Sharon Isbin has been a tireless commissioner of new work and her latest album Affinity is no exception with several recent compositions set alongside some old friends. It's Chris Brubeck's 18-minute Guitar Concerto-the longest and most colorful work here-that gives the album its title and opens proceedings. The concerto's name alludes to a shared "affinity" between composer and soloist, two musicians who thrive on exploring different styles. Like his father jazz legend Dave Brubeck, Chris Brubeck has his roots in jazz, but despite its plentiful toe-tapping syncopation, Affinity is most definitely a classical work. At its atmospheric heart the composer manages to incorporate one of his father's loveliest tunes-"Autumn in Our Town"-before a lilting Renaissance dance section ups the tempo to end with something akin to a wriggling Brazilian samba. Highly energetic, melodically infectious, and colorfully scored, Affinity is a real crowd pleaser, and with her immaculate and fleet-footed technique Isbin does it proud. The Maryland Symphony Orchestra under Music Director Elizabeth Schulze has just the right feel for this music and the excellent engineering ensures both textural clarity and a perfect balance.
It's 40 years since Leo Brouwer wrote his solo guitar work El Decameron Negro for Isbin, and although she's recorded it previously, her interpretation has only deepened with time. The three evocative instrumental "ballads" are inspired by African love stories infused with the musical sensibilities of Brouwer's native Cuba. Isbin is a natural storyteller and is in her element here, putting on a virtuoso display full of light, shade, and manual dexterity. Ditto Tan Dun's Seven Desires, an intriguing solo work that straddles-and fuses-the seemingly disparate worlds of the Chinese pipa and Spanish flamenco guitar. Antonio Lauro's charming Waltz No. 3 is here arranged for two guitars by former Isbin student and now regular duet partner Colin Davin. The disc concludes with Richard Danielpour's Of Love and Longing, three contrasting settings for voice and guitar of the Persian poet Rumi. Performed here with great warmth and sensitivity by Isabel Leonard, it crowns an album that should please fans of Isbin and of contemporary guitar music in general.
One would find it hard to beat the all-star line-up featured in The Cave of Wondrous Voice, a new, hour-long survey of vocal and chamber music by the California-based composer Mark Abel. David Shifrin, Carol Rosenberger, Hila Plitmann, and Fred Sherry headline the album but they're not its only stars. On the whole, The Cave of Wonderous Voice is smartly played and engineered. Abel's writing throughout is fluent and often genial. While certain spots in the Trio, particularly, might benefit from grittier moments to offset the diatonic ones, this is music of considerable expressive directness as well as charm.
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Composer, pianist, and conductor Michael Shapiro joins us to talk about the music on his latest disc, including his John Milton-inspired piano concerto entitled Archangel. In this action-packed work, Shapiro lays out the epic Biblical battle between good and evil as a metaphor for the challenges we all face in our daily lives (which includes the current coronavirus pandemic – something Michael recently fell victim to himself). Also on the disc: orchestral excerpts from an opera based on Federico Garcia Lorca, and a full-throttle realization for orchestra of the famous organ Toccata by French composer Charles-Marie Widor.
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There are a few guitarists who are almost instantly recognizable by their tone: Richard Thompson, Bill Frisell, Pat Metheny - and John Scofield. It's not that his sound is idiosyncratic, it's just that it's personal. There's some chorus in there, and just a touch of distortion to rough up the very edges. But it's also the notes he plays, and the way that the blues are never far from him no matter how complex the chord changes get. On his latest solo album he's joined by drummer Bill Stewart and bassist Steve Swallow. As the title suggests, the album is actually a tribute to Swallow, and consists entirely of the bassist's compositions. Scofield has said that when the two of them play together "sometimes… it's like one big guitar," and you can definitely hear that; you can also hear why Scofield likes Swallow's tunes so much ("they're grounded in reality, with cadences that make sense"). As discursive as the trio sometimes gets - this is an ECM jazz recording, after all - they never lose the thread of brilliant continuity that binds these wonderful tunes together. For all jazz collections.
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Voice of Hope is Camille Thomas's second album for Deutsche Grammophon. The Franco-Belgian cellist's program pays tribute to people's ability to triumph over adversity, create harmony in place of chaos, and overcome hatred with love. The album presents the world-premiere recording of Fazil Say's concerto Never Give Up, a response to terrorist attacks in Paris and Istanbul written for and premiered by Thomas, and also includes an exquisite selection of songs, prayers, and laments, Bruch's Kol Nidrei and Ravel's Kaddisch among them.
For June 30, Camille Thomas - Voice of Hope is the WFMT: Chicago 'Featured New Release'
"There is no denying the emotional expression and feeling of the music, the joy and exuberance transmitted, and at times it certainly lifts the spirits, but unless you have a taste for this style, a little goes a long way"
An intriguing release, this is really world music, drawing on Middle Eastern and Andalusian traditions, with guitarist and keyboard player Dave Soldier setting poems, mainly Hebrew and Arabic, to music. For this he uses traditional instrumentation with occasional elements of contemporary music and a sprinkling of jazz. There are jazz connections in the personnel – bassist Ratzo Harris played with Mose Allison and Betty Carter, trombonist Chris Washburne with Eddie Palmieri, and Soldier himself studied with Roscoe Mitchell. But apart from this, the link is minimal.
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Recently French composer and pianist Lucas Debargue breathed new life into the harpsichord sonatas of Domenico Scarlatti and presents works outside the standard piano repertoire. The Parisian pianist has already climbed the pinnacle of piano artistry with Beethoven, Liszt and Ravel and unleashed full-blown romantic thunderstorms with Schubert's A-minor Piano Sonata no. 14 and the madcap finale of Ravel's Gaspard de la nuit.
On the album, Debargue devotes himself completely to Domenico Scarlatti. He already played four of this Italian master's sonatas on his highly acclaimed début album. Germany's Der Spiegel waxed ecstatic: "Debargue's Scarlatti recalls his mighty predecessors. He displays the subtle touch and feeling once bestowed on these miniatures by Vladimir Horowitz and imparts new sound to Scarlatti's keyboard music. … Debargue touches the outer limits of expression between joylessness and rapture: one may find it overwrought, but it's never less than gripping. And then there's the gentle Glenn Gould touch."
Debargue joins us for this mini-episode of REMOTE with a couple words on some of his pandemic-projects, reading list, and the importance of emphasizing our similarities rather than differences. READ THE Q&A
Sony Music Masterworks today releases Not Our First Goat Rodeo, the long-awaited follow-up album to the GRAMMY Award-winning The Goat Rodeo Sessions, with Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile.
In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA.
Blues Hall of Famer Bettye LaVette has decided to release her stirring rendition of "Strange Fruit" ahead of schedule as it says as much about the history of American racism and the state of the country today.
Guitarist John Scofield celebrates the music of his friend and mentor Steve Swallow in an outgoing and spirited recording, made in an afternoon in New York City in March 2019 - "old school" style as Scofield says, acknowledging that more than forty years of preparation led up to it.
Yo-Yo Ma urges Dartmouth grads to use power wisely / NEW HAMPSHIRE Union Leader
Posted: June 10, 2019 12:00 AM
| By: Admin
Renowned musician Yo-Yo Ma reminded Dartmouth College students of the power they have, and the need to harness that power. "You will always have more power than you know. Never abuse this power; it is a gift," Ma said. "Use it with great care and intention." Ma, the Grammy award-winning cellist, was this year's commencement speaker, and he received an honorary degree from the school for his artistic and humanitarian work. Ma told the graduates they will soon be leading lives that involve the use of power, whether that is in medicine, business or within a family, and that the decisions they make will have a deep impact on those around them. "Power isn't something we're born with knowing how to use," he said. "There's no guide for using power with restraint."
More than 1,900 degrees were awarded Sunday to the graduating students at Dartmouth College, who gathered on the campus commons in the June sunshine. The college estimates that more than 11,000 people were in attendance for the commencement. The senior class includes students from 46 states as well as the District of Columbia, and students from China, the United Kingdom, Korea and Canada.
On March 8, Sony Classical will release a recording of Esa-Pekka Salonen's cello concerto featuring Yo-Yo Ma and the Los Angeles Philharmonic under Salonen's baton. Co-commissioned for Ma by the Chicago Symphony Orchestra, the New York Philharmonic, the Barbican Centre, and Elbphilharmonie Hamburg, Salonen's cello concerto premiered on March 9, 2017 with Salonen himself conducting the Chicago Symphony Orchestra. Ma and the concerto then came to the New York Philharmonic on March 17, 2017, with then-Music Director Alan Gilbert conducting; Ma and Gilbert continued the premiere season with performances at London's Barbican Centre and Hamburg's Elbphilharmonie. This recording captures the live performance in Los Angeles on February 8, 2018.
YO-YO MA releases Six Evolutions – Bach: Cello Suites today. The new album from Sony Classical marks Ma's third and final recording of the works and celebrates his nearly six-decade-long relationship with the music. Six Evolutions – Bach: Cello Suites is available to stream and download now on all digital service providers and for purchase as a 3-LP 180-gram vinyl set.
As Ma's "constant musical companions" for almost 60 years, Bach's Cello Suites first entered the cellist's life at the age of four, when he learned the first measure of the Prélude to Suite No. 1 under his father's instruction. His Grammy Award-winning first complete recording of the suites was made in his late twenties. His second, Inspired by Bach, was released in his early forties and recorded alongside a multi-genre, collaborative exploration of the works. Both previous recordings of the Cello Suites, also on Sony Classical, became landmarks in classical discography, as well as milestones in Ma's musical life. Since then these works have been a through line in his life, guiding him through times of happiness as well as hardship, prompting Ma to ask, "What power does this music possess that even today, after three hundred years, it continues to help us navigate through troubled times?"
CBS/Sony Classical has been accompanying superstar cellist Yo-Yo Ma for decades on his journey through the unsurpassed works written for his instrument by Johann Sebastian Bach. The label is now pleased to announce the release of important landmarks from that journey, Yo-Yo Ma Plays Bach, on a single CD. Ma's first recording of Bach's six Solo Suites, which went on to win the Grammy? for "Best Classical Instrumental Performance" and is represented here by the Sarabande from the Sixth Suite, took place in 1982. In the same year, Yo-Yo Ma recorded Bach's complete sonatas for viola da gamba with harpsichordist Kenneth Cooper which was hailed by Gramophone as "intelligent and expressive."
24 NEW 53 TOTAL
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Imagine a party, a musical party inspired by the holiday season. A party that celebrates the universal hopes, dreams and joy animating seasonal festivals the world over Christmas, Hanukkah, Eid al-Adha, Kwanzaa, Yule and New Year's Day. That is what brought Yo-Yo Ma together with a remarkable group of friends to create Yo-Yo Ma & Friends Songs of Joy & Peace, a new album of songs from Sony Masterworks.
3 New 'ON' this week: 291
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An Essential Collection From Yo-Yo Ma. One Of The Most Popular Musicians Of Our Time! 34 Incredible tracks spanning Yo-Yo Ma's entire career - From his Academy Award winning performance on: Crouching Tiger, Hidden Dragon and his Grammy Winning Soul Of The Tango: to his latest Silk Road Ensemble recording: Beyond the Horizon.
8 ADD's this week: 68 Stations now "ON"
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Comprising ninety discs, Yo-Yo Ma: 30 Years Outside the Box is a salute to Yo-Yo Ma's monumental musical achievements and to his 30-year legacy with Sony Masterworks. The exciting story of his life and work is eloquently told in a quality hard bound book of over 312 pages, lavishly illustrated with more than 150 color and black-and-white archival photos, original album artwork, liner notes and credits. Further enriching the story of this musical giant is a warm and insightful foreword by his longtime friend and esteemed fellow artist, pianist Emanuel Ax, as well as a lengthy, insightful essay by noted critic Richard Dyer.
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Yo-Yo Ma's latest recording for Sony Classical, Appassionato, is a journey through some of the world's most romantic music-from Mendelssohn to Gershwin to John Williams. An exclusive Sony Classical artist, and with a CD catalogue of astonishing breadth and depth, Yo-Yo Ma has consistently been one of the top-selling classical artists in the world. His recordings have earned him a total of fifteen Grammy Awards.
7 New 'ON' this week: 63 Total "Stations/Shows" Markets include: New York, Los Angeles, Chicago, Boston, Seattle, Minneapolis, Miami, Atlanta, Dallas, Houston, St. Louis, Cleveland, Cincinatti, Baltimore, Salt Lake, New Orleans