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Tour Dates

01/02/2020Metropolitan Opera / New York, NY
01/07/2020Metropolitan Opera / New York, NY
01/11/2020Metropolitan Opera / New York, NY
01/19/2020Metropolitan Opera / New York, NY
01/22/2020Metropolitan Opera / New York, NY
01/23/2020Academy of Music / Philadelphia, PA
01/24/2020Academy of Music / Philadelphia, PA
01/25/2020Academy of Music / Philadelphia, PA
01/26/2020Academy of Music / Philadelphia, PA
01/30/2020Kimmel Center / Philadelphia, PA
01/31/2020Kimmel Center / Philadelphia, PA
02/01/2020Kimmel Center / Philadelphia, PA
02/02/2020Kimmel Center / Philadelphia, PA
02/06/2020National Arts Centre / Ottawa, Canada
02/07/2020Place des Arts / Montreal, Canada
02/16/2020De Doelen / Rotterdam, Netherlands
02/17/2020Theatre des Champs-Elysees / Paris, France
02/18/2020Theatre des Champs-Elysees / Paris, France
02/20/2020Konzerthaus / Dortmund, Germany
02/21/2020Philharmonie / Essen, Germany
02/22/2020Festspielhaus / Baden-Baden, Germany
02/23/2020De Doelen / Rotterdam, Netherlands
02/27/2020Philharmonie / Berlin, Germany
02/28/2020Philharmonie / Berlin, Germany
02/29/2020Philharmonie / Berlin, Germany
03/12/2020Kimmel Center / Philadelphia, PA
03/13/2020Carnegie Hall / New York, NY
03/14/2020Kimmel Center / Philadelphia, PA
03/15/2020Kimmel Center / Philadelphia, PA
03/16/2020Metropolitan Opera / New York, NY
03/19/2020Kimmel Center / Philadelphia, PA
03/20/2020Carnegie Hall / New York, NY
03/21/2020Kimmel Center / Philadelphia, PA
03/22/2020Kimmel Center / Philadelphia, PA
03/23/2020Metropolitan Opera / New York, NY
03/26/2020Carnegie Hall / New York, NY
03/27/2020Kimmel Center / Philadelphia, PA
03/28/2020Kimmel Center / Philadelphia, PA
03/29/2020Kimmel Center / Philadelphia, PA
03/31/2020Metropolitan Opera / New York, NY

Yannick Nezet-Seguin: Bio

Music Director of The Philadelphia Orchestra since the start of the 2012/13 season and Music Director of Rotterdam Philharmonic Orchestra and Principal Guest Conductor of the London Philharmonic Orchestra since 2008, Yannick Nézet-Séguin has also been Artistic Director and Principal Conductor of the Orchestre Métropolitain (Montreal) since 2000, and has conducted all the major ensembles in his native Canada.

His European debut in 2004 swiftly led to invitations to many ensembles, such as the Dresden Staatskapelle, Berliner Philharmoniker, Bavarian Radio Symphony Orchestra, Wiener Philharmoniker (in Salzburg, Lucerne and Vienna), Accademia Nazionale di Santa Cecilia, Royal Stockholm Philharmonic and Chamber Orchestra of Europe.  He made his BBC Proms debut in 2009 with the Scottish Chamber Orchestra, returning the following year with the Rotterdam Philharmonic.  Summer 2012 saw concerts with the Orchestre Métropolitain in Canada; The Philadelphia Orchestra in Vail and Saratoga; and concerts at Lincoln Center's Mostly Mozart Festival in New York with the Chamber Orchestra of Europe and Mostly Mozart Festival Orchestra.

A notable opera conductor, Mr Nézet-Séguin made his debut at the Salzburg Festival in 2008 with a new production of Roméo et Juliette, returning to the city for the 2010 Mozartwoche and for Don Giovanni at the 2010 and 2011 summer festivals.  For The Metropolitan Opera, he has conducted Carmen, Don Carlo and Faust, with La Traviata opening next month and will continue to appear each season thereafter.  His 2011 debut at Teatro alla Scala (Roméo et Juliette) was followed last year by his first production for Royal Opera House, Covent Garden (Rusalka) and returns in a later season.  For Netherlands Opera, he has conducted The Makropoulos Case, Turandot and Don Carlo (all with the Rotterdam Philharmonic) and in 2011, embarked on a major opera series for Festspielhaus Baden-Baden.

Last October, Mr Nézet-Séguin's inaugural concerts with The Philadelphia Orchestra were most warmly received and included his acclaimed Carnegie Hall debut (Verdi Requiem).  Alongside regular subscription and touring programmes, he will lead three Carnegie Hall concerts each season and will make their first recording together for Deutsche Grammophon later this season.  Other highlights of 2012/13 include two separate tours to Japan and the Far East with the Rotterdam Philharmonic; a German tour with the London Philharmonic; and the complete Schumann symphonies and concertos with the Chamber Orchestra of Europe, which he recorded live last November for Deutsche Grammophon from Cité de la Musique in Paris.

In July 2012, following highly successful DVD releases of Gounod's Roméo et Juliette (Salzburg Festival, 2008) and Bizet's Carmen (The Metropolitan Opera, 2010) for their Yellow Label, Deutsche Grammophon announced a major long-term collaboration.  Alongside his Philadelphia Orchestra and Chamber Orchestra of Europe recordings, he makes a series of three recordings with the Rotterdam Philharmonic, starting with Tchaikovsky's Sixth Symphony; and live recordings of Mozart's seven mature operas from the Baden-

The first, Don Giovanni, was recorded in 2011 with Mahler Chamber Orchestra and released last year to outstanding reviews and will be followed in 2013 by the release of Così fan tutte, recorded last summer with Chamber Orchestra of Europe. Remaining titles in the series are Idomeneo, Die Entführung aus dem Serail, Le nozze di Figaro, La clemenza di Tito and Die Zauberflöte. Mr Nézet-Séguin's discography with the Rotterdam Philharmonic also includes recordings of Strauss (Ein Heldenleben/Vier letzte Lieder) and Berlioz (Symphonie fantastique/La Mort de Cléopâtre) for BIS Records; and three EMI/Virgin releases, including an Edison Award-winning album of Ravel's orchestral works.  With the London Philharmonic Orchestra and Choir he has recorded Brahms's German Requiem on the LPO's own label; he also continues to enjoy a fruitful recording relationship with Orchestre Métropolitain and Canadian label ATMA Classique

Rotterdam Philharmonic Orchestra
A native of Montreal, Mr Nézet-Séguin studied piano, conducting, composition, and chamber music at the Conservatoire de musique du Québec in Montreal and choral conducting at the Westminster Choir College in Princeton, New Jersey before going on to study with renowned conductors, most notably the Italian maestro Carlo Maria Giulini.  His honours include a prestigious Royal Philharmonic Society Award; Canada's highly coveted National Arts Centre Award and the Prix Denise-Pelletier, the highest distinction for the arts in Quebec, awarded by the Quebec government.  In 2011, he received an honorary doctorate from the University of Quebec in Montreal and was appointed a Companion of the Order of Canada in 2012.

1 Devotions Before Mass - Antiphon: Kyrie Eleison  
2 Devotions Before Mass - Hymn And Psalm: 'A Simple Song'  
3 Devotions Before Mass - Responsory: Alleluia  
4 First Introit (Rondo) - Prefatory Prayers  
5 First Introit (Rondo) - Thrice - Triple Canon: Dominum vobiscum  
6 Second Introit - In Nomine Patris  
7 Second Introit - Prayer For The Congregation (Chorale: 'Almighty Father')  
8 Second Introit - Epiphany  
9 Confession - Confiteor  
10 Confession - Trope: 'I Don't Know'  
11 Confession - Trope: 'Easy'  
12 Meditation #1  
13 Gloria - Gloria Tibi  
14 Gloria - Gloria In Excelsis  
15 Gloria - Trope: 'Half Of The People'  
16 Gloria - Trope: 'Thank You'  
17 Meditation #2  
18 Epistle: 'The Word Of The Lord'  
19 Gospel-Sermon: 'God Said'  
20 X Credo - Credo In Unum Deum  
21 X Credo - Trope: 'Non Credo'  
22 X Credo - Trope: 'Hurry'  
23 X Credo - Trope: 'World Without End'  
24 X Credo - Trope: 'I Believe In God'  
25 Meditation #3 (De Profundis, Part 1)  
26 Offertory (De Profundis, Part 2  
27 The Lord's Prayer - 'Our Father...'  
28 The Lord's Prayer - Trope: 'I Go On'  
29 Sanctus  
30 Agnus Dei  
31 Fraction: 'Things Get Broken'  
32 Pax: Communion ('Secret Songs')  
Kristjan Jarvi and Jubilant Sykes on Bernstein MASS
Yannick Nezet-Seguin on Programming Philadelphia Orchestra Concerts
Tchaikovsky: Fantasy-Overture 'Romeo and Juliet' (Yannick Nezet-Seguin)

Commissioned by Jacqueline Kennedy Onassis for the inauguration of the Kennedy Center in 1971, Bernstein's Mass draws from religious and secular genres as well as the tumultuous ‘60s. Requiring two orchestras, a rock band, a marching band, multiple choirs and musical singers, Mass is rarely performed and even more rarely recorded. Recorded live by the Philadelphia Orchestra and several American ensembles under the baton of Yannick Nézet-Séguin, this album is DG's first Mass in its vast catalog.