speak”. The 24 preludes of Op. 28, showcasing each key in turn, were the starting point for his recital programme and album and his recent live interpretations have garnered critical acclaim. Reviewing his Wigmore Hall recital in July, Bachtrack hailed “a landmark performance” which “demonstrated the finest qualities of this much admired pianist: a keen poetic sense, good taste and an unflashy technical strength”.

Lisiecki underlines the way in which Chopin set the prelude free by including two more examples by the composer. The album opens with the light and lively Prelude in A flat major, KK IVb/7, and also features the much longer and more meditative Prelude in C sharp minor, Op. 45.

David Handler:

Life Like Violence

Composer, violinist, and NYC impresario David Handler has released Life Like Violence – his debut album – on Cantaloupe Music. Handler composes acoustic and electronic music that has been described by the New York Times as “eerie and superbly wrought… exploring polarities of light and dark, the sacred and the profane.” This attraction to juxtaposition is also evident in Handler’s role as co-founder of (Le) Poisson Rouge  (LPR), the boundary-breaking venue in New York, NY that has opened doors for his fellow performers and connected audiences with unheard music since 2008.

Life Like Violence explores the everyday tumult of the mind: fear, whim, rage, pain, fancy. As Handler puts it: “this is the sound of my psyche.” It is music that attacks itself, eating itself from the inside out. Ideas invade and gnaw at each other. They undermine, taunt, assault, exalt, and tease. Physical gestures disrupt long narratives whose melodies are obscured, revealed, decayed, destroyed, and mourned. What emerges is a broken beauty of spirit that has endured.

Handler plays most or all instruments on all tracks, save for the album’s sole orchestral work, and his inner dialogue permeates each piece–tangibly, in the form of spoken word on the album’s title track. “The music is not intended to accompany, but rather to arrest,” the composer says. It is meant to take over, not allowing the listener to do anything else. In this respect, as Handler explains: “it invites presence through overload.”. The release schedule includes four singles with accompanying videos – one a month starting on January 24 with the title track Life Like Violence circa 2003, or: Untitled Caprice.

Marcin and Hayato Sumino:

I Wish

MARCIN & HAYATO SUMINO UNITE ON NEW SONG “I WISH”
THE SUPERSTAR GUITARIST & PIANO VIRTUOSO DELIVER A NEW TAKE ON THE STEVIE WONDER CLASSIC

Guitar wunderkind MARCIN and pianist-composer extraordinaire HAYATO SUMINO today release their new collaboration, a cover of Stevie Wonder’s 1976 Billboard No. 1 hit song, “I Wish." Each a social media sensation with millions of followers tuning in to their captivating live performances, the two artists recorded the song live in-studio in Tokyo, their unique instrumental arrangement blending elements of jazz, funk, R&B, and soul in a showcase of their distinctive playing styles. Today’s track arrives alongside an accompanying music video for “I Wish."

“Working with Hayato on ‘I Wish’ was one of the most challenging and fun experiences,” notes MARCIN. “We arranged the song in about two hours at Hayato’s studio in Tokyo, and two days later we were already recording it live in the studio! It was the first time I was tracking a true, live, jazz-style performance with another artist and Hayato is such a beast! I knew how crazy he was on the piano before, but actually seeing how he worked in the studio was so inspiring for me. Take 12 is the one that we used. It’s a fun and pure piece of music – just two friends from completely different continents jamming in a studio.

"I’m beyond excited to collaborate with my friend, the incredibly unique and charismatic guitarist, Marcin,” exclaims HAYATO SUMINO. “The blend of guitar and piano isn’t something you hear every day, which makes this project even more thrilling. The chemistry between us was absolutely electric!"

Chad Lawson:

Where We Are - Sleep Rework

For World Sleep Day 2025, Chad Lawson presents a short collection of soothing felted piano reworks of songs from his latest album Where We Are. “I wanted to create a gentle invitation to stillness, hoping listeners find some calm in this experience. Songs like Sanctuary and Gentle act as quiet companions. This World Sleep Day, let’s pause and reflect on the importance of rest.” Chad Lawson

Esther Abrami:

Wiegala

Violinist Esther Abrami releases a poignant new interpretation of “Wiegala”, a lullaby by Jewish poet and composer Ilse Weber. Arranged for violin and string quintet by Abrami herself, the single will be released on January 24th, 2025, in honor of International Holocaust Remembrance Day (January 27th).

Ilse Weber (1903–1944) was a Czech-born Jewish poet, writer, and composer, known for her children’s books and heartfelt songs, many of which she wrote during her imprisonment in the Theresienstadt concentration camp. “Wiegala”, a lullaby which she composed during this time, stands as a testament to Weber’s courage and compassion. While working as a nurse for children in the camp, Weber offered music as a source of comfort and hope when medicine was unavailable. She composed songs, led performances, and even formed a choir, bringing light into one of history’s darkest chapters. When the children were deported to Auschwitz in 1944, she chose to accompany them, singing “Wiegala” with them for the last time before she was murdered, alongside the children she had cared for.

Esther Abrami’s delicate arrangement captures the profound emotional depth of the piece, honoring Weber’s legacy and highlighting the enduring power of music in the face of unimaginable adversity. “Wiegala” is the first single to Abrami’s upcoming album exclusively featuring works by female composers. The album will be released on April 25th, 2025, by Sony Classical. “Wiegala” will be available in both Stereo and Dolby Atmos.

Anna Lapwood:

Firedove

One of the most gifted and visionary artists of her generation, Anna Lapwood, releases her brand-new album, ‘Firedove’, May 30th on Sony Classical. It is the follow-up to her acclaimed album ‘Luna’. The lead track is the captivating ‘Limina Luminis’, commissioned for and first performed at the 2023 BBC Proms, composed for Anna by Italian composer Olivia Belli. “This piece was part of my first solo recital at the BBC Proms, and I’ve played it in nearly every concert since, because I love it so much.” Anna says.

Already renowned for introducing the organ to new generations of music fans through her extraordinary interpretations of both classical and contemporary works, Anna Lapwood has become known to millions through viral TikTok videos, high-profile collaborations and sold-out live concerts.

Anna recorded her new album ‘Firedove’ through the night at Nidaros Cathedral, a spectacular Gothic masterpiece founded in the 11th century in Trondheim, Norway.

“I wanted to create an album where the listener doesn’t quite know where it’s going to go next,” Lapwood says. “There are lots of little easter eggs in there that you wouldn’t expect – even the first appearance of the choir – and a through-line of flight and spreading wings, because this does feel as though I’ve found what I want to say as an artist. I’m very proud of it.”

‘Firedove’ effortlessly demonstrates Anna’s open-minded approach to music, one where a Vierne scherzo can sit alongside a rendition of Robbie Williams ‘Angels’, and Maurice Duruflé’s ‘Prelude and Fugue’ with Bob Dylan’s ‘Make You Feel My Love’.

Jordan Rakei:

'Talk Talk Talk' single from 'The Loop'

Highly regarded multi-instrumentalist, vocalist and producer Jordan Rakei has announced a deluxe version of his latest studio album The Loop, which features three new tracks: “Celebrate” featuring STUTS (which has already reached 2 million global streams), “The Seize” and today’s lead single, “Talk Talk Talk,” which was recorded at the iconic Abbey Road studios during Jordan’s year-long residency. Speaking on the track, Jordan Rakei explains: “This song is simply about talking about your problems with people you trust. It was a really healthy exercise to let stuff go. Now I'm able to process stuff a lot better.”

The Loop, Rakei’s fifth album saw Jordan achieve his first Top 40 album, be named Abbey Road’s first ever Artist In Residence, play a coveted slot on Glastonbury’s West Holts stage, sell out his biggest-ever shows globally, curate his very own BBC Prom, and finish the year of 2024 with 2 stellar sold-out nights at London’s Royal Albert Hall. As well as the previously unheard singles, The Loop (Deluxe) version also features live versions of “Trust,” “Hopes and Dreams” & “Friend Or Foe” from the Royal Albert Hall shows.

Released last year via Decca (and Verve Forecast in the US), The Loop marked a new chapter in Jordan’s career that coincided with a number of profound changes in his personal life. It’s an extraordinary record, not least for its sheer, breathtaking ambition whilst retaining the experimental, off-kilter vibe he’s synonymous with. Containing singles "Flowers,""Freedom," "Learning," "Friend or Foe," and "Trust," the album showcased his typically bold production style alongside spectacular orchestral arrangements and haunting choirs, hypnotic beats and an Odyssean-style narrative that charts a course through times of darkness and positivity.

Recorded at RAK Studios, self-produced and mixed by Ben Baptie, fans and critics will note how on The Loop, Rakei has stepped away from the DIY sound he was once known for (and still loves). He grew up listening to artists such as Stevie Wonder, Bill Withers, Curtis Mayfield and D’Angelo and having returned to immersing himself with their music recently, he knew he didn’t want this new album to sound like it was made in a bedroom. Inspired by a Bill Withers documentary, in which his hero ignored the contempt of his peers for daring to reach higher, Rakei set about assembling a crack team of musicians to fulfill his own crystal clear ambitions for this album. 

Opus Two:

Celebrates Stephen Sondheim

Award-winning violin-piano duo, Opus Two - violinist William Terwilliger and pianist Andrew Cooperstock - announces the release of their new recording, Opus Two Celebrates Stephen Sondheim New Chamber Music Arrangements (Bridge Records 9605) now available on iTunes, Spotify, Amazon and major retail outlets.

As a follow-up to their previously released single, A Little Night Music Suite, recognized as “a winner” by BBC Magazine, the recording was also praised by Take Effect Magazine for Cooperstock and Terwilliger's "incredible chemistry and attention to rhythm. Their meticulous dynamics between the strings and keys effectively illuminates Sondheim’s vision with a radiance that does justice to the classic musical.” Now, this new full-length release features world-premiere recordings of highlights from Stephen Sondheim's exceptional Broadway shows. These include Not While I’m Around from Sweeney Todd, Broadway Baby from Follies, I Remember from Evening Primrose with soprano Elena Shaddow, Main Title from Stavisky, Every Day a Little Death from A Little Night Music with cellist Beth Vanderborgh, Sorry/Grateful from Company for violin solo, Finishing the Hat from Sunday in the Park with George with baritone Andrew Garland, Now You Know from Merrily We Roll Along for piano solo and Fleet Street Suite: A Sweeney Todd Medley.

Jeneba Kanneh-Mason:

Fantasie

Jeneba Kanneh-Mason has a passion for curating programmes that cross diverse musical landscapes, and on her debut solo album Fantasie, she takes listeners on a journey that explores connections across different composers’ sound worlds – whether they met, influenced each other, or simply existed in resonance.  

From Claude Debussy, Frédéric Chopin and Alexander Scriabin to Florence Price, Margaret Bonds and William Grant Still, Jeneba presents a programme which is also very personal to her as an artist. “I’ve always loved coming up with quite complex programmes which flow really nicely from one piece to the other and all these works mean a lot to me” she says. “By gathering them here for my debut album, I am not only revealing more of myself as a musician but also sharing the very different styles of music I grew up listening to.”

Frédéric Chopin is central to Jeneba’s repertoire, and she opens with his Second Piano Sonata in B flat minor, Op 35, one of his most powerful works, celebrated for its emotional depth and technical brilliance.  This is followed by The Nocturnes, Op 27, two contrasting pieces that illustrate Chopin’s mastery in evoking complex emotions in music.  “These pieces need to feel as if they’re being improvised” she reveals. “I’ve had to know the notes inside out, so that then when I come to performing it, I can see what happens. With Chopin, I don’t feel like I do the same thing every time.”

Tony Ann:

360

Reaching yet another creative high watermark, piano virtuoso, multiplatinum songwriter, and social media sensation Tony Ann just released his anxiously awaited full-length sophomore album, 360°, on out now via Decca Records/Universal Music France. Over the past year and until now, he has released a new single corresponding to the astrological sign of the month. Listen to the 12 tracks, including the last one PISCES (nicknamed “The Artist”).

Once again, Tony Ann advances creatively on 360°. Each song functions as a meditation on a different horoscope, encompassing 12 keys at different meters and tempos. It plunges listeners into a living and breathing musical ecosystem punctuated by bliss and catharsis. He employs the full range of the piano to evoke the singularity of these respective astrological signs. The entire suite revolves around his virtuosic chops, melodic empathy, and electrifying energy. Once again, he redefines the neoclassical space.

Regarding the concept for the full project, Aries is the first sign of the astrological year. It begins with the Spring Equinox. Next, the astrological signs follow the seasons, which are correlated with the earth's rotation around the sun (a 360-degree cycle). This offers four highlights: the Summer Solstice (90 degrees), the Autumn Equinox (180 degrees), the Winter Solstice (270 degrees) and the Spring Equinox (360 degrees).

Kun-Woo Paik:

Mozart Piano Works 3

“Bringing Mozart’s Voice Back to Life”    The Grand Finale of the trilogy!

“Through his Mozart recordings, Paik has painted an intimate portrait of Mozart—a very human figure whom we have been so familiar with yet never really understood. In short, he has brought Mozart’s “language of love” to life.” - Music Critic Dongjun Kim

Tours (Mozart tour unless indicated):
17 Mar Taichung, Taiwan
20 Mar Taipei, Taiwan
23 Mar Kaohsiung, Taiwan
27 Jul Macao (Chopin)
21 Sep Yokohama, Japan
31 Oct Singapore (Ravel)
4 Nov Singapore
 

Hikaru Utada:

Electricity (Arca Remix)

Japanese icon HIKARU UTADA has teamed up with legendary producer, artist and polymath ARCA for a new remix of their track “Electricity” – listen here. Featured on the global superstar’s 2024 best-of album SCIENCE FICTION, the original track was produced in collaboration with Sam Shepherd (Floating Points), its infectious chorus and jazzy instrumentation making it an immediate standout on the collection. Now, two generational sparks of talent combine: ARCA, known for her innovative soundscapes and genre-pushing electronic experimentation, manages to bring out a new side to the already expansive original.

Speaking on the collaboration, HIKARU UTADA comments: “It was an honor, and it was really exciting because I didn’t know what to expect. There’s an unmistakable Arca sound, yet she draws from such a beautiful range of music and experiences that you never really know what you’re going to get. What we got was incredible and beautiful. I’m very happy and excited to have had this opportunity to collaborate with her.”

ARCA adds, “It’s a song that’s so full of life and so vibrant and so much about a warmth, a connection that can’t be broken. I wanted to do my best to recontextualize it sonically from the original, which is already so amazing, and try to do something different. In this instance, I wanted to go for something celebrational and to make it as electric as the song title implied – euphoric even.”

Today’s remix follows the release of “Electricity (Karen Nyame KG Remix),” an Afrobeat-infused take that flips the synthy earworm into a soulful dance floor anthem.

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