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Yannick Nezet-Seguin

Johannes Brahms, The Symphonies w/COOE

Deutsche Grammophon
Release Date: July 12, 2024

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1 Symphony No_ 1 in C Minor, Op_ 68_ I_ Un poco sostenuto - Allegro - Meno allegro  
2 II_ Andante sostenuto  
3 II_ Un poco allegretto e grazioso  
4 IV_ Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro  
5 Symphony No_ 2 in D Major, Op_ 73_ I_ Allegro non troppo  
6 II_ Adagio non troppo - L'istesso tempo, ma grazioso  
7 III_ Allegretto grazioso (Quasi andantino) - Presto ma non assai  
8 IV_ Allegro con spirito  
9 Symphony No_ 3 in F Major, Op_ 90_ I_ Allegro con brio  
10 II_ Andante  
11 III_ Poco allegretto  
12 IV_ Allegro  
13 Symphony No_ 4 in E Minor, Op_ 98_ I_ Allegro non troppo  
14 II_ Andante moderato  
15 III_ Allegro giocoso - Poco meno presto - Tempo I  
16 IV_ Allegro energico e passionato - Piu` allegro  
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For over a decade, Yannick Nézet-Séguin and the Chamber Orchestra of Europe (COE) have been reunited each summer in the German spa town of Baden-Baden. In 2021, their work there led to a well-received complete Beethoven symphony recording for Deutsche Grammophon, the first such cycle to be based on the New Complete Edition of the composer’s works (“Incredible energy emanates from Nézet-Séguin’s conducting … There is a new explosion of vitality every minute, the sense of drive and optimism simply irresistible” – Forum Opéra ). 

The following summer, Nézet-Séguin became artistic director of the Festspielhaus’s new La Capitale d’Été festival. Established by the theatre’s general manager, Benedikt Stampa, the festival took its name from a guidebook by French writer Eugène Guinot, which stated that Europe had two capitals – Paris in winter, but Baden-Baden in summer. During their 2022 and 2023 residencies, Nézet-Séguin and the COE turned their attention to Brahms, performing and recording all four of his symphonies. Deutsche Grammophon available today Johannes Brahms: The Symphonies digitally and as a 3-CD set. 

The choice of Brahms for the COE’s 2022/23 residencies was particularly apt, given that the composer himself spent several summers in the village of Lichtenthal, just outside Baden-Baden, near the home of his friend Clara Schumann. He worked on many of his best-known compositions during those years, including the first two symphonies. The First had taken him many long years to complete, so haunted was he by the legacy of Beethoven, but the Second flowed more easily from his pen. Because of the latter work’s close links to the area, the festival broadcast a special relay of the COE’s triumphant performance to a screen in the courtyard of the medieval Lichtenthal Abbey. 

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