Norwegian composer and pianist Ola Gjeilo has a musical style that is often described as cinematic and evocative, characterised by warm harmonies, flowing melodies and gently rocking, repeated figures. He is an exclusive Decca Classics recording artist, and the new album follows the highly successful Winter Songs (2017) and Ola Gjeilo (2016), which also feature Tenebrae, Voces8 and the Choir of Royal Holloway. NIGHT is his first solo piano album to be released on Decca.
Gjeilo's now presents a stunning collection of brand-new original works for solo piano, composed and performed by Gjeilo himself. NIGHT is an intimate and meditative collection of peaceful piano music, inspired by the twilight hours in the place he now calls home – New York City.
In conjunction with this release Ola has made some time today! Thursday February 28 to speak with US radio.
Game of Tones:
Microtonal Guitarist John Schneider plays the 30th iteration of PITT's Beyond 2020 Microtonal Music Festival.
Despite its modernist ring, microtonal music is not a recent phenomenon. The term was first coined over a century ago, and the concept - music using altered pitches and tuning systems to play notes not found in the standard Western twelve-tone system - has been utilized as far back as history books go. But thanks to the internet, the ease of self-education through YouTube tutorials, and the advancement of musical technology, microtonal music has evolved into an (almost) mainstream field of study and expression.
Founder of MicroFest, John Schneider is a guitarist and arranger who also writes for harp and percussion. A professor of music at Los Angeles Pierce College, Schneider also hosts the KPFK Los Angeles weekly radio program "Global Village."
From Fri., Feb. 28 to Sun., March 1, a slate of local and international groups will explore microtonality from a variety of approaches through a mix of electronic and acoustic instruments, light shows, video projections, and dance, as well as lectures from experts in the field. Performers include Del Sol String Quartet (San Francisco), MikroEnsemble (Finland), Brightwork Ensemble (Los Angeles), and Pittsburgh musicians Aaron Myers-Brooks, Nuiko Wadden, and Lindsey Goodman, and many more.
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Joey Alexander, the Grammy-nominated jazz pianist, composer and bandleader recently unveiled 'Warna' (Verve Records). The album is primarily a collection of reflective, moving new and original music by an experienced and confident musician. Translating as "color" from Alexander's native language of Bahasa, WARNA follows four Motéma Music albums that garnered the pianist three Grammy nominations and such honors as historic critics' and readers' poll victories in DownBeat and JazzTimes. Joining Alexander on the new album are Larry Grenadier and Kendrick Scott, who comprise the core piano trio. On several tracks, Venezuelan-born percussion Luisito Quintero, and flautist Anne Drummond, join the burgeoning jazz pianist.
Joey sits down with 91.3KXCI: Tucson to discuss the recording. Listen to the attached file
The two Piano Concertos by Frederic Chopin recorded here have been an integral part of British pianist Benjamin Grosvenor's repertoire ever since his early teens. And this level of familiarity definitely manifests itself in his playing. There's a constant fluid limpidity and clarity to his phrasing, and an overall forward momentum shaped by delicate contours. Nothing ever sounds forced or affected, but rather seemingly moves along naturally. The slow passages are contemplative whilst the fast passages quite simply dance off the keyboard. And when a certain degree of darkness creeps into the music, his playing takes on an appropriately different mien, and the same can be said when the music takes on a highly Polonaise style.
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The March 2020 issue Gramophone features revealing interviews with conductors Teodor Currentzis and Michael Tilson Thomas and, of course, the world's best classical music reviews. For the March issue of Gramophone, on sale now, Teodor Currentzis tells Peter Quantrill about his new recording of Beethoven's Fifth Symphony for Sony Classical, while Michael Tilson Thomas talks to Steven Winn about stepping down as Music Director of the San Francisco Symphony and leaving behind an inspiring legacy.
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Under celebrated violinist Joshua Bell's direction, the globally renowned Academy of St. Martin in the Fields will perform in concert tonight and Thursday at The McKnight Center for the Performing Arts on Oklahoma State University's campus in Stillwater.
Both OSU performances will be under Bell's direction. Bell was named the music director of The Academy of St. Martin in the Fields in 2011, the only person to hold this position since Sir Neville Marriner formed the orchestra in 1958, according to a news release. Bell's Music Director contract was recently extended until 2023, an announcement that coincided with The Academy's 60th anniversary. [Chris Lee photo]
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Celebrating Harry Belafonte's 93rd birthday. A celebration of his life and work with special guests: Common, Maxwell, Sheila E., Talib Kweli, Aloe Blacc, Alice Smith, John Forté, Gael Faye, Resistance Revival Chorus, and many more special guests!
American singer, actor, producer, and activist; Harry Belafonte started as key figure in the folk music scene of the 1950s, especially known for popularizing the Caribbean folk songs known as calypsos. He was also involved in various social causes, notably the civil rights movement. Harry became a folk singer, learning songs at the Library of Congress's American folk song archives. He sang Caribbean folk songs as well, in nightclubs and theatres; his handsome appearance added to his appeal as a frequent performer on television variety programs. With hit recordings such as "Day-O (Banana Boat Song)" and "Jamaica Farewell," he initiated a fad for calypso music and became known as the King of Calypso. In the mid-1950s his Harry Belafonte and Mark Twain and Other Folk Favorites were the first of his series of hit folk song albums. During this time he made his Broadway debut, appearing in the musical John Murray Anderson's Almanac (1953–54); for his performance, he won a Tony Award for supporting actor. Later in the decade he starred on the stage in 3 for Tonight and Belafonte at the Palace.
Throughout his career, Belafonte was involved in various causes. He was a supporter of the civil rights movement and a close friend of Martin Luther King, Jr. Belafonte was active in African humanitarian efforts, notably appearing on the charity song "We Are the World" (1985). In 1987 he became a UNICEF goodwill ambassador. He received the Jean Hersholt Humanitarian Award from the Academy of Motion Picture Arts and Sciences in 2014.
100% of the net profit to benefit The Popular Democracy Movement Center and the Harry Belafonte 115th St. NY Library.
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‘Love Letters' marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX.
Milan Records today releases THE NEW POPE (ORIGINAL SOUNDTRACK FROM THE SKY – HBO – CANAL+ SERIES produced by FREMANTLE'S THE APARTMENT and WILDSIDE, co-produced with HAUT ET COURT TV and THE MEDIAPRO STUDIO) with music by LELE MARCHITELLI.
Referred to as "the Jimi Hendrix of the ukulele," Jake Shimabukuro is a true virtuoso, and exhibits his talents once again with the release of ‘Trio', available February 14th through Music Theories Recordings.
Congratulations to Jennifer Higdon winning 2020 GRAMMY Award 'Best Contemporary Classical Composition' for her 'Harp Concerto' on 'American Rapture.' Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)
Azica Records will release American Rapture featuring harpist Yolanda Kondonassis and the Rochester Philharmonic Orchestra, conducted by Music Director Ward Stare. This album includes the world premiere recording of Pulitzer Prize-winner Jennifer Higdon's Harp Concerto, written for and dedicated to Yolanda Kondonassis; Samuel Barber's Symphony No. 1 in One Movement, Op. 9; and the world premiere recording of Patrick Harlin's Rapture. The album is designed to highlight three generations of American composition and, as defined by Harlin in the context of his work, to depict rapture not as a religious event, but as an experience of extreme human emotion.