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William Susman: Bio

American composer William Susman has developed a distinctive voice in contemporary classical music, with a catalog that includes orchestral, chamber, and vocal music, as well as numerous film scores. In addition to his work as a composer, he spearheads the contemporary ensemble OCTET and Belarca Records. His music is described by AllMusic as "the next developments in the sphere (of) minimalism." It has earned praise from The New York Times for being "vivid, turbulent, and rich-textured," from Gramophone as "texturally shimmering and harmonically ravishing," and from textura as "distinctly American."

Susman's training as a pianist in both jazz and classical traditions was influential in shaping his development as a composer. His academic training in composition grounded him in the traditions of mid-century modernism and he was particularly fascinated by the sounds and techniques of Xenakis and Ligeti. As he developed his own voice, though, he came to believe that the aesthetic of post-war modernism was too limiting, and he began to incorporate a variety of musical and cultural influences, including Afro-Cuban music, free jazz, and other non-Western folk traditions. His music uses an array of musical devices, from medieval isorhythm and hocket to Afro-Cuban clave and montuño rhythmic patterns. With this toolkit, he crafts a bold sound world both familiar and complex, with highly energetic grooves and modal-based hypnotic harmonies.

Susman's music is uniquely suited to film, and he is widely recognized for scoring such award-winning works as Native New Yorker (Best Documentary Film, Tribeca Film Festival), which has been included in over 30 film festivals worldwide and was honored in 2015 as one of the best in American experimental film by the National Gallery of Art, Washington D.C. His film catalog includes scores for numerous documentaries such as Oil on Ice, awarded the Pare Lorentz award by the International Documentary Association.

First appearing on the international scene after receiving a BMI award in 1985, Susman was selected by Earle Brown to receive a commission from the Fromm Foundation. The resulting work, Trailing Vortices (1986), received numerous international performances, including with the Netherlands Radio Chamber Orchestra, and went on to win awards from the Gaudeamus Foundation and ASCAP. His orchestral and chamber music has been widely performed in the U.S., Europe, China, and Japan, and his music has been played and recorded by soloists such as cellist Joan Jeanrenaud, Joseph Gramley of the Silk Road Ensemble, Greg and Patricia Zuber of the MET Orchestra, and pianist Vanessa Wagner.

In 2011, Susman founded the ensemble OCTET with the goal of expanding his imaginative sound world and creating a new voice for contemporary ensembles. OCTET takes the instrumentation of the American Big Band and scales it down to a brass section of saxophone, trumpet, and trombone, with a rhythm section of piano, electric piano, double bass, and drums, plus vocals. Its critically acclaimed album debut, Scatter My Ashes, featured original music by Susman and reached No. 1 on Amazon's Classical Hot New Releases, No. 8 on Billboard's Classical Charts, and was also chosen as Album of the Month in the October 2014 issue of textura magazine. OCTET can be heard broadcast on WNYC, Concertzender Radio (Netherlands), and NPR. In 2012, Susman founded the record label Belarca (with distribution by Naxos), which gives wider exposure to OCTET and to new composers from around the world.

A Chicago native, Susman received a Bachelor of Music degree from the University of Illinois, and subsequently accepted a graduate fellowship at Stanford, working at the Center for Computer Research in Music and Acoustics. He studied under Herbert Brün, Salvatore Martirano, Ben Johnston, and John Chowning. His albums are available on Belarca Records and distributed by Naxos. His scores are sold at susmanmusic.com and his percussion music is distributed by Steve Weiss Music.

His albums are available on Belarca Records and distributed by Naxos. His scores are sold at susmanmusic.com. Steve Weiss Music distributes his percussion music.

1 Camille / I Vitality 3:18
2 II Tranquility 2:26
3 III Triumph 2:52
4 Clouds and Flames / I Riding Towards Oblivion 2:01
5 II Floating in the Air 2:36
6 III In a Zone 1:48
7 IV The Alphabet of Dying 2:00
8 V Collision Point 2:57
9 VI Jar of Ashes 1:39
10 VII The World Spins 1:58
11 Motions of Return 8:52
12 The Starry Dynamo 14:27

Belarca Records presents Collision Point, a new album by American composer William Susman and Rome-based ensemble Piccola Accademia degli Specchi celebrating a 10-year collaboration. Collision Point features music inspired by love, loss, redemption, and the writings of Allen Ginsberg, Colum McCann and Francis Bacon.

The album brings together four premiere recordings including two pieces for the full ensemble: Camille (2010), which was written for the ensemble, and The Starry Dynamo (1994), as well as a piano trio, Clouds and Flames (2010) and a duo, Motions of Return (1996) for flute and piano.

Susman's music is described by AllMusic as "the next developments in the sphere (of) minimalism," and has earned praise from The New York Times for being "vivid, turbulent, and rich-textured," from Gramophone as "texturally shimmering and harmonically ravishing," and from textura as "distinctly American."

Crossover Media Projects with: William Susman